Wednesday 31 July 2024

Loughborough Parish Library at The Old Rectory Museum: New Digital Gallery and a Free Workshop

Loughborough Parish Library at The Old Rectory Museum: New Digital Gallery and a Free Workshop

New Digital Gallery

A few weeks ago I mentioned in this blog that I had attended an event celebrating the opening of a new exhibition, down at the Old Rectory, so you might be interested to know that some key extracts from items in the Parish Library have been digitised and can be found on the University of Nottingham, Manuscripts and Special Collections Digital Gallery

Once you’re on the site, click on an image, and this will take you to the catalogue record and give you the link to the single image view. Choose the second option: “View the digital file(s) with the Universal Viewer (allows zooming in)”

New FREE Workshop!

As well as the new Digital Gallery, you might also be interested to read about a forthcoming exciting opportunity being held down at the old Rectory … a hands-on workshop exploring Early Modern print culture using facsimile pages from the historic rare books. Decode the symbolism and powerful visual storytelling in images taken from Classical myths and Biblical stories.

The event is facilitated by Thomas Nixon-Roworth, who is studying for a PhD at Sheffield University and currently completes a placement at the University of Nottingham’s Manuscripts and Special Collections with Dr Ursula Ackrill, Librarian (Special Collections), at that institution.

Ursula has catalogued the library of old and rare books which was originally kept in the Old Rectory, and, more recently, she has curated the exhibition Loughborough Parish Library. This exhibition runs at the Old Rectory Museum until the end of August 2024, and you are invited to visit the exhibition during the Museum’s opening times, 11am-3pm on Saturdays.

Accompanying the exhibition, a new workshop is being held by Manuscripts and Special Collections, University of Nottingham, to which you are also invited. It is hosted by the Loughborough Archaeological and Historical Society, custodians of the Old Rectory Museum. The workshop has been developed by Manuscripts and Special Collections, who also provide all learning materials required on the day. You can find further details and a description of the workshop below.

The Details

Dates: Wednesday 28 August, Friday 30 August and Tuesday 3 September.

NB The same workshop runs on all three dates.

Time: 10am-12.30pm. Doors open at 9:30 to view the exhibition.

Venue: Old Rectory Museum, Loughborough LE11 1UW

The workshop is offered free of charge, however, places are limited.

To book your place please email mss-library@nottingham.ac.uk by 23 August 2024.


The Old Rectory Museum, 2024 © Manuscripts and Special Collections

The Workshop

The exhibition, which opened in June 2024 at the Old Rectory, saw the return of familiar sights back inside its walls: engravings from the 17th and 18th century; pages from old books with fine handwritten annotations; old letterpress ornaments. If walls could talk, they would salute these pages. The very same pages could have been glimpsed centuries ago over the shoulder of their reader: the Rev. James Bickham. He kept a formidable library of books. He lived at the Old Rectory from 1761 until his death in 1785.

As a student and later fellow of his College at Cambridge, Bickham had an interesting circle of friends. Among them were the poet Thomas Gray, who in 1751 became famous for writing the Elegy in a Country Church Yard, and the Bishop of Worcester Richard Hurd, who resided at Hartlebury Castle, with a library a thousand times bigger than Bickham’s. Unlike Bickham, his friends went on to pursue stellar careers as published authors. By reading the books of Gray, Hurd, and other former fellow students, Bickham rooted for their success from afar, as Rector of All Saints Church at Loughborough.

Bickham found plenty of work to do in the parish of All Saints. From 1772, as Archdeacon of Leicester, Bickham had responsibility for overseeing the maintenance of church buildings and sacral objects in the third largest of the six archdeaconries in the vast Lincoln diocese. However, the condition of his own private library, numbering 641 books, shows him to have been an avid reader, who studied, close-read - and sometimes made notes in the margins of - his books. Bickham and perhaps his wife Sarah were the sole readers of this library during their lifetime. In the solar, the upstairs room of the Old Rectory, we can imagine the Rector and his wife Sarah reciting the Elegy, looking out across to the graveyard, hearing the bells’ toll from All Saints Church. However, the library is now held at the University of Nottingham and can be read by all members of the public.

How can we today re-live the pleasure of knowing these books as Bickham did once? If only there was a quick and handy way in! We considered this, and realised that, whilst reading the books word for word would take more time than any one of us can spare, we have the gift of the images: the books contain illustrations! These images are rich with stories that can be “read” at a glance.

To offer you the experience of the library owner’s insight, we have created a workshop using facsimiles of select frontispieces, illustrations, printers’ devices, and ornaments.

Join us for a hands-on workshop exploring Early Modern print culture using facsimile pages from the historic rare books. Decode the symbolism and powerful visual storytelling in images taken from Classical myths and Biblical stories.

Frontispiece or second illustrated title page of Lucii Coelii Lactantii Firmiani opera (1660)

University of Nottingham, Loughborough Parish Library, Oversize BR65.L2.C60 facsimile

This engraving shows the early Christian author Lactantius presenting the emperor Constantine I with his main work, the Divine Institutes. Here Lactantius argues that the Christian doctrine is true and reasonable - against objections from pagan critics. The image shows the newly Christian emperor rule triumphant over smashed-up statues of the pagan world; he holds in his right hand a sword entwined with an olive branch.

Interested in this workshop’s learning outcomes? Read on.

