Showing posts with label Ladybird Books. Show all posts
Showing posts with label Ladybird Books. Show all posts

Sunday, 21 April 2024

Ladybird at the Museum

Today I’ve been out on the allotment helping to keep in good shape, and make sure it produces lots of lovely fruit and veg! While I was there, doing a bit of weeding, I spotted a ladybird – and that got me thinking about Ladybird Books!!

I remember going to an exhibition in Leicester Museum and Art Gallery a few years ago, and our own Charnwood Museum has a Ladybird Corner, and has hosted some dedicated exhibitions, as has the local public library. So, it seems like Leicestershire are showcasing Ladybird Books across several of its museums.

I believe Melton Carnegie Museum are also going to feature Ladybird Books in a forthcoming exhibition. This will run from 4th May to 14th September 2024, and will focus on the series Well-Loved Tales. This is s0sre to be an interesting exhibition, and Melton Museum is worth a visit to see its other exhibitions which tell the story of Melton and its surrounding area.

I think the Ladybird Books exhibition at Market Harborough Museum has been and gone, but there is to soon be an exhibition in the community showcase featuring books from the At Work series, and the People Who Help Us series, and the responses of people who live in Market Harborough and around about.

Both Charnwood Museum and Melton Carnegie Museum also have a community showcase: Charnwood’s is called the Spotlight Case, and is currently hosting an exhibition called m’Other Voices. Melton’s is currently about the Observer Corps., but from May will be focussed on the battalions of paratroopers who were stationed in and around Melton Mowbray ahead of Operation Market Garden, which took place in September 1944. Some units of the 82nd Airbourne Parachute Regiment were also billeted near Melton, and in Rutland, as well as being in Quorn.

Anyway I hope you get to have a look around the museums in other parts of the county as they are well worth the trip, especially as the themes are often cahnging!

From the Ladybird exhibition at Market Harborough

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Posted by lynneaboutloughborough

With apologies for typos which are all mine!

_______________________________________________

Thank you for reading this blog.

Copyright:

The copyright © of all content on this blog rests with me, however, you are welcome to quote passages from any of my posts, with appropriate credit. The correct citation for this looks as follows:

Dyer, Lynne (2024). Ladybird At the Museum. Available from: https://lynneaboutloughborough.blogspot.com/2024/04/ladybird-at-museum.html [Accessed 21 April 2024]

Take down policy:

I post no pictures that are not my own, unless I have express permission so to do. All text is my own, and not copied from any other information sources, printed or electronic, unless identified and credited as such. If you find I have posted something in contravention of these statements, or if there are photographs of you which you would prefer not to be here, please contact me at the address listed on the About Me page, and I will remove these.

External Links:

By including links to external sources I am not endorsing the websites, the authors, nor the information contained therein, and will not check back to update out-of-date links. Using these links to access external information is entirely the responsibility of the reader of the blog.

Blog archive and tags:

If you are viewing this blog in mobile format, you will not be able to easily access the blog archive, or the clickable links to various topics. These can be accessed if you scroll to the bottom of the page, and click 'View Web Version'. Alternatively, there is also a complete list of posts, which when clicked will take you to the page you are interested in.

Searching the blog:

You can search the blog using the dedicated search box that appears near the top of the blog when viewed in the web version. Alternatively, you can search using your usual search engine (e.g. Bing, Google, DuckDuckGo etc.) by following this example:

site: https://lynneaboutloughborough.blogspot.com/ “Radmoor House”

NOTE – the words you’re actually looking for must be in “” and the first of these must be preceded by a space

Thank you for reading this blog.

Lynne

Sunday, 14 April 2024

ABC

So, you may have noticed that I’m currently taking part in the ‘April A-Z Blogging Challenge’ which means writing a blogpost every day (except Sunday) themed around a letter of the alphabet. Goodness, what a lot of extra work that has turned out to be!!!

So far, we’ve had posts on Abbeyfield Houses; Brooks; canal mile markers; Domesday Book; The Eagle; Fire; Garages; Heritage Open Days; Incorporation of the Borough; John Jones; K, and Lucy boxes! I wonder what delights next week will bring?!

Interestingly, I’ve also been acting out an ABC for real this week, as I’ve been helping to move the Archives, down at the Bellfoundry, where a group of us have formed a Chain to take boxes, books, and journals from the current archive room, down the stairs, and into the new archive room, with its whizzy compact shelving! An exciting few days, rewarding, but pretty tiring!



Earlier in the week I had been at Market Harborough Museum, where they are in the last stages of planning an exhibition focussed on Loughborough’s Ladybird Books. Interestingly, Melton Carnegie Museum is also playing host to a Ladybird exhibition! Must be the season for it! Reminded me of the wonderful exhibition they had at New Walk Museum in Leicester a few years ago, and the Ladybird illustrators exhibition at Nuneaton Museum a few years before that, and our very own Andrew Everitt-Stewart, Ladybird Book illustrator many years before that!!

Not much else to report this week, as I’ve done very little research or writing that’s shareable!

