Showing posts with label Loughborough in 50 Buildings. Show all posts
Showing posts with label Loughborough in 50 Buildings. Show all posts

Wednesday, 28 September 2022

Devonshire Square Mural 2022

Back in December 2014, what I refer to as the Devonshire Square Mural was unveiled. This artwork was produced by Silent Hobo (Wei Ong) who describes himself as an experienced professional illustrator and mural artist, who specialises in digital artwork, and spray-painted graffiti. I had attended a consultation session earlier in 2014, at the Charnwood Museum, where ideas for what the mural might illustrate were discussed, and some of the history of the town was shared with the artist.

Silent Hobo took the ideas and the history and blended them together to make a 50-meter mural to cover the concrete walls of what had been a multi-storey car park, but which had been partially demolished, leaving only the ground floor, Granby Street car park.

In my first book, 'Loughborough in 50 Buildings' I wrote about the car park and the mural:

"49 Devonshire Square Mural, 2014

On Tuesday 26th January 1965, Councillor G. J. Humphrey, Mayor of the Borough of Loughborough, officially opened a two-storey carpark on Granby Street, in the presence of Aldermen and former Mayors, William P. Stagg, L. W. Hull, and George G. Allen, and Councillor Mrs M. Bradley. Ald. Stagg pleaded with motorists to make use of the new car park, instead of ‘cluttering up the streets’.

The new car park was originally intended to be four-storeys, but at the time of opening it was a two-deck construction, although sufficiently load-bearing to take the two extra levels that had been planned. The entrance was on Granby Street, but the length of the structure faced onto Devonshire Square, and the ground level was populated by shops.

What the car park had replaced was Clarke’s Dye Works, a long-established family firm which was liquidated in 1959, and the building demolished not long after.

The car park lasted for many years, until about 2012 when the upper levels were removed, and the ground level rear parking area spruced up. Following the town’s acceptance as a second-wave Mary Portas Pilot town, a plan for revitalising the Devonshire Square area was suggested, and Wei Ong, who calls himself Silent Hobo, was chosen from a group of twenty artists, to create an exciting mural to cover the railings that remained above the shops. Wei Ong had created much artwork for other towns, and after consultation with local residents, he planned his Loughborough mural to showcase some of town’s heritage, its seasonal events and its local people."

My photos of the mural in December 2014:




On his webpages, Silent Hobo provides a bit of background to the mural, and some stills of the actual work, as well as a couple of videos, one of which shows himself at work on a complementary project, painting Lady Jane Grey, in Loughborough market place. This portrait was hung on the entrance to Market Yard, on the wall of the shoe shop (but wasn't there the last time I looked, a couple of months ago).



During the pandemic, work was undertaken on the improvement of the area of Ward's End and Devonshire Square, which saw, amongst other things, some new heritage plaques inlaid into the new flooring around Devonshire Square. 



Sadly, however, the passage of time has not been kind to the mural, and its bright, vibrant colours have faded somewhat down the years. Some of the panels have started to come away from the concrete setting, and some panels have been lost altogether.



 

However, it has been announced that under the Charnwood borough Council's 'Future Charnwood Investment Plan', proposal number 5 is to cover the concrete wall above the shops in Devonshire Square with a living wall. Apparently, living walls are more than just a green facade (which might simply be ivy-clad walls), and involve vertical-growing plants, grown from containers in either soil, or using hydroponics, and supported by a frame. 

As far as I can tell, however, this proposal is one of several, and funding for it has yet to be approved. In the event that it is approved, it will be interesting to see this living wall.   

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posted by lynneaboutloughborough

With apologies for typos which are all mine!

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Thank you for reading this blog. You are welcome to quote passages from any of my posts, with appropriate credit. The correct citation for this looks as follows:

Dyer, Lynne (2022). Devonshire Square Mural 2022. Available from: https://lynneaboutloughborough.blogspot.com/2022/09/devonshire-square-mural-2022.html [Accessed 28 September 2022]

Take down policy:
I post no pictures that are not my own, unless I have express permission so to do. All text is my own, and not copied from any other information sources, printed or electronic, unless identified and credited as such. If you find I have posted something in contravention of these statements, or if there are photographs of you which you would prefer not to be here, please contact me at the address listed on the About Me page, and I will remove these.

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Lynne                                 

Sunday, 12 January 2020

Pubs carillons and bedspreads

Sometimes I admit I do wonder what to blog about - I'm keen to write about things I know something about, but also about something you might be interested in reading about! This week, I was quietly minding my own business when the topic of the blog post just presented itself to me!