Learning outcomes of the workshop

You will…

  • Get a sense of Early Modern people’s sensibilities.
  • Re-familiarise yourself with stories from the Bible, classical antiquity, medieval and Early Modern history, which are captured in images printed in books.
  • Refresh your understanding and memories, as you identify the references which these images depict.
  • Unpick layers of different stories from disparate traditions gathered together in one image, and interpret the key message it conveys.
  • Learn about the art of selling books by studying examples of printer’s devices from the UK and from continental Europe, understanding the rise of the commercial middle class over three centuries.
  • Be able to identify techniques such as engraving and woodcut, and explain the different mechanisms required to print them.
  • Feel proud of the library which was kept in your town and survived over centuries into our time.

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Here are the details again:

Dates: Wednesday 28 August, Friday 30 August and Tuesday 3 September. The same workshop runs on all three dates.

Time: 10am-12.30pm. Doors open at 9:30 to view the exhibition.

Venue: Old Rectory Museum, Loughborough LE11 1UW

Duration of workshop: 2.5 hours, including a 15-minute break. In fine weather bring a packed lunch to enjoy afterwards in the Rectory Garden.

The workshop is offered free of charge, however, places are limited. To book your place please email mss-library@nottingham.ac.uk by 23 August 2024.

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About Ursula

As a librarian at Nottingham University with Manuscripts and Special Collections, Ursula has developed a wide range of skills that enable her to promote and interrogate unique collections of material, sharing them widely with people who are interested. Ursula is a member of the Loughborough Archaeological and Historical Society, and can be found at the Old Rectory on some Saturdays during the opening season of the museum. Ursula also gives talks and presentations to groups about her work, for example in February 2024, Ursula gave a talk about Parish Libraries at St Helen's Heritage Centre, Ashby.

About Thomas

Thomas Nixon-Roworth is studying for a PhD at Sheffield University and is currently undertaking a placement at the University of Nottingham’s Manuscripts and Special Collections with Dr Ursula Ackrill, Librarian (Special Collections), at that institution.

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Please note, the views expressed in this Guest Blog Post are the views of the author, and do not necessarily reflect the views of the blog owner, lynneaboutloughborough.

____________________________________

Posted by lynneaboutloughborough

With apologies for typos which are all mine!

_______________________________________________

Thank you for reading this blog.

Copyright:

The copyright © of all content on this blog rests with me, or in the case of guest blogposts, with the named Guest Blogger. However, you are welcome to quote passages from any of my posts, with appropriate credit. The correct citation for this looks as follows:

Surname, Forename (2024). Loughborough Parish Library at The Old Rectory Museum: New Digital Gallery and a Free Workshop. Available from: https://lynneaboutloughborough.blogspot.com/2024/07/loughborough-parish-library-at-old.html [Accessed 28 July 2024]

Take down policy:

I post no pictures that are not my own, unless I have express permission so to do. All text is my own, and not copied from any other information sources, printed or electronic, unless identified and credited as such. If you find I have posted something in contravention of these statements, or if there are photographs of you which you would prefer not to be here, please contact me at the address listed on the About Me page, and I will remove these.

Blog archive and tags:

If you are viewing this blog in mobile format, you will not be able to easily access the blog archive, or the clickable links to various topics. These can be accessed if you scroll to the bottom of the page, and click 'View Web Version'. Alternatively, there is also a complete list of posts, which when clicked will take you to the page you are interested in.

Searching the blog:

You can search the blog using the dedicated search box that appears near the top of the blog when viewed in the web version. Alternatively, you can search using your usual search engine (e.g. Bing, Google, DuckDuckGo etc.) by following this example:

site: https://lynneaboutloughborough.blogspot.com/ “Radmoor House”

NOTE – the words you’re actually looking for must be in “” and the first of these must be preceded by a space

Thank you for reading this blog.

Lynne

Sunday 21 July 2024

Guide to All Saints with Holy Trinity Parish Church

The church down on Steeple Row in Loughborough often makes an appearance on this blog. My articles about All Saints with Holy Trinity Parish Church are often in connection with something related – maybe the bells, the Swithland slate gravestones, or the former rectors – so, there is no better way for you to understand its history than to pop down and experience the building for yourself!

During the Festival of Archaeology, which is a national two-week event, but which in Leicestershire spans the whole of July, there is a great opportunity to visit, go on a guided tour of the building, and hear a talk about the church in its urban environment. The details of this special opening event are outlined below. But, if you can’t make it along to this extended open day, what ten things – or maybe eleven!!! – are important to notice in Loughborough’s parish church?

Below the special event notification, the Parish Archivist highlights eleven points of interest – things you should look out for when you are able to visit the church! I've given you a bit of a taster, by including a few photographs, too!




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All Saints with Holy Trinity Parish Church, Steeple Row, Loughborough is open for visitors interested in church and local history every Saturday from 10am to 12 noon.

On Saturday 27 July we will be open extended hours from 10am to 4pm and there will be 2 talks, one at 11am with a guided tour pointing out the main points of interest and another at 2.30pm entitled “How an urban church changed and developed through the centuries”.

We will also be open these extended hours on Saturday 14 Sept and also on Sunday 15 Sept from 1pm to 4pm filled by the chance to experience Choral Evensong sung by the church choir a traditional service from the Book of Common prayer used in this and other ancient churches since the mid-16th century.