Pop back to the blog again tomorrow, where hopefully you’ll find an entry for the letter ‘M’! No idea what it’s going to be yet though!!

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Posted by lynneaboutloughborough

With apologies for typos which are all mine!

_______________________________________________

Thank you for reading this blog.

Copyright:

The copyright © of all content on this blog rests with me, however, you are welcome to quote passages from any of my posts, with appropriate credit. The correct citation for this looks as follows:

Dyer, Lynne (2024). ABC. Available from: https://lynneaboutloughborough.blogspot.com/2024/04/abc.html  [Accessed 14 April 2024]

Take down policy:

I post no pictures that are not my own, unless I have express permission so to do. All text is my own, and not copied from any other information sources, printed or electronic, unless identified and credited as such. If you find I have posted something in contravention of these statements, or if there are photographs of you which you would prefer not to be here, please contact me at the address listed on the About Me page, and I will remove these.

External Links:

By including links to external sources I am not endorsing the websites, the authors, nor the information contained therein, and will not check back to update out-of-date links. Using these links to access external information is entirely the responsibility of the reader of the blog.

Blog archive and tags:

If you are viewing this blog in mobile format, you will not be able to easily access the blog archive, or the clickable links to various topics. These can be accessed if you scroll to the bottom of the page, and click 'View Web Version'. Alternatively, there is also a complete list of posts, which when clicked will take you to the page you are interested in.

Searching the blog:

You can search the blog using the dedicated search box that appears near the top of the blog when viewed in the web version. Alternatively, you can search using your usual search engine (e.g. Bing, Google, DuckDuckGo etc.) by following this example:

site: https://lynneaboutloughborough.blogspot.com/ “Radmoor House”

NOTE – the words you’re actually looking for must be in “” and the first of these must be preceded by a space

Thank you for reading this blog.

Lynne

Saturday, 13 April 2024

L is for Lucy Box

From Ladybird, through Loughborough to Lucy boxes, the choice of topic to write about for the letter ‘L’ is enormous! But, I’ve written loads about Ladybird Books on this blog (more links below), and I’ve had some fabulous guest posts on the topic, from Kathy and Wim, so you’ve probably heard enough about these for the time being! And, let’s face it, this whole blog – all 11½ years of it, and all 544 posts – are either directly about Loughborough, or something connected to Loughborough so you could take lynneaboutloughborough as the entry for the letter ‘L’.

But, let’s not!

So, Lucy Boxes it is then!



The Lucy Box is an iconic piece of street furniture, perhaps not as iconic as the letter box or the telephone kiosk, but iconic nonetheless. Which, of course, means we walk straight past any we might come across without either giving them a second glance or a second thought.

But, what are they?

While I was out searching for just what exactly a Lucy Box is and why it was so called, I discovered that almost every website I encountered described them thus:

‘A Lucy Box is about 3 feet high, about 2 feet wide, and about 18 inches deep, and are to be found on pavements.’ So they appear to be a standard size.

Apparently, originally they were used in connection with the tram network, and then the trolley bus network, then as part of the general electricity supply, and then for telephone purposes, from which I’m guessing that ours must be of the newer variety, as to my knowledge we didn’t have trams or trolleybuses. Or did we?

Anyway, I must admit that my favourite description is this:

“A Lucy Box is a metal box of electrical gubbins that sits by the side of the road.” Just the kind of thing I might have said myself!

Apparently, the earlier boxes were made of cast iron, and were known as pillars. The name comes from the fact that those earlier ones were made at the Lucy Foundry in Oxford, which began in 1803, and is apparently still active. Originally the boxes were green in colour, but newer ones were silver.

Lucy Boxes in some towns are elaborate, rather than having plain, smooth sides, and some towns have boxes of different sizes. One of ours is relatively plain, but is quite enormous, but I’ve no idea why! It can be found almost on the corner of Wallace Road at its junction with Beacon Road. I've just walked past it today, whilst thinking 'what can I write about for the letter 'L' blogpost?' but rarely noticed it, and certainly didn't think to measure it!!! Update: ok, so I've just been out again, and this time taken some photos (because although I know I've got some I can't find them, which is a pity because the box was somewhat less colourful a while ago!) and measured the box (approximately!). Result: 

Our box is approximately 5 feet 8 inches tall - without the 'roof' - and approximately 14 inches deep. The tin can is for reference only!






So, I hope you’re now inspired to go Lucy Box hunting! If you spot any other unusual ones, I’d love to hear about them! And, if you want to know more about Lucy Boxes, have a look at the Wolverhampton History and Heritage Society webpages, which has some super information and some great photos!

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Links to Ladybird Books posts:  Ladybird (6) Ladybird Books (17) Ladybird Collective (1) 

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This post is one of a series for the ‘April A-Z Blogging Challenge’




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Posted by lynneaboutloughborough

With apologies for typos which are all mine!

_______________________________________________

Thank you for reading this blog.

