Showing posts with label Agatha Christie. Show all posts
Showing posts with label Agatha Christie. Show all posts

Monday, 5 January 2026

And so begins a new year

Before setting off on this, the first blog post of 2026, I'd like to wish you all a happy new year and I do hope you've had a wonderful break between the end of 2025 and the beginning of 2026!

The bell tower of All Saints with Holy Trinity just after the ringing in of the New Year!
In 2025 I managed to post 68 blogs, covering a variety of topics ranging from commemorations - like 300 years since the birth of Robert Bakewell, 120 years of the Carnegie Library, the annual commemoration of the Zeppelin raid of 1916, and an alphabetical celebration of 100 years of the exhibition in Paris which gave its name to Art Deco. Also, there have been the usual 'So Who Was' posts - like John Thomas Judges, and William Thomas Cartwright - posts about buildings - like Burleigh Hall, and the Old Rectory - posts about connections - mostly with Agatha Christie - and a serialisation of Goadby's 'History Of Loughborough'. And then there were the posts about various events I'd attended, and the Heritage Open Days events I took part in. 

In August I wrote that the viewing figures for the blog were nearing a staggering and unexpected 1million! Since then, they have surpassed that figure and today are standing at 1,122,023! I can't thank you enough for being part of my readers! If, like many of us these days, you view the blog on your mobile phone you won't get the full experience of the blog - the web view has a pinned post, a list of all the blog posts, and clickable keywords. So, in order to make sure you don't miss a post, there is a complete list of all the blog posts I've written available from here: 'Links to All the Blog Posts in lynneaboutloughborough'. 

As you probably know, as well as working on the blog, I also lead guided walks, give presentations, contribute to projects that further our knowledge of Loughborough's history, and write books, the latest of which, 'Loughborough At Work' was published in September 2025.

2026 looks as though it's going to be as busy as year as previous ones, so I'm looking forward to that!

Wishing you well in 2026!

____________________________________

Posted by lynneaboutloughborough

With apologies for typos which are all mine!

_______________________________________________

Thank you for reading this blog.

Copyright:

The copyright © of all content on this blog rests with me, however, you are welcome to quote passages from any of my posts, with appropriate credit. The correct citation for this looks as follows:

Dyer, Lynne (2026). And so begins a new year. Available from: https://lynneaboutloughborough.blogspot.com/2026/01/and-so-begins-new-year.html  [Accessed 5 January 2026]

Take down policy:

I post no pictures that are not my own, unless I have express permission so to do. All text is my own, and not copied from any other information sources, printed or electronic, unless identified and credited as such. If you find I have posted something in contravention of these statements, or if there are photographs of you which you would prefer not to be here, please contact me at the address listed on the About Me page, and I will remove these.

External Links:

By including links to external sources I am not endorsing the websites, the authors, nor the information contained therein, and will not check back to update out-of-date links. Using these links to access external information is entirely the responsibility of the reader of the blog.

Blog archive and tags:

If you are viewing this blog in mobile format, you will not be able to easily access the blog archive, or the clickable links to various topics. These can be accessed if you scroll to the bottom of the page, and click 'View Web Version'. Alternatively, there is also a complete list of posts, which when clicked will take you to the page you are interested in.

Searching the blog:

You can search the blog using the dedicated search box that appears near the top of the blog when viewed in the web version. Alternatively, you can search using your usual search engine (e.g. Bing, Google, DuckDuckGo etc.) by following this example:

site: https://lynneaboutloughborough.blogspot.com/ “Radmoor House”

NOTE – the words you’re actually looking for must be in “” and the first of these must be preceded by a space

Thank you for reading this blog.

Lynne





      

Sunday, 24 August 2025

Christie and Cook

On the blog last week mention was made of Thomas Cook, and his first package tour from Leicester to Loughborough in 1841. If I remember rightly, the company was taken over by Hays, and it was around that time (2018??) that the Thomas Cook archive was deposited at the Record Office for Leicester, Leicestershire, and Rutland. I believe Thomas Cook is now part of eSky. Anyway, I think I also mentioned Agatha Christie last week? So now seems like a good time to combine Cook and Christie!!!