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Here is a quick resumé of the major points of interest the visitor will find. (More detailed information is available on site from one of the stewards on duty):

1.          In the churchyard a very fine and extensive collection of gravestones made from the local Swithland slate. They date from the late 17th to the late 18th century and can be identified by their colour, their reverse sides usually being left rough, and by their fine craftsmanship. They tell us a lot about changing styles of decoration and script as well as texts which were chosen, ages of death and much about the local community in status and occupation.


2.           Externally, the fine, west tower, a-typical for Leicestershire. Clues to who paid for it are in the heraldry above the west door [shields of the merchants of the staple of Calais and of the local merchant Ralph Lemyngton] and surrounding the west window [no definitive identification of all the badges has yet been successfully proved, but the bottom three on both sides are royal: the Tudor Rose, the pomegranate of Catherine of Aragon and the portcullis of Margaret Beaufort, mother of Henry VII; the others seem to be of lords of the manor and local landed gentry]. The tower holds a peal of ten bells.


3.           The entrance space beneath the tower is in effect a memorial chapel dedicated to the Taylor family and to the bellringers of the town. The floor memorial is made of bell metal: in its centre is the Taylor shield with the motto ‘Their sound is gone out into all lands’.  As now the only place in this country with a bell foundry, appropriately there are several reminders of peals which have taken place here and memorial plaques to three generations of the Taylor family.



4.           Mounted on the wall near the font [which is difficult to date but is probably Elizabethan or Jacobean, 1558-1625], are all that remains of the medieval brasses which were once in the floor of the church. Difficult to see is medieval graffiti on the wall: in fact quite a lot survives around the church. Nearby is a framed list of incumbents and patrons of the parish from 1193 onwards. Note that some of the medieval and 16th century patrons came from some of the greatest families in the land such as the Despensers, Hastings and Earls of Huntingdon before the patronage passed to Emmanuel College, Cambridge. The list by itself does not disclose two periods in English history which saw religious division: the ‘see-saw’ between Catholicism and Protestantism in the mid-16th century, and the mid-17th century division between Anglicanism and Puritanism under Charles I and during the Civil War and Commonwealth period followed by the development of Nonconformity after the re-Establishment of the Church of England under Charles II which explains the words ‘ejected’ and ‘intruder’ by Oliver Brumskell, a Puritan, in the list.

5.           The nave roof has a fine display of late medieval gilded bosses and angels. In all there are 65 roof boss carvings. Many are foliated designs but you might also be able to identify a griffin biting its tail, a figure with big ears, a lion with an open mouth and hanging tongue, a bishop with pointed animal ears and at the east end on the north [left] end an elephant and castle, the crest of the Beaumont family Lords of the Manor of Loughborough in the 15th century. The crowning glory of the roof are the 18 angels, carved from solid oak, in size about half that of a human adult and each with a slightly different face. Most are playing instruments of the late medieval period but the easternmost on both sides hold shields which possibly represent the merchants’ marks of Thomas Burton and Ralph Lemyngton who both helped to finance the roof and clerestory.

6.           Three Charity boards fixed to the north wall of the nave list some well-known charities in the town such as those of Burton, Storer and Hickling. The one to Thomas Burton is particularly worth reading because of its importance in the history of the town: his endowments, which were originally intended to pay for a chantry priest [see number 8] were granted back to Loughborough by Elizabeth I for repair of the bridges, for apprenticeships and relief of the poor and for the maintenance of a grammar school. John Storer is commemorated by John Storer House in the town which encourages, supports and develops individuals, groups and organisations involved in community action and which runs a community and voluntary action.

7.           The parish war memorials [All Saints and Holy Trinity parishes] on the north wall were repositioned here to commemorate the centenary of the First World War. Note particularly the First World War scenes at the base: low reliefs show a cannon, a biplane and an airship above a Dreadnought battleship, and a tank; above, a sailor and a soldier with civilian workers between them such as a doctor with single ear-piece stethoscope, farm-girl with hoe, nurse, industrial girl worker, miner with lamp, farmer with spade and string tied round his calves and an industrial worker in a boiler-suit who is holding  measuring calipers. At the base the exhortation ‘Remember’. Either side of the memorial the two panels contain the names of 30 men who lost their lives in the Second World War. Beneath, the three panels hold the names of 84 men from the parish who lost their lives during the First World War. In both cases, the names are listed alphabetically rather than by rank or by date of death. [See this blogpost for an account of the restoration and moving of the War Memorial back in 2015].

8.           The Burton Memorial chapel was set out in the 1920 and 30s on the initiative of the then rector, George Briggs, and replicates what was probably the site of Thomas Burton’s chantry chapel. Behind the small door with the initials TB you will find an original chantry certificate dating from 1545. Briggs intended that the chapel should record and commemorate the links between the town’s grammar school and this church so the panels are carved with the names of those who served both school and town in the first decades of the 20th century. At the rear is a seat in memory of Headmaster Colgrove above which is a memorial to old boys of the school who were killed in the two world wars. The Grammar School took place in the chancel of the church in the period of Elizabeth I and then moved into a purpose-built school in the churchyard where it remained until 1826.

9.           The stained-glass windows date from the restoration of the church in 1862 through to the 1930s and close observation will reveal the varied styles and colour palettes of different companies: the earliest is the great west window depicting prophets and apostles, the gift of Mary Ann Herrick of Beaumanor Hall; the great east window is a memorial to George Davys, a native of the town and tutor to the Princess, later Queen Victoria before he became Bishop of Peterborough. The window is a good example of the Victorians using the medieval scheme of types and antitypes paralleling Old Testament with New Testament events.