Copyright:

The copyright © of all content on this blog rests with me, however, you are welcome to quote passages from any of my posts, with appropriate credit. The correct citation for this looks as follows:

Dyer, Lynne (2024). L is for Lucy Box. Available from: https://lynneaboutloughborough.blogspot.com/2024/04/l-is-for-lucy-box.html [Accessed 13 April 2024]

Take down policy:

I post no pictures that are not my own, unless I have express permission so to do. All text is my own, and not copied from any other information sources, printed or electronic, unless identified and credited as such. If you find I have posted something in contravention of these statements, or if there are photographs of you which you would prefer not to be here, please contact me at the address listed on the About Me page, and I will remove these.

External Links:

By including links to external sources I am not endorsing the websites, the authors, nor the information contained therein, and will not check back to update out-of-date links. Using these links to access external information is entirely the responsibility of the reader of the blog.

Blog archive and tags:

If you are viewing this blog in mobile format, you will not be able to easily access the blog archive, or the clickable links to various topics. These can be accessed if you scroll to the bottom of the page, and click 'View Web Version'. Alternatively, there is also a complete list of posts, which when clicked will take you to the page you are interested in.

Searching the blog:

You can search the blog using the dedicated search box that appears near the top of the blog when viewed in the web version. Alternatively, you can search using your usual search engine (e.g. Bing, Google, DuckDuckGo etc.) by following this example:

site: https://lynneaboutloughborough.blogspot.com/ “Radmoor House”

NOTE – the words you’re actually looking for must be in “” and the first of these must be preceded by a space

Thank you for reading this blog.

Lynne

Sunday, 10 December 2023

Ladybird Books from jobbing printers to global brand

Introduction

I’m pretty sure I first met Wim in passing at the inaugural Loogabaroogoo Festival of Illustrated Children’s Literature, which was held around the town during the October half term of 2015 – but it could have been at a later one, as several took place! Or it might even have been at the Charnwood Museum Being Human event a few years later! Anyway, for the past couple of years we’ve both been part of a project taking place at the bellfoundry, so we’ve had plenty of time to share Loughborough stories!

A Ladybird reading corner

Although there has been much written about the topic of Wim’s guest blog post – even huge books, and even a guest blog post earlier this year! - Wim looks at the history of that iconic Loughborough firm, Ladybird Books, and explains how and when the children’s books came about, and what it was that actually made the firm so special! Read on for a most interesting story!

Ladybird Books -- from Jobbing Printers to Global Brand

Wim Van Mierlo (Loughborough University)

As a book historian working at the University, I naturally became interested in the ‘phenomenon’ that is Ladybird Books.  Because Ladybird is so deeply embedded in the history of our town, the story of the company’s founding is already quite very well known – not least for readers of Lynne’s blog. Yet what few people know is actually how special – that is to say: unusual -- that history is as a publishing venture. No disrespect to Loughborough or the great people who worked for Ladybird in their time.  But as someone who knows a thing or two about the history of publishing in the UK, I am struck time and again how extraordinary the Ladybird story in fact was. No other city, let alone a market town, outside of London can boast a publishing success equal to that of Ladybird. At the height of their fame, they churned out some 500,000 books per week.

Ladybird Books on display at Leicester Museum and Art Gallery 2019

In every respect, Ladybird was not supposed to happen. And yet it did. The brand’s success is due to the company’s business-savvy directors who knew their trade and were able to adapt themselves to changing fortunes. Until such time, unfortunately, the market sadly outwitted them in the 1990s.

Let me begin, however, with a factual correction. The date on the green plaque outside the Carillon shopping centre on Market Street is unfortunately wrong. The first Ladybird book did not roll off the presses in 1915, but shortly before 27 August 1914.  We know this from the date stamp in the copy that was sent to British Museum Library for legal deposit.

Leicestershire County Council green plaque on the entrance to the Carillon shopping centre

This date is important, for it also puts into question the company’s own account of why it ventured into publishing children’s picture books. According to company lore, Wills and Hepworth wanted to keep the presses running following the outbreak of War. But hostilities were only declared on 4 August. The time in between is very short, so it is quite likely that the decision to make picture books was taken earlier.

Wills and Hepworth were what in the industry are known as jobbing printers. They were not ‘publishers’ in the strict sense of the word; they printed anything that needed printing – both letterpress and lithography. Jobbing would remain the mainstay – and very profitable side – of the business for decades yet. One of their most important clients was the midlands automotive industry, whose catalogues they printed.

Title page from the 1901 Wills Almanac, published by Henry Wills

Two factors, however, were important for the future success of Ladybird books.

First, Wills and Hepworth were not afraid of diversifying. They did not just run a printshop. They offered a variety of services, from selling stationery to picture framing. They also ran a bookshop, which included a branch of Mudie’s famous circulating library. In the 1920s, as the business accounts now at the Leicestershire Record Office show, they even produced advertising stills for cinemas throughout the Midlands, Lancashire and Yorkshire. Picture books were another – in many respects quite bold – way to diversify their business activity.