While I was reading all the Agatha Christie novels last year, I was struck by the number of times ‘Cook’s’ was mentioned – and I may have missed some of them! Seems to me, that throughout the appearance of Cook’s in the books, starting in 1924 in The Man in the Brown Suit, to Cat Among the Pigeons in 1959, the company must have been very well known, since in no instances does Christie expand upon what exactly the business was about. Admittedly, such information is usually obvious from the context in which the reference to Cook’s appears, so that makes it rather interesting, and not unlike passing references to shops of the period, maybe like Harrods, or Fortnum and Masons. The Mystery of the Blue Train contains the most references, while most of the others contain only one.

So, here are some extracts from the mentions I’ve found of Thomas Cook’s travel agency business in Agatha Christie’s novels. The page numbers are taken from the editions I read, which were published by Heron Books, c. 1976. 

Today, you can follow a heritage trail linked to places connected with Thomas Cook - e.g. Loughborough railway station; on the entrance to Southfields Park; his birthplace in Melbourne; Leicester railway station, and a building on King Street and Welford Place, Leicester. The Loughborough ones are on the plaque trail on this blog. A new plaque was unveiled at Loughborough railway station a few years ago, too.

Thomas Cook at Leicester Railway Station

 
New plaque at Loughborough Railway Station

The Man in the Brown Suit, 1924, Chapter 1, page 9

An anthropologist and his daughter are planning to travel to see a newly discovered antique skull:

“There is not time to be lost. We must be on the spot – there are doubtless incalculable finds to be found in the neighbourhood. I shall be interested to note whether the implements are typical of the Mousterian period – there will be the remains of the primitive ox. I should say, but not those of the woolly rhinoceros. Yes, a little army will be starting soon. We must get ahead of them. You will write to Cook’s today, Anne?’

‘What about money, Papa?’ I hinted delicately.

He turned a reproachful eye upon me.

‘Your point of view always depresses me, my child. We must not be sordid. No, no, in the cause of science one must not be sordid.’

‘I feel Cook’s might be sordid, Papa.’

Papa looked pained.

‘My dear Anne, you will pay them in ready money.’

‘I haven’t got any ready money.’

Papa looked thoroughly exasperated.

‘My child, I really cannot be bothered with these vulgar money details …’”

 

The Mystery of the Blue Train, 1928, Chapter 8, pg 59

Lady Tamplin has invited her cousin, Katherine Grey, to visit her:

“[Katherine] drew out from her handbag the letter she had received that morning from Lady Tamplin. Katherine was no fool. She understood the nuances of that letter as well as anybody and the reason of Lady Tamplin’s sudden show of affection towards a long-forgotten cousin was not lost upon her. It was for profit and not for pleasure that lady Tamplin was so anxious for the company of her dear cousin. Well, why not? There would be profit on both sides.

‘I will go,’ said Katherine.

She was walking down Piccadilly at the moment, and turned into Cook’s to clinch the matter then and there. She had to wait a few minutes, The man with whom the clerk was engaged was also going to the Riviera…”

Ditto, Chapter 9, page 60

“Derek Kettering … strolled along deep in thought … He walked up St James’s Street, across Picadilly, and strolled along it in the direction of Piccadilly Circus. As he passed the offices of Messrs. Thomas Cook & Sons his footsteps slackened. He walked on, however, still turning the matter over in his mind. Finally, he gave a brief nod of his head, turned sharply, so sharply as to collide with a couple of pedestrians who were following in his footsteps, and went back the way he had come. This time he did not pass Cook’s, but went in. The office was comparatively empty, and he got attended to at once.

‘I want to go to Nice next week. Will you give me particulars?’

‘What date, sir?’

‘The fourteenth. What is the best train?’

‘Well, of course, the best train is what they call ‘The Blue Train.’ You avoid the tiresome Customs business at Calais.’