10.        An interesting set of memorials in the nave and chancel, [those in the chancel recently cleaned in 2021] which show changing styles between the 17th and 19th centuries. Among them are six to rectors of the parish. The grandest is the alabaster Baroque monument to Joanna Walters. She is shown in her funeral shroud with two children who died in infancy with two angels either side. The family lived at Knightthorpe Hall in the town and the memorial was erected by her second husband with space for his name to be added.



11.        ‘A large and prosperous church, so much restored by Gilbert Scott in 1861 that it looks all 19th century’: so wrote Nikolaus Pevsner in his book on The Buildings of England, Leicestershire, but the nave and transepts were in fact built in the early 14th century, the chancel probably a century before, while the clerestory windows and roof of the nave together with the west tower are in the perpendicular style of the 1490s/early 1500s. Although no medieval fittings survive such as stained glass or wall paintings, a 14th century piscina [used in pre-Reformation days for washing of the vessels after Mass] in the wall behind the pulpit shows that the transepts of the church would have had chapels with altars for the town’s guilds. Other survivals are the triple sedilia (stone seats set into the wall) on the south wall of the chancel and a hagioscope or squint between the chancel and what was a separate chantry or guild chapel in the south transept.

Roger Willson

Parish Archivist

2024

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About Roger Willson, Parish Archivist

Roger read history in the 1960s at St Catharine's College, Cambridge and move to Oxford for his Cert Ed. His career was in teaching, mostly history: two prep schools and then all age groups and levels at Loughborough Grammar School from 1975 to retirement in 2002. His passion for the subject was awakened at school in Kent, but it has always been the 'history around us' rather than academic history as such which has been his main enthusiasm from cycling round the lanes of Kent to visit churches in teenage years to the work of W.G. Hoskins and successors in landscape history.

Retirement has given him the opportunity to share his interests with U3A and other groups and he has led many days out trying to open people's eyes to the huge interest to be found in our churches as well as study days and pilgrimage weekends. He has also been leading groups to the French and Belgian First World War battlefields for 30 years. He is a member of All Saints Parish Church, Loughborough and the Anglican Third Franciscan Order and has led four retreats at Launde Abbey. Again, in retirement, he has had an increasing interest in the use of art, poetry, music and landscape as part of his own spirituality and is keen to share this with others. He hopes to be able to contribute to the potential of All Saints Church for visitors.

From: https://allsaintsloughborough.org.uk/about/history

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Please note, the views expressed in this Guest Blog Post are the views of the author, and do not necessarily reflect the views of the blog owner, lynneaboutloughborough.

____________________________________

Posted by lynneaboutloughborough

With apologies for typos which are all mine!

_______________________________________________

Thank you for reading this blog.

Copyright:

The copyright © of all content on this blog rests with me, or in the case of guest blogposts, with the named Guest Blogger. However, you are welcome to quote passages from any of my posts, with appropriate credit. The correct citation for this looks as follows:

Surname, Forename (2024). A Guide to All Saints with Holy Trinity Parish Church. Available from: https://lynneaboutloughborough.blogspot.com/2024/07/guide-to-all-saints-with-holy-trinity.html [Accessed 21 July 2024]

Take down policy:

I post no pictures that are not my own, unless I have express permission so to do. All text is my own, and not copied from any other information sources, printed or electronic, unless identified and credited as such. If you find I have posted something in contravention of these statements, or if there are photographs of you which you would prefer not to be here, please contact me at the address listed on the About Me page, and I will remove these.

Blog archive and tags:

If you are viewing this blog in mobile format, you will not be able to easily access the blog archive, or the clickable links to various topics. These can be accessed if you scroll to the bottom of the page, and click 'View Web Version'. Alternatively, there is also a complete list of posts, which when clicked will take you to the page you are interested in.

Searching the blog:

You can search the blog using the dedicated search box that appears near the top of the blog when viewed in the web version. Alternatively, you can search using your usual search engine (e.g. Bing, Google, DuckDuckGo etc.) by following this example:

site: https://lynneaboutloughborough.blogspot.com/ “Radmoor House”

NOTE – the words you’re actually looking for must be in “” and the first of these must be preceded by a space

Thank you for reading this blog.

Lynne

Monday 15 July 2024

Old Rectory Museum Parish Library Exhibition

A couple of weeks ago I was lucky enough to be invited along to the opening of what proved to be an exciting exhibition! This event was held at the Old Rectory in Loughborough, down on Rectory Place.

When the Home Front 1939-1945 Exhibition, held from late April until 15th June, closed, the Old Rectory travelled back in time, to the period when the Reverend James Bickham was rector of Loughborough, 1761 to 1785. 



If you’re a regular reader of this blog, you will have heard of the Revd. Bickham featured here back in early 2023, when we investigated who he was, and where he lived.

What was special about the Revd. Bickham was that he was an avid reader and a collector of, and subscriber to many books, and he left his vast collection (originally amounting to nearly 650 volumes) to subsequent rectors of Loughborough. Indeed, the collection did remain with the rectors of Loughborough, although at some point, and until 1950, the collection was housed in a small room above the porch of the parish church, and virtually inaccessible. Subsequent to this, and by 1975, the collection had moved to Loughborough Technical College, which ran a librarianship course, although it appears they arrived here via a stay in a nearby hall. Anyway, the library moved from the technical college to the university (possibly when the librarianship at the tech college closed), before being transferred to the University of Nottingham Manuscripts and Special Collections department.