A Ladybird book bench in Loughborough's Queen's Park

The publishing of books is not something that jobbing printers normally get into. (The publishing industry is to this day very London-centric.) The publishing of picture books is even less of an obvious choice.  The market for children’s books was a busy one. However – and this is the second factor in the success of Ladybird books – Wills and Hepworth recognized an opportunity that tallied with their expertise. Because so much of their printing work involved what today we call ‘graphic design’, they had the equipment and the know-how to combine letterpress and simple engravings suitable for the production of picture books. Compared to other children’s books of the time, Hans Andersen’s Fairy Tales (1914) and Tiny Tots Travels (1914), and all other early Ladybird titles were simple if not rather crude affairs. Nonetheless, these early books sturdy, but cheap to produce. Wills and Hepworth in fact made use of an age-old trick in the book trade. By recycling images and stories from one book to the next, the firm could regularly put out new titles without having to worry too much about creating new content.

Some Ladybird books

It is clear they thought their picture books should not distract them from the main business. The production of picture books remained a sideline, was picked up again during the Second World War, only to be set aside once more in peacetime. Paper shortages during the war at least prompted Wills and Hepworth to ‘invent’ the new iconic format: a single sheet of paper printed on both sides and then folded in a book of 52 pages. This ‘chapbook’ format had been the staple of cheap, popular reading since at least the seventeenth century. Wills and Hepworth knew their trade. Even so, it took the firm until 1953 to develop their magic formula of cheap, but good-quality picture books with interesting and informative content were absent from the market.

Advert for Ladybird Books in Wills' Loughborough Almanac for 1941

Wills and Hepworth remained jobbing printers until 1971, when they finally dedicated themselves full-time to Ladybird Books. The company legally changed its name to Ladybird Books Ltd. [1] and moved its operation from Angel Yard, where Henry Wills had started his printing business in 1873, to Windmill Road [2].

The Beeches Road Ladybird Books factory, now Anstey Wallpapers

 
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NOTES

[1] The resolution ‘that the name of the Company be changed to Ladybird Books Limited, was passed at an Extraordinary General Meeting, held on 22nd September 1972 somewhere on Derby Square, Loughborough.

[2] Today we know Ladybird Books was situated on Beeches Road, at the far end, towards the canal, and close to what is now Windmill Road. At one time, the whole length of Beeches Road, from the White House on the corner with Leicester Road, to the exit onto Great Central Road was once all called Windmill Road. The address for the new factory can be found quoted in different places as either Beeches Road or Windmill Road, which could be because at the early planning stages, it might not have been decided on the orientation of the actual factory building, nor whether the factory would be closest to Beeches Road or at the end of Windmill Road, close to Great Central Road. If you think about the site today, which is occupied by the Anstey Wallpaper Company, the factory faces onto Beeches Road, while the vehicle entrance (transport lorries, and cars heading towards the car park) is side on to Windmill Road, but it could so easily have been the other way round!

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Sources

Be sure to catch the guest blog post about Henry Wills, written by the Chair of the Loughborough Library Local Studies Volunteers, in August 2023. 

You can read more about Ladybird Books over on the Ladybird Fly Away Home website

In 2019 I wrote a short piece about Ladybird Books as part of a bigger article on Loughborough firms. 

Other books about Ladybird Books include:

Johnson, Lorraine (2014). The Ladybird story: children's books for everyone. London: British Library

Zeegan, Lawrence (2015). Ladybird by design: 100 years of words and pictures. London: Ladybird Books.

Ladybird: a cover story - 500 iconic covers (n.d.). London: Ladybird Books

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About Wim

Wim joined Loughborough University in 2015, and since then has contributed to the teaching on the Publishing and English programmes at both undergraduate and postgraduate levels. He is also Programme Director for Publishing, Digital Lead for the School of the Arts, English and Drama; and co-leader of DH@Lboro, our digital humanities research group.

Much of his work concentrated on 'Modernism' and the early twentieth century, but his interests range across the eighteenth, nineteenth, and twentieth centuries. Wim has published about William Wordsworth, W. B. Yeats, T. Sturge Moore, James Joyce, Flann O'Brien, Thomas Pynchon, and Fred D'aguiar. Wim's primary area of expertise is in the study of literary manuscripts and archives, but he also works on textual scholarship and scholarly editing, reception history, literary history and literary heritage, marginalia, writers' libraries, digital humanities, poetry, Irish studies, and photography.

Wim is President of the European Society for Textual Scholarship and Editor of the Society’s journal Variants.


See more on the Loughborough University website.

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Posted by lynneaboutloughborough

With apologies for typos which are all mine!

_______________________________________________

Thank you for reading this blog.