Derek nodded. He knew all this, none better.

‘The fourteenth’ murmured the clerk; ‘that is rather soon. The Blue Train is nearly always all booked up.’

‘See if there is a berth left,’ said Derek. ‘If there is not –‘ He left the sentence unfinished, with a curious smile on his face.

The clerk disappeared for a few minutes and presently returned. ‘That is all right, sir; still three berths left. I will book you one of them. What name?’

‘Pavett,’ said Derek. He gave the address of his rooms in Jermyn Street.

The clerk nodded, finished writing it down, wished Derek good morning politely, and turned his attention to the next client.”

Ditto, chapter 10, page 77

Katherine Grey awoke during the middle of the night on the train, so decided to walk along the carriage

“She looked down the long, dim line of the corridor and saw, to her surprise, that a man was standing with his hand on the door of the compartment occupied by the lady in the mink coat. That is to say, she thought it was the compartment. Probably, however, she was mistaken. He stood there for a moment or two with his back to her, seeming uncertain and hesitating in his attitude. Then he slowly turned, and with an odd feeling of fatality, Katherine recognised him as the same man whom she had noticed twice before – once in the corridor of the Savoy Hotel and once in Cook’s offices. Then he opened the door of the compartment and passed in, drawing it to behind him.”

Ditto, Chapter 12, page 96

Following the murder of one of the passengers, Katherine remembers her nocturnal wander:

“But suddenly Katherine remembered a small fact … She had certainly thought that she had seen a man going into that particular compartment, but she realised that she might easily have been mistaken. It might have been the compartment next door, and certainly the man in question could be no train robber. She recalled him very clearly as she had seen him on those two previous occasions – once at The Savoy and once at Cook’s office. No, doubtless she had been mistaken, He had not gone into the dead woman’s compartment, and it was perhaps as well that she had said nothing to the police. She might have done incalculable harm by doing so.”

 

Evil Under the Sun, 1941, Chapter 1, part 2, pg 3:

“Mrs Gardener was saying: … all I want now is to get to some quiet spot by the seaside and just relax. That’s what I said, wasn’t it Odell? Just relax. I feel I must relax, I said. That’s so, isn’t it Odell?

Mr Gardener, from behind his hat murmured:

“Yes darling.”

Mrs Gardener pursued the theme.

“And so when I mentioned it to Mr Kelso, at Cook’s – He’s arranged all our itinerary for us and been most helpful in every way. I don’t really know what we’d have done without him! – well, as I say when I mentioned it to him, Mr Kelso said that we couldn’t do better than come here [Leathercombe Bay]. A most picturesque spot, he said, quite out of the world, and at the same time very comfortable and most exclusive in every way.”

 

Destination Unknown, 1954, Chapter 2, page 46:

“[Hilary Craven, in disguise as Mrs Olive Betterton] had already inquired at the desk [in the hotel], but there had been no messages or letters for her there. The first steps in her new role had to be taken very much in the dark. Olive Betterton might perhaps have been told to ring a certain number or contact a certain person at Casablanca. As to that, there was no clue. All the knowledge she had to go on was Olive Betterton’s passport, her letter of credit, and her book of cooks’ tickets and reservations. These provided for two days in Casablanca, six days in Fez, and five days in Marrakesh. These reservations were now, of course, out of date, and would have to be dealt with accordingly. The passport, the Letter of Credit and the accompanying Letter of Identification had been suitably dealt with. The photograph on the passport was not that of Hilary, the signatures on the Letter of Credit was Olive Betterton in Hilary’s handwriting. Her credentials were all in order. Her task was to play her part adequately and to wait. Her master card must be the plane accident and its resultant loss of memory and general haziness.”  

Ditto page 48:

“The evening so far had been quite indecisive. The two women who had talked to [Hilary] had been such well-known travelling types that she could hardly believe that they were other than they seemed. Tomorrow, she decided, if she had received no word or communication of any kind, she would go to Cooks, and raise the question of fresh reservations at Fez and Marrakesh.”

