Showing posts with label Great Exhibition. Show all posts
Showing posts with label Great Exhibition. Show all posts

Sunday, 26 February 2017

Cartwright and Warner

Oh dear, here I go again, promising you a further post on holiday connections, but finding myself eager to tell you about something else first!! This one's timely, as it follows immediately from my attending a book launch - a book about the Warner family, as associated with Cartwright and Warner (Hosiers), Nanpantan Hall, the churches of All Saints, Holy Trinity, St Peter's and St Mary in Charnwood at Nanpantan, and many other places!

Now, I don't want to spoil your reading of the book (by Derrick Hewitt) so what follows are a few snippets of information, not all of them gathered from the detailed talk that Derrick gave at the launch at the church of All Saints with Holy Trinity.

The Warner family is probably best known for its partnership with the Cartwrights in a hosiery business that seems to have been rather successful! There was enough money in the business for Edward Warner to buy Quorn Hall from the Farndon family, to build The Elms and Nanpantan Hall. 

According to Mr Hewitt, Aingarth (now retirement and sheltered housing) a Victorian building, was originally associated with The Elms, and the gatehouse to the Elms, now called the Lodge to Aingarth, fronts onto Leicester Road. This was recently for sale, and there are some pictures available. Both The Elms and The Lodge to Aingarth are listed buildings.
The Lodge to Aingarth

The Lodge to Aingarth

The Lodge to Aingarth

The Elms

The Elms

The Elms

Aingarth

Nanpantan Hall, was sold by the Warners to the Pagets (William Byerley Paget to be precise), and has latterly been part of the School of Economic Science. Not sure if this is still the case, as the Echo reported in July 2016 that Nanpantan Hall has recently become a wedding venue, ironic, since W B Paget's former house, Southfields House, is now the Loughborough Register Office!

The Warner family had connections with the Church of All Saints (now the Church of All Saints with Holy Trinity), and were instrumental in the building of Holy Trinity Church and St Peters Church, as well as a memorial to Archdeacon Fearon, in the form of Fearon Hall. 
Church of All Saints (today with Holy Trinity)

Fearon Hall

The company had various factories around Loughborough, including the one on Clarence Street (now a locally listed building) and those taken over by Towles.   

The Warner family were also benefactors of the Grammar School

In 1851 at the Great Exhibition, Cartwright and Warner* won a medal for their women's "union dresses" - a Victorian euphemism for women's combinations  

Apparently, one member of the Cartwright family, James, lived at 151 Ashby Road, in 1911.

There were a couple of Cartwright and Warner employees, Ernest Grimbley and Charles J Hunt, who died during the first world war and are listed on the Roll of Honour website.

In 1900 a row of almshouses were created on Mill Lane, as part of the Warner legacy. Sadly, the cartouche on the side of the building is beginning to wear away, but the properties are still, I believe, inhabited by former hosiery workers. These are administered by the Warner's Almshouse Charity in Melbourne, South Derbyshire. 
Mill Lane

One wonders if George Warner of Quorn, who went off to the United States, was part of the Warner hosiery family: Derrick may have said this, but I am a little hard of hearing and missed some of the talk.

An extract from White's Gazeteer of 1877 appears on the Genuki website, giving a brief description of Loughborough and naming various people associated with the hosiery trade. The complete White's Gazeteer is also available on the internet.

The Victoria County History of Leicestershire also includes some information on Cartwright and Warner, and is complemented by information on the British History Online website.

The Barrow Upon Soar Heritage Group include a report of evidence given by inhabitants of the village in regard to increasing mechanisation of framework knitting, some of whom worked for Cartwright and Warner in Loughborough.

If you're a member of the FaceBook Group Remember Loughborough, you've probably already seen this video of Cartwright and Warner employees leaving the factory in 1900 but here it is again!

Here are two of my favourite things - coincidences: whilst looking for mention of Cartwright and Warner on Grace's Guide, I happened upon a bell foundry called called J Warner who made the initial Big Ben, which was later recast by the Whitechapel foundry! And, would you believe it, John Henry Boyer Warner, one of Edward Warner's sons, moved to Kepwick Hall in Yorkshire, and on the top of one of the hills he built - you guessed it - an obelisk (see my previous post about obelisks)! The description I've found of this on various listed building websites seems to be incorrect, listing him as a Weaver not a Warner, but interestingly, the obelisk is constructed of Portland stone - just like the ground floor of our Carillon!