Copyright:

The copyright © of all content on this blog rests with me, or in the case of guest blogposts, with the named Guest Blogger. However, you are welcome to quote passages from any of my posts, with appropriate credit. The correct citation for this looks as follows:

van Mierlo, Wim (2023). Ladybird Books: from jobbing printers to global brand. Available from: https://lynneaboutloughborough.blogspot.com/2023/11/ladybird-books-from-jobbing-printers-to.html [Accessed 10 December 2023]

Take down policy:

I post no pictures that are not my own, unless I have express permission so to do. All text is my own, and not copied from any other information sources, printed or electronic, unless identified and credited as such. If you find I have posted something in contravention of these statements, or if there are photographs of you which you would prefer not to be here, please contact me at the address listed on the About Me page, and I will remove these.

Blog archive and tags:

If you are viewing this blog in mobile format, you will not be able to easily access the blog archive, or the clickable links to various topics. These can be accessed if you scroll to the bottom of the page, and click 'View Web Version'. Alternatively, there is also a complete list of posts, which when clicked will take you to the page you are interested in.

Searching the blog:

You can search the blog using the dedicated search box that appears near the top of the blog when viewed in the web version. Alternatively, you can search using your usual search engine (e.g. Bing, Google, DuckDuckGo etc.) by following this example:

site: https://lynneaboutloughborough.blogspot.com/ “Radmoor House”

NOTE – the words you’re actually looking for must be in “” and the first of these must be preceded by a space

Thank you for reading this blog.

Lynne

Thursday, 10 August 2023

Henry Wills, Loughborough’s Most Renowned Publisher

I have known Kathy for quite a while, probably since I was invited by the Loughborough Library Local Studies Volunteers Group to become an Honorary Member, in 2016, since which time we have worked together in the library, and at local history events, and attended many of the same meetings. So, I was very pleased she agreed to write this fantastic guest blog post for me. Kathy Phillips takes us on a journey from the local building we heard about in the last guest post, to books, telling the story of the man behind a local publishing phenomenon! For the full story, read on!   

Perhaps Loughborough’s Most Renowned Publisher. 

But Who Was Henry Wills?

by Kathy Phillips

I can readily predict that there will be very few residents of Loughborough over a certain age, who will not be aware of the town’s connection to Ladybird Books. Over many years a significant number of Loughborough locals, including family members and acquaintances, have been linked to Ladybird Books in some way or another. The famous Ladybird brand name has its roots in a publishing partnership between Henry Wills and William Simpson Hepworth. Henry’s successful 19th-century bookselling, stationery and publishing business was built up over 30 years. The publisher name of “Wills & Hepworth” then continued for literally decades after Henry Wills retired in 1905, selling his interest in the company to William Hepworth and the two becoming partners by 1906. It was not until 1971 that “Wills & Hepworth Ltd.” officially changed its name to “Ladybird Books Ltd.”

Title page of an annual almanac
An almanac for the year 1901

Henry’s Forefathers

So, what was Henry Wills’ family background? Henry’s Grandfather, Daniel Wills, was a Leicestershire man born in Hinckley in 1783. He was a “setter-up of frames”. In the hosiery industry, after the blacksmith had made the ironwork of a framework knitting machine, Daniel would have been tasked with adjusting the various parts in preparation for use by the machine operator. In 1851 Daniel Wills died in Hinckley, aged about 68. He appeared to have lived in the place of his birth all his life – not so his son George Wills (Henry’s father), nor Henry himself.

Baptismal entry for George Wells
The baptism entry for George Wills, from the Independent Chapel, Chapel Street, Hinckley

George Wills was born in 1808 in Hinckley, to Daniel Wills and his first wife Susannah Johnson who was born c1785. Sadly Susannah died when George was a youngster and George was brought up by Daniel and his second wife Mary Wills (née Atkins) with his six step-brothers and sisters. By 1835, 27-year-old George Wills was established in his career as a schoolmaster. That year he married Henry’s mother Elizabeth Winifred Hill who was age 20. They were married in Southwell, a picturesque town in Nottinghamshire where Elizabeth was born in about 1815. She was a farmer’s daughter. Six years later by 1841, having chosen to live in Leicestershire, George (33), was running a school in Auburn Place in Narborough, accompanied by his wife Elizabeth (26) and their three children. George and Elizabeth continued to run their school, Auburn House, for almost three decades until, certainly by 1871, George had retired.

Auburn House School, Narborough

According to a Narborough 1849 Post Office Directory, Auburn House was described as a “boarding academy”. The school had a capacity of around 40 pupils at any one time, educating boys between the ages of 10 and 16. Over the years George was supported by up to three resident tutors while four live-in servants assisted Elizabeth on the domestic scene with their rapidly expanding family. The Wills moved out, leaving the school as a going concern – by 1873, the Principal of the Auburn House School was a Mr. Howard with a resident French Master Monsieur Lionnais. The school fees for that year were 30 guineas a term.