 

4.50 from Paddington, 1957, Chapter 18, pt 2, page 177

Inspector Craddock is questioning Cedric Crackenthorpe about his arrival in England from Iviza:

“… ‘You told me, Mr Crackenthorpe, that you left Iviza on 21st December and arrived in England the same day?’

‘So I did. Em! Hi, Em!’

Emma Crackenthorpe came through the adjoining door from the small morning-room. She looked inquiringly from Cedric to the inspector.

‘Look here, Em. I arrived for Christmas on the Sunday before, didn’t I? Came straight from the airport?’

‘Yes,’ said Emma wonderingly. ‘You got here about lunch time.’

‘There you are,’ said Cedric to the inspector.

‘You must think us very foolish, Mr Crackenthorpe,’ said Craddock pleasantly. ’We can check on these things, you know. I think, if you’ll show me your passport –‘

He paused expectantly.

‘Can’t find the damned thing,’ said Cedric. ‘Was looking for it this morning. Wanted to send it to Cook’s.’”

 

Cat Among the Pigeons, 1959, Chapter 19, pt 2

Inspector Kelsey is trying to trace a woman called Mrs Upjohn.

“Easier said than done,’ said Kelsey. ‘We’ve been trying to get in contact with Mrs Upjohn, but the whole thing’s a headache! When the child said a bus, I thought she meant a proper coach tour, running to schedule, and a party all booked together. But that’s not it at all. Seems she’s just taking local buses to any place she happens to fancy! She’s not done it through Cook’s or a recognised travel agency. She’s all on her own, wandering about. What can you do with a woman like that? She might be anywhere!” 

 

____________________________________

Posted by lynneaboutloughborough

With apologies for typos which are all mine!

_______________________________________________

Thank you for reading this blog.

Copyright:

The copyright © of all content on this blog rests with me, however, you are welcome to quote passages from any of my posts, with appropriate credit. The correct citation for this looks as follows:

Dyer, Lynne (2025). Christie and Cook. Available from: https://lynneaboutloughborough.blogspot.com/2025/08/christie-and-cook.html  [Accessed 24 August 2025]

Take down policy:

I post no pictures that are not my own, unless I have express permission so to do. All text is my own, and not copied from any other information sources, printed or electronic, unless identified and credited as such. If you find I have posted something in contravention of these statements, or if there are photographs of you which you would prefer not to be here, please contact me at the address listed on the About Me page, and I will remove these.

External Links:

By including links to external sources I am not endorsing the websites, the authors, nor the information contained therein, and will not check back to update out-of-date links. Using these links to access external information is entirely the responsibility of the reader of the blog.

Blog archive and tags:

If you are viewing this blog in mobile format, you will not be able to easily access the blog archive, or the clickable links to various topics. These can be accessed if you scroll to the bottom of the page, and click 'View Web Version'. Alternatively, there is also a complete list of posts, which when clicked will take you to the page you are interested in.

Searching the blog:

You can search the blog using the dedicated search box that appears near the top of the blog when viewed in the web version. Alternatively, you can search using your usual search engine (e.g. Bing, Google, DuckDuckGo etc.) by following this example:

site: https://lynneaboutloughborough.blogspot.com/ “Radmoor House”

NOTE – the words you’re actually looking for must be in “” and the first of these must be preceded by a space

Thank you for reading this blog.

Lynne

Sunday, 6 April 2025

Christie Connections – Paul Pry

Introduction – Christie Connections with Loughborough

As you know from last a recent post, I recently finished the challenge of reading all the Agatha Christie novels, and had been surprised at how many references there were within her books to Loughborough-related things, or, at least, things that connected in some way with Loughborough.      

“Hickory Dickory Dock”

Today’s post is prompted by something I read in Hickory Dickory Dock, on p300.