During a lunch break from work, I tootled over to the public library in Leicester. It's not a usual haunt for me, but something drew me to it last week. I went up the beautiful staircase to the floor that has the local history collection in it, and set about perusing the shelves for any interesting tomes that I hadn't seen before. Ok, so nothing new in the main section about Leicester and specific Leicester towns and villages, so I moved across to the more general section, still with a focus on Leicestershire and Rutland, and I was intrigued enough to open a book called 'An innkeeper's diary', written by John Fothergill in 1931, and published by that good old publisher Chatto and Windus.


As I flicked through the pages, I noted one or two things, but not enough to keep me interested for long, that was, until I got to the very last page, where attached to the inside of the back cover was a large foldout sheet of paper, folded rather like a map. It had obviously been unfolded many times, so I carefully opened it to reveal a large tattered and torn sheet that looked as though charcoal pencil lines had been drawn across it. On closer inspection, this turned out to be a whole load of signatures! 

Luckily, at the bottom of the page was a see reference - see page 225! Eagerly I turned back the pages until I reached 225, and read what it had to say about the signatures. The section was called 'The heights on the wall' and the opening text read as follows:




"In 1924 I measured David Plunket-Greene on the wall, 6 ft. 8 1/4 in., in a lavender-coloured frock-coat. Since then only five have beaten him and taken the threatened free meal, to wit: 

Lieut. O. Huxham, R.A.S.C.    In Boots - 6' 11 3/16" Reach - 9' 0" 
Major W.T.Hay, Black Watch    In Boots - 6' 11"         Reach - 8' 10" 
C.S. Maslin                             In Boots - 6' 10 4/5"   Reach - 9' 2" 
G.E. Sieveking                        In Boots - 6' 8 3/4"     Reach - -- 
Baron von Doernberg              In Boots - 6' 8 1/2"     Reach - --  

Of women the tallest are Evelyn Pritchard, Lady Lettice Lygon and Violet Wallis, all born to blush just short of 6 ft. 2 in.."
The remainder of the chapter is simply fascinating, and I'd love to quote it for you, but as this has little to do with Loughborough, I must explain ... Firstly, the appearance of the signatures on the foldout sheet reminded me of a very similar height chart that I included myself on in Tate St Ives, a few years ago. 










Secondly, the idea of a mass of signatures of people from the early twentieth century must have triggered something in my mind because next I idled across to the biography section in the library, although I wasn't in search of anything in particular.

The biography section included lots of volumes telling the life story of some of Leicestershire's more well-known folk, you know, like Tanky Smith, Daniel Lambert, Thomas Cook, Lady Jane Grey, Englebert Humperdinck and so on. But amongst these were also slim volumes covering the life of people who weren't famous, or who had been at one time, but who had now faded from memory.



One particular book seemed to stand out over the others, and I carefully took down an interesting orange covered book, called 'A truly honest man'. I wasn't until I'd looked at the cover that I learned that the book was a diary of a man called Joseph Moxon of Market Bosworth, and it covered the years 1798 and 1799. The book was edited by Peter J. Foss and Timothy Parry, and was published in 1998 by the Moxon Family Research Trust. There is a vague connection between this book and the one previously mentioned, in that one of Joseph Moxon's brothers, Nathaniel, ran a pub - the Bulls Head in Market Bosworth.






But the real connection lies back in Loughborough ...

You may have been to the Town Hall during the period of Remembrance in November 2018, when Alexandra's Bedspread was on display, or you may have seen it when it was on display in the Charnwood Museum. This was a bedspread that was embroidered with all the names of the people who contributed money towards a war memorial to commemorate those members of the armed forces who died during the First World War. The town of Loughborough chose to erect a Carillon as its memorial, and there were many subscriptions contributed by people from Loughborough and further afield, and it is the names of these people which are embroidered on the quilt.

Some names are instantly familiar, and their stories are well-known, but other names are puzzling, or may at one time have been obvious, but with the passage of time, had been forgotten. So, there is a project on the go which is interpreting all the names embroidered on the breadspread, and investigating the life story of these people, or at least, an investigation into why they may have contributed to the building of the carillon. The Loughborough Library Local Studies Volunteers are helping with this research - as are a number of other people - and the research is being led by one Deborah Moxon.


A small selection from the centre of Alexandra's bedspread

The other connection with Loughborough was the surprise, but welcome sighting of this book on the library shelves:




You are welcome to quote passages from any of my posts, with appropriate credit. The correct citation for this looks as follow:

Dyer, Lynne (2020). Pubs, carillons and bedspreads. Available fromhttps://lynneaboutloughborough.blogspot.com/2020/01/pubs-carillons-and-bedspreads.html  [Accessed 12 January 2020]

Take down policy:
I post no pictures that are not my own, unless I have express permission so to do. All text is my own, and not copied from any other information sources, printed or electronic, unless identified and credited as such. If you find I have posted something in contravention of these statements, or if there are photographs of you which you would prefer not to be here, please contact me at the address listed on the About Me page, and I will remove these.
Thank you for reading this blog. 

Lynne