The current exhibition at the Old Rectory, curated by Ursula Ackrill one of the librarians at Nottingham Manuscripts and Special Collections, is a result of work done by Ursula and the department to catalogue the books that remain today in Bickham’s library. Sadly, some items have been lost, and the collection has been added to by subsequent rectors, and now amounts to around 540 volumes. The exhibition serves to showcase some of the items from the collection (with the help of facsimiles) and to put the collection in the context of the time, focussing on contemporaneous literary works, religious works, and those showing developments in science. In addition, there is information about the circles in which Bickham moved, as well as artefacts like Wedgewood pottery, and toile de Jouy printed fabric.

So, I will stop here, as if I tell you any more of the exhibition, there will be no need for you to visit and!! But, you must go along and experience the exhibition, the Old Rectory, and the atmosphere for yourself!!! And remember to go upstairs, too! Hurry, as you only have a few Saturdays left in which to do this!

As I spent the whole time chatting to friends, or people I was introduced to, I didn't actually take any photographs of the event myself, so here's a selection taken by a member of the Loughborough Archaeological and Historical Society, which is the organisation that runs the Old Rectory Museum. Enjoy!

About the Reverend Bickham

The display of classics!

The case of elegies!

The science of the day

Printed Toile de Jouy

Part of the archive held at Nottingham University Manuscripts and Special Collections


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Posted by lynneaboutloughborough

With apologies for typos which are all mine!

_______________________________________________

Thank you for reading this blog.

Copyright:

The copyright © of all content on this blog rests with me, however, you are welcome to quote passages from any of my posts, with appropriate credit. The correct citation for this looks as follows:

Dyer, Lynne (2024). Old Rectory Museum Parish Library Exhibition. Available from: https://lynneaboutloughborough.blogspot.com/2024/07/old-rectory-museum-parish-library.html [Accessed 16 July 2024]

Take down policy:

I post no pictures that are not my own, unless I have express permission so to do. All text is my own, and not copied from any other information sources, printed or electronic, unless identified and credited as such. If you find I have posted something in contravention of these statements, or if there are photographs of you which you would prefer not to be here, please contact me at the address listed on the About Me page, and I will remove these.

External Links:

By including links to external sources I am not endorsing the websites, the authors, nor the information contained therein, and will not check back to update out-of-date links. Using these links to access external information is entirely the responsibility of the reader of the blog.

Blog archive and tags:

If you are viewing this blog in mobile format, you will not be able to easily access the blog archive, or the clickable links to various topics. These can be accessed if you scroll to the bottom of the page, and click 'View Web Version'. Alternatively, there is also a complete list of posts, which when clicked will take you to the page you are interested in.

Searching the blog:

You can search the blog using the dedicated search box that appears near the top of the blog when viewed in the web version. Alternatively, you can search using your usual search engine (e.g. Bing, Google, DuckDuckGo etc.) by following this example:

site: https://lynneaboutloughborough.blogspot.com/ “Radmoor House”

NOTE – the words you’re actually looking for must be in “” and the first of these must be preceded by a space

Thank you for reading this blog.

Lynne

Sunday 7 July 2024

Goadby's History of Loughborough Chapter 3 Part 3

In this, Chapter 3, Part 3, of Goadby's History of Loughborough, we hear about the changing fortunes of the Despencer family. It's a very interesting if rather gruesome read.

As I've said before, I've kept the text and the layout as it appeared in the original newspaper serialisation. I've added a few explanatory notes at the end, if I think these might be useful. In the 160 years since the original publication appeared, there have been many more discoveries and revelations about Loughborough's history, so some of the information contained in this article will be wrong: I have not tried to amend these in any way, so reader, beware!



THE HISTORY OF LOUGHBOROUGH, FROM THE TIME OF THE BRITONS TO THE MIDDLE OF THE NINETEENTH CENTURY

Chapter 3, Pt 3 The family of the Dispensers

In: Loughborough Monitor 22 September 1864, pg 5

Part 3 – The first Hugh Dispenser associated with Simon de Montfort in the Baron’s War, and its lasting political issues – Slain at Evesham – The elder and the younger De Spencer – The latter becomes the favourite of Edward III – His rapacity and unpopularity - An armed Confederacy formed against him – Spoilation of his and the Father’s Lands – Loughborough, Beaumanor, &c. wasted and despoiled by their Enemies – The Father’s immense losses – Execution of Father and Son.

It is time we should attempt something like a history of the Dispensers. We have already seen how the first Seigneur of that name came into possession of the manor, and how the surname of the family itself originated. It remains that we should lightly touch upon the public life of the notable individuals who successively owned the Manor, occasionally resided near it, and were in person and character pretty well known to the yeoman and tradesmen who constituted it principal inhabitants.