Written in 1955, unlike Sleeping Murder which featured Miss Marple, HDD is a Poirot affair, a synopsis of which can be found elsewhere. In short, a number of items go missing from a student hostel, then come the murders …

One of the characters in the novel, Mrs Christina Nicoletis, is the eccentric and volatile owner of the student accommodation, and in the reference we’re interested in, she is in conversation with Mrs Hubbard, who is the warden of the accommodation, and incidentally just happens to be the sister of Poirot’s secretary, Miss Lemon. Here’s what’s said, when Mrs Nicoletis flew into one of her tempers:

“Ah, you do not think I have cause for anxiety? You know best as usual! You know everything! You are so wonderful: you cater, you manage, you spend money like water on food so that the students are fond of you, and now you want to manage my affairs! But that, no! I keep my affairs to myself and nobody shall pry into them, do you hear? No, Mrs What-do-you-call-it Paul Pry.”

The Loughborough Connection

Back in March 2022 I posted an article entitled ‘So Who Was Paul Pry?

This post gave a detailed description of the character of ‘Paul Pry’ – a do-gooding, nosey busybody – as he appeared in a play written in 1825 by the writer John Poole (1786-1872). And it is this character that is referenced in Hickory Dickory Dock, in which, essentially, Mrs Nicoletis is telling Mrs Hubbard to mind her own business!

Apparently, according to a report in the Leicestershire Mercury of October 1839, we had a Paul Pry in Church Gate, one John Hollingsworth, who knocked over William Smith, who he accused of catching him “playing the part of Paul Pry, by listening under [someone's] window, a practice of which he was frequently guilty.”  

However, in my earlier post about Paul Pry, I focussed on the name as the name of a local beer-off premises, that according to a newspaper report (Leicester Evening Mail of 5th March 1930), was on Leicester Road, and was once the home of the Clemerson family, when it was known as the White House, and later was Maher’s Off-Licence. Since then, research has revealed that the George Moore referred to in that article, who was of the Paul Pry and who had been in court in 1832 for not looking after his apprentice, was listed in a trade directory of 1835 as a beer retailer on Wood Gate. Later, in 1841, a report of a gun being shot up the chimney of the Paul Pry gives no indication of who was running the business, nor where it was situated, although we are told that the perpetrator lives close to the Roman Catholic Chapel – presumably on Ashby Road.

A similar situation arises in 1846 when two shoemakers – Mr Rozzell and Mr Barker – have a bit of an argument. They were drinking in the Paul Pry – but where, is not stated!

Could the Paul Pry have been in Ward’s End?

By 1851 we find that there is a publican listed in Ward’s End, called Matthew Ward. On the 1841 census return he was in Ward’s End but listed as either a farrier or a farmer. I suspect the latter, as he also appears in a polling book as owning property in Ward’s End. In 1858, Matthew Ward of the Paul Pry beerhouse (no address given) was convicted of keeping his house open on Sunday 17 th January, for the sale of beer, and was fined £1 and costs. Matthew Ward died in 1859, aged 75, and is buried in Emmanuel churchyard.

In October 1923, a letter which appeared in the Leicester Daily Mercury mentioned that a farmer stopped off at “the tavern known as the Paul Pry, in Bedford Square”, I don’t know about you, but I can never quite work out where Bedford Square ends, and Ward’s End begins, but this could well be the same premises as mention in 1851.

In 1952, the Loughborough Echo published a piece quoting extracts from an account book that was about 100 years old. This account book belonged to Mr John Cooper, a maltster from Hathern and in it is recorded the sales he made, many of which were to Loughborough folk. The first entry in the book is for 1843, but the one of more interest here is an entry for 1852, which named the Paul Pry on Ward’s End as one of the customers.

So, was there a Paul Pry on Leicester Road, and on Ward’s End / Bedford Square? I can honestly say I really have no idea!!

But, just one more thing before I leave you in peace, in September 1891, the Loughborough cyclers indulged in a lantern parade, and the participants were decked out in gorgeous array, representing historical characters like "Ally Soper", "Paul Pry", and others!

____________________________________

Posted by lynneaboutloughborough

With apologies for typos which are all mine!