Portland stone bridge and Carillon base

We were lucky enough also to see some examples of original catalogues of products from Cartwright and Warner:



Finally, that institution, beloved of many Loughborough inhabitants, the Warner School, on what was the corner of Pinfold Gate and School Street, was funded by Edward Warner in 1870, as he provided both the land and the money for it. At the time it was most unusual as it had teacher's accommodation attached: ironically, today the teacher's accommodation is all that remains of the school which was demolished in 2015 to make way for the inner relief road. It is the only remaining stone building in Loughborough apart from the Old Rectory, and the former school on Nanpantan Road (which is classed as being in Nanpantan).
Warner School prior to partial demolition
The Warner School teacher's accommodation

The Warner School teacher's accommodation with a former framework knitters building adjacent
*Stanley, Chapman and Middleton-Smith, Jane (2015) John Smedley: the establishment of a tradition in fine knitwear, c. 1750-1874 In: Textile History, Vol. 46, No.1, pp.70-98 


You are welcome to quote passages from any of my posts, with appropriate credit. The correct citation for this looks as follow:

Dyer, Lynne (2017). Cartwright and Warner. [Online] Available from: http://lynneaboutloughborough.blogspot.com/2017/02/cartwright-and-warner.html [Accessed 26 February 2017]


Sunday, 24 April 2016

Investigating the Victorians leads to Messengers

Call me mad, if you will, but I've signed up to another online course, this time discovering more about the Victorians. 10 weeks of at least 10 hours a week study, lots of which will be on the pc, and much with my nose in the course text.

Talking of which, the course text -

Royle, E. (2012). Modern Britain: a social history 1750-2011, Bloomsbury Academic, 3rd ed. - 

is a mere 576 pages long (ok, so this includes extensive notes, a bibliography and an index) and quite awkward to hold. It's saving grace, I suppose, is that Loughborough does actually appear in the index! How exciting, I thought, but I admit to be a little disappointed that the entry referred to a paragraph on Thomas Cook and his Temperance outing from Leicester to Loughborough in 1841! There are brief mentions of Luddites, Scotch Cattle and Rebecca Riots (sorry, the latter two are more relevant to my Welsh background) and several pages devoted to Chartists.

The course itself has started with an introduction to the Victorians, and there has already been mention of the agricultural revolution, including the work of our very own Robert Bakewell. One of the first units of the course focussed on the Great Exhibition of 1851, in the Crystal Palace. This was a fascinating discussion, and the building itself reminded me of some of the large conservatories that used to be built onto large stately homes, only on an absolutely enormous scale. The fact that is was put up in 22 weeks was quite staggering, and to realise it was only a temporary structure, and was dismantled and re-built in a different location was enlightening. 

Anyway, the architect of the Crystal Palace was Joseph Paxton and because I could see similarities with Messengers of Loughborough who initially made conservatories, I did a quick scour of the internet and found a place called Combermere Abbey in Shropshire, which had a Messenger conservatory. In fact, the writer of the article said the following:

"the largest of Messenger’s buildings almost rivalled Paxton’s glasshouse of 1851"

praise indeed, I'd say! 

I'm sure most of you reading will know that Messengers was founded in 1858 by Thomas Goode Messenger who was initially a plumber and glass fitter and had offices on High Street. In 1874 the firm was taken over by Walter Chapman Burder, and in 1884 the company moved to Cumberland Road, presumably to be near the Charnwood Forest Railway, and the coal that was needed for the new foundry.

I've taken a couple of photos today, and if you zoom in on the one of the Messenger building from Hospital Walk, and look carefully at the columns at each side of the door, you might see that they have been etched with initials, EJGB on the left and WCB (Walter Chapman Burder) on the right. Hmm, not sure about the first set, but Walter Chapman Burder's wife was Elizabeth Jane Gifford Burder (nee Nash), so perhaps they are hers?
The entrance to the Cumberland Road Trading Estate

Inside the trading estate

A drain cover with no maker's mark

Burder's foundry building

Chimney and tower on the trading estate

Sliding door on the trading estate

The wall of the Messenger buildings on Hospital Walk

The entrance to Messengers on Hospital Walk

Messenger's entrance with the initials in the brickwork 

New housing estate along the site of the Charnwood Forest Railway

The last remaining building of the Charnwood Forest Railway

The Station Hotel on the junction of Derby Road and Station Street, now a funeral directors