Won by the civilities and blandishments of King John from any participation in the movements that brought about the ever-memorable Magna Charta, the noble spirit of Hugh Dispenser could no longer remain inactive when Henry III, after the most solemn and binding oath to the contrary, repeatedly despised its sacred laws. He joined Simon de Montfort, heart and hand, in his chivalrous resistance, and was equally useful in the council and the field. There can be little doubt that he assisted the Barons in every way, and gave his counsel to De Montfort when he proposed that representation of Counties in Parliament which Englishmen justly hold to be as sacred as Magna Charter itself, and whatever odium may have been attached to his name by enthusiastic illogical monarchists, ought for ever to be dissipated in the clearer light which has been thrown upon the political and social revolution he helped the Earl of Leicester (i.e. De Montfort) to effect. When the spirits of the Barons were depressed, Dispenser boldly inspired them. Rishanger [1] records one of his notable speeches or prophecies. Northampton was taken and his associates were dispirited, when, said he, “Behold, the King’s party have been made joyful by this capture, but I tell you of a certainty that the month of May will not pass over but there shall be such a confusion and retribution as that all of their late joyfulness shall be swept into oblivion.” And the Battle of Lewes justified his prediction. He had been made Justiciary of England in 1260, was deposed 1262, and was restored July 1263, when all his previous acts were rendered valid. He was made Baron le Dispenser in 1284. He fought on De Montfort’s side at the battle of Evesham, August 4, 1265, and in the press of the fight when all was lost, was advised by his friend and leader to fly the field and wait for better times and things, but he and Ralph Basset “dying, refused to live,” says Rishanger, and perished in the fight. His body was buried with De Montfort’s in the Abbey of Evesham.

His lands and estates were shortly afterwards confiscated by the king, with the sole exception of the manor of Loughborough, which was graciously conferred upon Alivia, his widow, daughter of Philip Basset, “out of the love the king bare her father,” to quote the very expression of the grant. After liberating, without any ransom, a number of unfortunate person who had been taken prisoners at the battle of Lewes and confined in Wallingford Castle, this good lady returned to live with her father, and we hear no more of her afterwards.

The two other Hugh Dispensers known to history, or de Spencers, as they now began to be called, were son and grandson of John le Dispenser the only known male issue of the famous baron who fell at Evesham. Hugh le Dispenser, better known as the elderly Spenser, was born in 1235, and restored to the barony in 1295. He married Isabel, daughter of Beauchamp, Earl of Warwick, by whom he had a son commonly styled the younger Spenser. The younger Spenser married into distinction, wealth, and trouble. He was one of a number of notables who nuptials were celebrated at Whitsuntide in 1303, as recorded by Hearne, a rhyming chronicler in the following lines:

“In this zere, as I told, at the Whitsonen day,

The Kynge his fest suld hold at Westmynstre fulle gay,

His sonne Edward the Prince, and fiteene for his sake,

Thre hundred of the province, knighted wold he make,

It was the Kyng’s costage, for ilk a knight was gest,

Also thei mad marriage of som that wer the best,

The young Erle of Warenne with great nobly was there,

A wif they him bikenue (sought out) the erle’s douhter of Bare,

The Erle of Arundelle his londes laught (got) he then,

And toke a damyselle, William’s douhter of Warenne,

Young Sir Hugh was there, the Spenser stout and gay,

Gilbert’s douhter of Clare wedded he that day.”

By virtue of this marriage he was frequently styled Earl of Gloucester, “a title which,” says quaint, afterwise Polydore Vergil [2], “geven unto earles and dukes for honors sake has been fetall (fatal), and foreshowed the destruction of them who should enjoy it.” It certainly seemed so in Spenser’s case, and wisely does he class him as one of the unfortunates. Along with the titles, came lands in the Welsh marches, enough to satiate the greed of any earth-hungry mortal. But Spenser coveted his neighbours goods, and played the tyrant with the smaller land-owners about him. And his grand retribution, if we may venture so to style it, came out of these same lands and hungerings, as we shall presently discover. He soon became a favourite with Edward II, and his handsome person and courtier-like manners gave him more authority than his character demanded or his weak virtues could balance. He was a courtier but not a statesman, a petted associate but not a far-seeing friend. He could beguile a weary hour pleasantly enough but never read or battle with any of the difficulties that encompass a throne. Despised at first for his weakness, he soon became hated for his tyranny. Lancaster, and other fiery barons began to plot against him. Jealousy, scorn, and a sense of national justice stung them into action. They withdrew from Parliament and plotted. A woman, disguised as a minstrel, was sent to a feast at Westminster with a letter telling the King that he was “neglecting Knights who had served so faithfully both his father and himself, and was enriching others who had not borne the burden of the day.” But nothing came of it. An opportunity, however, soon offered itself, and the turbulent barons had their revenge. The Younger Spencer had a violent ungovernable fit of earth-hunger. One John de Mowbray, a Welsh nobleman, had entered upon an estate left him in the marches by William de Brause, Lord of Gower, without observing the usual formalities of taking livery and seizin of the king, Now was Spencer’s lucky or unlucky hour. He advised the King to avail himself of the authority given him by the feudal law and seize it, as escheated to the Crown, and then bestow it upon him. This lit the blaze of a civil war. The Earl of Hereford, the uncle and nephew of Roger de Mortimer, Roger Damory, John de Mowbray (the landless), Hugh d’Audele, father and son, Roger de Clifford, John Giffard de Brumesfield, Maurice de Berkely, Henry de Tyes, John Maltravers, and several others, at once formed a conspiracy, by oaths and writing, to pursue and destroy the favourite. A statement of their wishes was forwarded to the king, but without waiting for an answer, they proceeded to despoil and devastate the lands of the younger Spencer, murdering his vassals [3], burning his houses, plundering his property, and sweeping away his cattle. Upon the day of St Barnaby following in the same years, 1320-1, the like devastations were committed upon the lands of the father, who does not appear to have given them any provocation for so flagrant a violation of the rights of private property. He was, says Hume [4], “a nobleman venerable from his years, respected through all his past life for wisdom, valour and integrity, and well fitted, by his talent and experience, could affairs have admitted of any temperament, to have supplied the defects both of the king and of his minion.” But he was the father of their enemy, respected by the king, and therein was his crime and their provocation. A simultaneous rising took place where his different manors were situated, and those two hell-hounds, Murder and Rapine, slipped their leash, rending, tearing, and devouring like him whose progeny they are.