_______________________________________________

Thank you for reading this blog.

Copyright:

The copyright © of all content on this blog rests with me, however, you are welcome to quote passages from any of my posts, with appropriate credit. The correct citation for this looks as follows:

Dyer, Lynne (2025). Christie Connections – Paul Pry. Available from: https://lynneaboutloughborough.blogspot.com/2025/03/christie-connections-paul-pry.html  [Accessed 6 April 2025]

Take down policy:

I post no pictures that are not my own, unless I have express permission so to do. All text is my own, and not copied from any other information sources, printed or electronic, unless identified and credited as such. If you find I have posted something in contravention of these statements, or if there are photographs of you which you would prefer not to be here, please contact me at the address listed on the About Me page, and I will remove these.

External Links:

By including links to external sources I am not endorsing the websites, the authors, nor the information contained therein, and will not check back to update out-of-date links. Using these links to access external information is entirely the responsibility of the reader of the blog.

Blog archive and tags:

If you are viewing this blog in mobile format, you will not be able to easily access the blog archive, or the clickable links to various topics. These can be accessed if you scroll to the bottom of the page, and click 'View Web Version'. Alternatively, there is also a complete list of posts, which when clicked will take you to the page you are interested in.

Searching the blog:

You can search the blog using the dedicated search box that appears near the top of the blog when viewed in the web version. Alternatively, you can search using your usual search engine (e.g. Bing, Google, DuckDuckGo etc.) by following this example:

site: https://lynneaboutloughborough.blogspot.com/ “Radmoor House”

NOTE – the words you’re actually looking for must be in “” and the first of these must be preceded by a space

Thank you for reading this blog.

Lynne

Sunday, 9 March 2025

Christie Connections - Snowcrete

Introduction

I know, I know! I have yet to give you the final two parts of Shelthorpe House, and we still have loads of chapters of Goadby’s History of Loughborough to get through, but these posts aren’t quite ready yet, so instead I am going to share with you some, what I am calling “Christie Connections”.

To explain … Last year, I set myself the challenge of reading all the Agatha Christie novels, 80 of which had been sitting on my bookcases since 1977, many remaining unread! I’m pleased to say, I finally managed to finish that challenge mid-February this year (2025), and was wondering what to do with all those bookmarks I’d put in amongst the pages where I was reminded of Loughborough!



Christie Connections with Loughborough

Some of those connections are absolutely direct mentions of something specific to Loughborough (I won’t share any examples – let them surprise you later!); some are mentions of, for example, people who happen to have the same name as some of the people of Loughborough whom I have either researched or meant to research; and some take us on a circular journey to cement the connections.

"Sleeping Murder"

Today’s post is prompted by something I read in Sleeping Murder, on p384. The book was published in 1976, although is set during the Second World War, and features Miss Marple.

A detailed synopsis is available elsewhere, but in short, Gwenda Halliday had recently married Giles Reed, and the two were setting up home together in England. Gwenda’s stepmother, Helen Kennedy-Halliday had gone missing and in trying to trace her, Gwenda and Giles have occasion to visit Mr Jackie Afflick, the proprietor of Daffodil Coaches. His office – and presumably the place where he lived – was described as follows:

“The house was newly built. It was of Snowcrete, heavily curved, with a big expanse of window. They [Gwenda and Giles] had been shown in through an opulent hall to a study, half of which was taken up by a big chromium-plated desk.”

Snowcrete is a white Portland cement which is used for rendering and for mortar, which is apparently durable and attractive.

The Strand Cinema, Belfast

In December 1935, the Belfast News-letter reported on the opening of a new cinema for Belfast. The Strand Cinema, under the Union Cinema Co., was apparently one of the most notable new suburban theatres to be put up in Belfast, and its architect, Mr J. McBride, had also designed several other cinemas. The building was on a triangular corner site, a flatiron shape, with windows running around the corner on the first and second floors. While the external walls made use of rustic brick, the side walls had large panels finished in snowcrete.