Henry’s Brothers and Sisters

Henry was one of 11 children, eight surviving, born to George and Elizabeth Wills, all raised in Auburn House School in Narborough. In 1841 George and Elizabeth’s three children were Edward Cooper Wills (born 1836), James Wills (born 1839) and Charlotte Wills (born 1841). Their son George Wills, born in 1838 between Edward and James, had died at the age of 21 months. More tragedy followed when in December 1842, James Wills died at just 3 years 8 months old. By 1851 the Wills family had expanded. Edward and Charlotte were joined by Elizabeth Wills (born 1843), Charles Wills (born 1844), Winifred Wills (1846), Alban William Wills (1848) and one year old Henry Wills (born early in 1850). Between 1853 and 1855, George and Elizabeth had another son Matthew Alfred Wills but sadly, Matthew died in 1856 and is buried in the churchyard of the Parish Church of All Saints, Narborough. In 1855 prior to Matthew’s death, George and Elizabeth had another daughter, Edith Mary Wills, whose birth completed their family. 

Following George’s retirement, by 1871 only their youngest daughter Edith Mary Wills (15) was still living at home. The family had moved to The Grange in Narborough and still enjoyed domestic help from a live-in servant. By 1876 George (68) and Elizabeth (61) were living in Croft House in Narborough. It was in 1879 that Henry’s father George Wills, a “Gentleman”, died at the age of 71 in Narborough. His Executors were John Spencer, a bookseller at 20 Market Place, Leicester, William Peck, a Nottinghamshire Grazier from Bothamsall, and William Poultney, a Leicester Sergeant of Police, living at 24 Walnut Street. George Wills left effects to the value of “under £9,000”. In the year following his father’s death, Henry’s mother Elizabeth Winifred Wills died at the age of 65 in Narborough. Both Henry’s parents are buried in the churchyard of the Parish Church of All Saints in Narborough.

Extract from a probate record
Probate record for George Wills, 1879

Henry Wills’ Printer Predecessor

John Henry Gray (1833–1873) was the son of Benjamin Gray, a well-to-do clockmaker with premises in the Market Place in Loughborough. As a young man, due to ill health, John Henry abandoned a career as a draper in London and returned home to Loughborough. He found work with a printer and bookseller in Swan Street and, following the proprietor’s retirement, Gray acquired the business. By 1857, Gray (24) had installed his printing machinery at the far end of Angel Yard off the Market Place in Loughborough and was working there as a general commercial letterpress printer. In that same year, he initiated the publication of the Loughborough Monitor, a weekly newspaper containing London and national news, parliamentary, police and market reports, and a limited amount of local news such as was available. In 1862, under the continuous strain of publishing a weekly newspaper, Gray continued to suffer with ill health and sold the Loughborough Monitor to his assistant William Rollings Lee for the sum of £45.

Henry Wills’ Career: The 1870s

In 1871 news of Henry Wills’ activities at the age of 21, reveals that he was a clerk lodging in Parkside, Knightsbridge, Westminster in London. It was two years later in 1873 that Henry Wills, acquired The Angel Press, Angel Yard, a bookselling and stationery business, following the death of its proprietor, John Henry Gray. In July 1875 Henry Wills (26), by then well-established as a stationer and bookseller in Loughborough, married Katherine Ellen Jones (born c1852, Bath), in the church of St. Andrew, Walcot, Bath. They lived at 5 Market Place, Loughborough where, in 1877 their daughter Winifred Frances Wills was born, closely followed in 1878 by the birth of their son Edward Wills. In Harry Wills’s Loughborough Almanac, Diary and Street Directory for 1878, Henry describes himself as proprietor of “The Library”. He is a printer, bookseller and fancy stationer. His address is listed as 5 Market Place. No other address in Loughborough for an “H. Wills” is to be found in the street directory – the family were living “above the shop”.

The 1880s and into the 1890s

Late in 1880 Henry and Katherine’s daughter Dorothy Wills was born. By 1881 Henry (31) employed seven men, 12 boys and two girls in his bookselling and printing business. The family were by now living at numbers 4 and 5 Market Place. Henry’s wife Katherine was 29 and, assisted by two live-in domestic servants, had her hands full with daughter Winifred age 4, son Edward age 3 and baby Dorothy at just four months old. By 1882 the family had moved to 6 Park Street, Loughborough. The deeds to the property indicate that Henry Wills never owned the house so they must have rented. That same year a Mrs. Gray lived at 1 Park Street. This was the address of John Henry Gray’s residence at the time of his death age 40 in 1873 and Sarah Gray was his widow. Both the Wills’ family and Sarah Gray continued to reside in Park Street, as listed in H. Wills’s Loughborough Almanac, Diary, Trade and Street Directory for 1883, printed and published by H. Wills of “The Library”. 

Red brick Victorian double-fronted house
No.6 Park Street in 2023

An advert for a diary sold by Henry Wills, 1883
An advert for goods sold by Henry Wills, 1883

By 1886 Henry and Katherine were still living at 6 Park Street when, in about 1888, their son Alban Noel Wills was born, completing their family. By 1890 the family was living in the area of Forest Road, designated as Nanpantan. In Wills’s Loughborough Almanac, Diary, Trade and Street Directory for 1890 Henry’s business is listed at 4 Market Place – he is a bookseller and fancy stationer and proprietor of “The Library”. The entry for Angel Yard is listed as lying between numbers 3 and 4 Market Place where Henry has a second listing as a gas power printer, lithographer, bookbinding, relief stamping, machine ruling and machine folding works. The 1891 Census reveals that Henry continued to employ two live-in domestic servants at their Forest Road home. The Enumerator describes this Census as covering “that part of the Parish not included in the Municipal Borough commencing at the Borough Boundary on Forest Road including Burleigh Hall, Mr. Wills’ House, The Firs, The Woodlands, The Widenings and the cottages on Forest Road”.