The two Spencers soon afterwards preferred petitions to the king and from the petition of the Elder now preserved in the Tower, we are enabled to state the losses he suffered by this feudal raid. Thirteen manors in Wiltshire, six in Gloucestershire, four in Dorset, five in Hants, two in Berkshire, six in Oxfordshire, three in Buckinghamshire, four in Surrey, one in Cambridgeshire, two in Huntingdonshire, one in Yorkshire, and in Lincolnshire, and five in the respective counties of Chester, Warwick, and Leicester, were pillaged and laid waste. The manors in Leicester were “Loughteburgh, Beaumaner, Ernesby, Fricheby, and Huttlescote.” We cannot, of course, state what were the particular damages done in the manor of Loughborough, since none but a general summary of the losses is given, but probably the flocks of oxen, sheep, hogs, and the droves of horses would be driven away, the farmsteads plundered of their corn, wool, and provisions, and the mills of their malt and flour, and then unceremoniously set fire to and left. The Bercary [sheep farm] was doubtless destroyed at this time, since we hear no more of It after this date. The petition also hints a personal violence when it says that they “used his debtors, tenants, friends, and people as those of his son, except that the loss of his goods, moveable and immoveable, was greater.” The consternation of the people at this exhibition of feudal revenge must have been considerable, and here and there some sturdy opposition may have been offered to the savage plunderers, although we cannot suppose that much could be done against a large armed force. The actual destruction done in the neighbourhood was severe and extensive. The Barons did not do their work lightly or ineffectually. Some nine years after the date of this aid, we find that the manor of Beaumanor was held by John de Insula, and was said to be “wasted by war,” and as we know nothing but this confederate attack to which it could be attributed, we presume that the woods had been fired and such ravages made that no cultivation seemed possible.

The general extent of the elder Spencer’s loss was as follows: Two crops of corn, one in the granges, the other upon the ground; 2,800 sheep; 1,000 oxen and heifers; 1,200 cows with their breed for two years; 40 mares with their breed for two years; 560 cart-horses; 2,000 hogs; 400 kids; 40 tuns of wine; 600 bacons; 800 carcases of beef; 600 muttons in the larder; 10 tuns of cyder; and armour for 200 men, with other warlike engines and provisions, with the destruction of his houses, to his damage of £30,000 in current coin, or more than twice that sum according to present rates of value. The abbey of Langley, in Wiltshire, was entered at the same time, the coffers broken open, and £1,000 taken away in silver, with his charters, evidence, and bonds, cups of gold and silver, and other silver vessels and jewels, of the total value of £10,000. They also entered the King’s castle at Marlborough, of which he was constable, and carried off his goods, 36 sacks of wool, 6 pair of rich vestments, a library, a golden chalice for the Sacrament, one cross of gold, another of ivory and ebony, with other ornaments belonging to the chapel, as clots of gold, carpets, coverings, &c., and his whole wardrobe, to his damage of £5,000. “The plain interference is,” says Hume, in considering these details as discovering the manners of the age, “that the greater part of Spencer’s vast estate was farmed by the landlord himself, managed by his stewards or bailiffs, and cultivated by his villains [5]. Little or none of it was let on lease to husbandmen; its produce was consumed in rustic hospitality by the baron or his officers, a great number of idles retainers, ready for any disorder of mischief, were maintained by him; all who lived upon his estate were absolutely at his disposal; instead of applying to courts of justice, he usually sought redress by open force and violence, the great nobility were a kind of independent potentates, who, if they submitted to any regulations at all, were less governed by a municipal law than by a rude species of the last of nations. The method in which we find they treated the king’s favourites and ministers is a proof of their usual way of dealing with each other. * * I cannot forbear making another remark drawn from the detail of the losses given by the elder Spencer; particularly the great quantity of salted meat which he had in his larder, six hundred bacons, eighty carcases of beef, six hundred muttons. We may observe that the outrage of which he complained began after 3rd of May, or the 11th new style [6], as we learn from the same paper. It is easy, therefore, to conjecture what a vast store of the same kind he must have laid up at the beginning of winter; and we may draw a new conclusion with regard to the wretched state of ancient husbandry, which could not provide subsistence for the cattle during winter, even in such a temperate climate as the south of England; for Spencer had but one manor so far north as Yorkshire. There being few or no enclosures, except for deer, no sown grass, little hay, and no other resource of feeding cattle, the barons as well as the people were obliged to kill and salt their oxen and sheep in the beginning of winter, before they became lean on the common pasture; a precaution still practised with regard to oxen in the least cultivated parts of this island. The salting of mutton is a miserable expedient, which has everywhere been long disused. From this circumstance, however trivial in appearance, may be drawn important inferences with regard to the domestic economy and manner of life in those ages.”