Typical of a 1930s cinema, the floor of the foyer was tiled in bold-coloured terrazzo – grey, red, black, and aluminium – and the walls were covered with waterproof plastic paint and sprayed with metallic paint, making speckles. Everything within was streamlined and horizontal, and every corner was rounded. The walls of the auditorium had three rows of portholes, which housed lights, being very suggestive of the popular ocean liner. The cinema had the latest type of seating – apparently the last word in comfort – amounting to 900 seats in the stalls, and 270 in the balcony.

The Loughborough Connection

But what has this to do with Loughborough?

Well …

- the builders were Sloan Bros. - of Belfast

- the doors were made - in Belfast

- the agents for the thermal insulating board that was used were based - in Belfast

- the heating was by Messrs Johnson & Co. - of Belfast

- the bricks came from the Pilot Supply Co. - of Belfast

- the glazing contractors were Messrs W.F. Clokey - of Belfast

- decorative work was carried out by Messrs Molto & Egan – of London!

And the cladding tiles??

Well, the agent was Mr Harry Peyton of Belfast, who arranged for the glazed faience tiles which were used in the front elevation to come from Hathernware! Apparently, “Faience is a very suitable material for cinemas and theatres, since a good quality material preserves its clean and bright appearance almost indefinitely. Hathernware faience is of the highest grade, and it has been extensively used in Northern Ireland.”

This cinema was opened almost a year before Loughborough’s own Odeon, on Baxter Gate, which was also clad in Hathernware, and is now a Grade II listed building. 

I also found references to a ship called Snowcrete: one source suggests it was built in 1921 as the Warren Grove, and owned in 1936-7 by Everards (an obtuse Loughborough/Leicestershire connection, as the name of a building company was Ellis & Everard, and of course, the Everards Brewery is local to Leicestershire, with one of the family renting Nanpantan Hall for a short time). I certainly came across a newspaper article from 1930 which mentioned a ship called Snowcrete, but another source suggests that Snowcrete was built in 1949, and owned by Blue Circle Shipping.

Although I found references to the use of Snowcrete in houses in Stoneygate (Leicester), in Birstall, and in Oadby, I couldn’t find anything in Loughborough. If you know of any, I'd love to hear from you!

I’m looking forward to sharing some more Christie Connections with you in the coming months!

____________________________________

Posted by lynneaboutloughborough

With apologies for typos which are all mine!

_______________________________________________

Thank you for reading this blog.

Copyright:

The copyright © of all content on this blog rests with me, however, you are welcome to quote passages from any of my posts, with appropriate credit. The correct citation for this looks as follows:

Dyer, Lynne (2025). Christie Connections – Snowcrete. Available from: https://lynneaboutloughborough.blogspot.com/2025/03/christie-connections-snowcrete.html [Accessed 9 March 2025]

Take down policy:

I post no pictures that are not my own, unless I have express permission so to do. All text is my own, and not copied from any other information sources, printed or electronic, unless identified and credited as such. If you find I have posted something in contravention of these statements, or if there are photographs of you which you would prefer not to be here, please contact me at the address listed on the About Me page, and I will remove these.

External Links:

By including links to external sources I am not endorsing the websites, the authors, nor the information contained therein, and will not check back to update out-of-date links. Using these links to access external information is entirely the responsibility of the reader of the blog.

Blog archive and tags:

If you are viewing this blog in mobile format, you will not be able to easily access the blog archive, or the clickable links to various topics. These can be accessed if you scroll to the bottom of the page, and click 'View Web Version'. Alternatively, there is also a complete list of posts, which when clicked will take you to the page you are interested in.

Searching the blog:

You can search the blog using the dedicated search box that appears near the top of the blog when viewed in the web version. Alternatively, you can search using your usual search engine (e.g. Bing, Google, DuckDuckGo etc.) by following this example:

site: https://lynneaboutloughborough.blogspot.com/ “Radmoor House”

NOTE – the words you’re actually looking for must be in “” and the first of these must be preceded by a space

Thank you for reading this blog.

Lynne