The 1900s

By 1901 Henry Wills (51), printer, bookseller and stationer and his wife Katherine (49), were still living in their house in Forest Road. Their children Winifred Frances (24), Dorothy (20) and Alban Noel (13) all lived at home but their son, Edward (23) had flown the nest. The 1901 Census also lists a visitor, Alfred Noel Hazlehurst age 26, an electrical engineer, born in Cheshire. Alfred was to become their son-in-law following his marriage to Dorothy Wills in 1906.

It was in the same year as the 1901 Census that their daughter Winifred Frances married Albert William Hanford, a hosiery manufacturer born in 1875 in Loughborough. As the decade progressed Winifred and Albert had three children: John William Andrew Hanford born in 1903, Katherine Winifred Elizabeth Hanford born in 1905 and Freda Mary Hanford born in 1906 – three grandchildren for Henry and Katherine Wills. Both John William Andrew and Freda Mary grew up to become school teachers – walking in the footsteps of their great-grandfather George Wills. In April 1907 Dorothy and Alfred Hazlehurst’s daughter Dorothy Beatrice Hazlehurst was born in Wimbledon Park, Surrey, providing Henry and Katherine with a fourth grandchild. Dorothy Beatrice grew up to become a nurse. Meanwhile, according to Kelly’s Directory for 1908, Henry Wills continued to be listed as resident in Forest Road, Nanpantan.

The 1910s

By 1911, six years after his retirement, Henry Wills (61) and his wife Katherine (59) were living with their son-in-law Alfred Noel Hazlehurst, manager of an electrical company manufacturing accumulators, their daughter, Mrs. Dorothy Hazlehurst and three-year-old granddaughter Dorothy Beatrice Hazlehurst. The household had three servants: a cook, a domestic servant and a nurse housemaid. They lived in Park View Terrace, Wimbledon Park Road in Wimbledon.

On 3rd June 1915 Henry and Katherine’s son Alban Noel Wills (27) of the 5th Battalion, The King’s Own (Yorkshire Light Infantry) was promoted to Second Lieutenant. Three years later, on 7th March 1918 Alban Noel Wills, by then Captain of the 1st/5th Battalion, The King’s Own Yorkshire Light Infantry, died of his wounds at Ypres at the age of about 30. Alban is buried in the Lijssenthoek Military Cemetery, Grave/Memorial Reference: XXVII. E. 21, Poperinge, West Vlaanderen, Belgium. At the time of this tragedy, Henry and Katherine although residing in Bath, were described as being “of Colwyn Bay”.

In 1919 Henry Wills died at the age of about 69 years while living in Colwyn Bay, Denbighshire. Henry left his effects to his widow Katherine Ellen Wills and to his son-in-law Albert William Hanford, the hosiery manufacturer [1]. On 21st December 1929 Katherine Ellen Wills, Henry’s widow, died at the age of about 77 years, while living in Colwyn Bay. Katherine left her effects to her nephew, Charles Richard Wills (47), a medical practitioner (son of Henry’s brother Charles) and to her son-in-law Albert William Hanford.

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NOTES 

[1] Reporting on the property market on page 5 of its issue of 12th September 1919, the Loughborough Echo states that Messrs. Garton and Son had in the previous two weeks sold a number of what they describe as ‘business blocks’. One of these was done under the instruction of the executors of the estate of the late Mr Henry Wills, late of Loughborough. This particular ‘business block’ included No.4 Market Place and printing works in Angel Yard, which at the time were occupied by Messrs. Wills and Hepworth. Also included was Angel Yard itself, where Messrs. Lowater, Baines, and Lockwood had their business. Further, in the ‘business block’ there were also five cottages, Nos.50-54 on what was then known as Mill Street, but which is today called Market Street. Mr W.S. Hepworth was the purchaser of the whole ‘business block’.

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Lynne writes:

I haven't really written much about Ladybird Books as there are plenty of people out there who know far more than me. There are, however, little bits of info on the following blogposts, and the Ladybird plaque appears in one of the virtual walks I've written:

The plaque walk

Loughborough firms

The Loogabarooga Festival

Ladybird Book illustrators

William Morris and Ladybird House  

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About Kathy

Kathy Phillips is currently Chair of the Loughborough Library Local Studies Volunteers Group (LLLSVG), who are based in the library on Granby Street, Loughborough.