The furious barons were not content with this vast spoliation. They formed themselves into an association marched to the outskirts of London, and there demanded the banishment of the Spencers. Both were abroad on important errands, and the King replied that it was contrary to law that he should grant them their request since neither father nor son had been accused of any crime, or had any opportunity of defending themselves. The barons then entered London, presented to Parliament a charge against the Spencers without any facts to support it, and extorted from the lay barons a sentence of attainder and perpetual exile against them. As soon as they had secured from the King and indemnity for their riotous proceedings, they dispersed their men and returned home. A subsequent Parliament, however, revoked the banishment of the Spencers, and once more it was remarked that there were three kings on the throne of England instead of one. After the disgrace and the decapitation of the Earl of Lancaster and other of the barons, which the younger Spenser was mainly instrumental in effecting, the popular animosity against father and son swelled higher than ever. Having curtailed the revenues of Queen Isabella, and act justified by the King when he afterwards told her that he did not consider any of his territories safe in the hands of so treacherous a person, they were charged with denying her the necessaries of life and alienating from her the affections of her husband. And in the midst of these tumults and bickerings, we need not wonder that their arrogance, tyranny, and rapacity increased.

Such was the condition of affairs when the Queen proceeded to France, and was affectionately received by her brother King Charles. Thither she proceeded, not as Froissart [7] states, to obtain assistance against the Spencers, who really wished to ger her out of the kingdom, but to negotiate a treaty between her brother and her husband. In France she found many enemies of the Spencers, and was easily captivated by the good graces of Roger Mortimer. She determined to make war on her husband under cover of an attack on the Spencers, and with an army of Hainaulters [8] and others she landed in England. Insurrections broke out everywhere. The older Spencer was commander of Bristol, but was delivered up to her by the garrison, Oct. 26, 1326. He was tried before an assembly of barons, and sentenced to be drawn upon a hurdle to a place of execution, and then beheaded, and afterwards gibbeted, He was now nearly ninety years of age, and the sight of this venerable patriarch’s execution was witnessed by the King and his favourite from the walls of the Castle. In the following month the King, and the younger Spencer, who had made their escape from Bristol Castle, were captured in Glamorganshire. The latter was arraigned at Hereford, before Sir W. Trussel, the judge and murderer of his father. After accusing him as the cause of all the evils of the nation, he pronounced sentence of execution upon him, and concluded by furiously exclaiming, “Away, then traitor! Go and received the reward of your tyranny, wicked and attainted traitor!” Dressed in a black robe, with the arms of his family reversed thereon, and with a crown of nettles upon his head, in mock imitation of the suffering of Christ, he was conducted through the city of Hereford to the market place, amidst the hooting and gibes of an unbridled multitude. He was then bound to a scaffold, his body mutilated, his heart torn out and cast into the fire, his head cut off, and his body other maltreated. His head was borne to London Bridge in a chariot with his surcoat of arms, on which was written the first seven verses of the fifty-second Psalm. The following distich was made upon his execution:

“Funis cum lignis, a te miser ensis et ignis,

Hugo securia, equus abatalit omne decus.”

“which versys to them that understand no Laten,” saysy quaint Fabyon [9],

“maybe in this wyse be expownyed or Englysshed” –

“With ropes were though bound and on the gallows honge,

And from thy body thyne hed with swerde was kytte,

Thy bowellys in the fyre were throwe and burnyd longe,

Thy body in iiii pecys eke with an was slytte,

With horse before drawyn fewe men pyteynge it,

This with these tomentys for thy sinnys sake

From the wretchyd Hugh all worldly welthe was take.”

In the early part of Edward III’s reign, the sentence of banishment and attainder was annulled, and Hugh le Dispenser, the son of the younger Spenser was restored to the barony. This was again made void, and in 1397 his son Thomas le Dispenser petitioned to Parliament for restoration, and was restored, “First: Because they (his ancestors) were not appealed to or called to answer, nor due process made against them according to law. Secondly: Because the Prelates, who were Peers of the Realm, did not consent to the said exile and dispersion. Thirdly: Because it was against Magna Charta that any man should be exiled, or tried, without judgement of his peer,” The first Parliament of Henry IV reversed this and again attainted the Dispensers.

END OF CHAPTER 3 PART 2

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NOTES

[1] William Rishanger (1250-?) was a Benedictine monk and recorder of Roman history who wrote several books including ‘Opus Chronicorum’, a life of Simon De Montfort, and on the topic of the second Baron’s War.

[2] This refers to Polydore Vergil (1470-1555), born in Urbino, Italy, and originally named Polidoro Vergilio, who wrote an extensive English history, ‘Anglicae historia libri XXVI’.

[3] A vassal is a person under the protection of a feudal lord to whom he has vowed homage and fealty, or might be simply a feudal tenant, but also someone in a subservient or subordinate position.

[4] This reference is probably to a ‘History of England’, a series of works written by philosopher, economist, and historian David Hume (1711-1776)

[5] Usually spelled villeins, these were tenants of the lord of the manor, who paid dues and gave service to the lord, in exchange for the use of land in Mediaeval times.

[6] The calendar change from the Julian calendar to the Gregorian calendar was made by an Act of Parliament in 1750, with subsequent amendments and further acts following.

[7] Jean Froissart (1337-1405) was a French author and historian, known for particularly for his three works – ‘Chronicles’, ‘Meliador’, and ‘L’Horiofe Amoureux’.

[8] Hainaut is today an area of Belgium and northern France: Hainaulters are therefore people from this area.

[9] Robert Fabyon (1450-1511/12 (will proved 1513)) was the author of Fabyan’s Chronicle, which tells of the history of England and France. He was a draper, Alderman, and Sheriff of London.

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Posted by lynneaboutloughborough

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