Following a BSc (Hons) in Physics, experience of working in industry, and a postgraduate Diploma in Library & Information Studies, Kathy qualified as an Associate of the Library Association [now the Chartered Institute of Library and Information Professionals] and gained experience in academic librarianship working at Loughborough University Pilkington Library. Kathy was the Information Scientist at the HUSAT (Human Sciences and Advanced Technology) Research Institute at Loughborough University for 19 years until 2002, and for two years at HUSAT’s successor, the Ergonomics and Safety Research Institute.

From 2004, Kathy worked part-time in the specialist library at WEDC (the Water and Engineering Research Centre), Loughborough University, and continued to volunteer at WEDC as an “Academic Visitor” until March 2018. Meanwhile, in 2010 Kathy began volunteering in Loughborough Library’s Local Studies section, becoming founder Chair of LLLSVG in January 2014. Since 2012 she has organised, or worked as a team member, on a significant number of displays at Loughborough Library. Kathy has considerable experience as a proof-reader, has edited a number of LLLSVG publications and has extensively researched the history of Ladybird Books Ltd., including the family histories of founders Henry Wills and William Hepworth, and Ladybird artist P.B. Hickling (Series 497 Animal Tales). With fellow enthusiast Ian Porter, Kathy is the LLLSVG co-expert on Ladybird Books.

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Posted by lynneaboutloughborough

With apologies for typos which are all mine!

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Phillips, Kathy (2023). Henry Wills, Loughborough’s Most Renowned Publisher. Available from: https://lynneaboutloughborough.blogspot.com/2023/08/henry-wills-loughboroughs-most-renowned.html [Accessed 10 August 2023]

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Sunday, 26 September 2021

Loughborough Grammar School Tower

Although like many people I often walk along the public footpath, Burton Walks,  through the grammar school grounds, and in the past I've taken my children to the summer activity camps, and myself been to numerous events in the dining hall – railway fairs, collectibles fairs – as well as to numerous band events – concerts and contests – in the Hodson Hall, the opportunity to actually visit some of the school buildings with a view to learning about their history, doesn’t come along very often.

So, last weekend I was lucky enough to be able to visit the Loughborough Grammar School, and as well as learning about some of its history, I was able to take a view of Loughborough that I had not seen before.

When I arrived at the quadrangle, from the Burton Walks side, I had a good look through the open door towards Leicester Road, and looked around the ground floor entrance hallway, where hung portraits of notable LGS alumni – Sir Thomas Abney; George Davys; Richard Pulteney, and William Yates [i], as well as other interesting artefacts. 



I had been in this part of the school before, but I had not, before, been up the tower, so that is where I excitedly went next! In my haste to get to the top, and look at the views, I forgot to count the steps as I went up – and forgot when I came down too! I wonder how it compares with the Carillon?


 

At the top of the tower were some Taylors bells, and some wonderful views! From up here there was a brilliant 360-degree view of Loughborough and its surroundings, and it was fun trying to work out exactly what I was looking at. Some views were obvious because of the buildings that could be seen – the Carillon, with its copper dome, really stands out, and the former Ladybird factory on Beeches Road, with the Leicestershire Wolds beyond, is also pretty distinctive.  The Charnwood Hills form a clear outline, even if my photos don't do them justice!


The former Ladybird factory with the Leicestershire Wolds beyond

The Charnwood Hills in the distance

The Carillon looking tiny in the distance

View towards Leicester Road

View of the quad


The bells on the tower were all made by Taylors, the Loughborough bellfounders. There was a group of 4, bells, installed in memory of the son of a former headteacher, who died during the First World War in 1916. Along with these four bells, is another bell, and, if I’ve understood this correctly, these bells play the Cambridge Chimes, sometimes known as the Westminster chimes.




 

On my way back down the tower, I stopped off in the two classrooms that are off the spiral staircase. Again, some interesting views out, but also some interesting contents, including, in one classroom, the electrified mechanism for the clock.  





 

Once back down on the ground floor, I wandered around, looking at the wonderful old photographs that had been put out for display, along with some of the books that had been awarded as school prizes, and reading the huge amount of information laid out about the actual preparation for the building of the school, around 1852.


Read more about the teacher on the right in the front row in an earlier blogpost


 

Having taken in as much as I could, I made my way out into the quadrangle, having realised how striking the grass was, and noted that the trees which had been planted around the perimeter were in memory of former pupils who had died during the First World War.





[i] A little more information about these people appears in my book, ‘A-Z of Loughborough’.

Posted by lynneaboutloughborough 26 September 2021

You are welcome to quote passages from any of my posts, with appropriate credit. The correct citation for this looks as follow:

Dyer, Lynne (2021). Loughborough Grammar School Tower. Available from: https://lynneaboutloughborough.blogspot.com/2021/09/loughborough-grammar-school-tower.html [Accessed 26 September 2021]

Take down policy:
I post no pictures that are not my own, unless I have express permission so to do. All text is my own, and not copied from any other information sources, printed or electronic, unless identified and credited as such. If you find I have posted something in contravention of these statements, or if there are photographs of you which you would prefer not to be here, please contact me at the address listed on the About Me page, and I will remove these.

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Thank you for reading this blog. 

Lynne