Showing posts with label Vaughan-Williams. Show all posts
Showing posts with label Vaughan-Williams. Show all posts

Sunday, 13 November 2016

Loughborough Remembers

This time of year always follows a pattern: Diwali, Halloween, Bonfire Night, the fair, and finally, the Remembrance Service. As last year, I went to the service at Queen's Park. From the outset I knew it was going to be an emotional one.

I had left it until the last minute to donate to the British Legion through buying a poppy to wear, so I was relieved to find someone still making them available to people like me. Then, walking into the park via New Street, I was saddened to realise that the good friend I was greeting effusively was having difficulty remembering who I was. Making my way over to the are beside where the Hathern Concert Band play, I was overcome by the music coming from the bandstand, where Loughborough Concert Band were performing the Tallis Fantasia, by Vaughan-Williams (hmm, at breakneck speed), one of my all-time favourite pieces, and one guaranteed to make me feel emotional.

This year, for some reason or other I seemed to have a better view of the service, and all the people taking part, despite standing near the band last year too. Nevertheless, I won't post most of my photos: the backs of people's heads are never that interesting!

This year the service, led by The Revd Wendy Dalrymple, was extremely poignant, as she told the story of Lancelot John Austin Dewar (Jack), the youngest son of Revd David Dewar, vicar of Holy Trinity, and his wife, Annie Maria Irene (nee Hill), who was killed on 13th November 1916 at the Battle of the Ancre, the final push in the Battle of the Somme. Sadly, Jack's brother, David Sonnie, was also killed in WW1, on 22nd March 1918. Revd Dalrymple also spoke briefly of the death last year of Hilda Onions, the sister of John William Godber who died whilst doing his duty as a stretcher bearer on Northern France in 1917.

Observing the two minutes silence, watching the poppies tumble from top of the carillon, was, as ever, moving. During the wreath-laying, the Borough Carilloneur played a variety of pieces, cleverly coming to a close when all the wreaths had been placed against the front of the carillon. The parade into town was accompanied by many, many people, and the Market Place was overflowing. 

Meanwhile, down in London, my youngest was lucky enough to be at the Cenotaph, halfway between it and Westminster. I hope you had as moving an experience as I did this morning.


















Opposite John Storer House before the service

You are welcome to quote passages from any of my posts, with appropriate credit. The correct citation for this looks as follow:

Dyer, Lynne (2016). Loughborough Remembers. [Online] Available from: 
http://lynneaboutloughborough.blogspot.com/2016/11/loughborough-remembers.html [Accessed 13 November 2016]


          

Sunday, 30 October 2016

Village Bands

When I first came to Loughborough way back in the late 1970s, I was very interested in the musical activities of the town, and did some research into these, which resulted in a directory of such things. I remember there used to be loads of brass bands in the town, the surrounding villages, and nearby towns, which was great because having lived in the coal-mining areas of South Wales, and also having lived in Yorkshire, brass bands have been a big part of my musical life. 

It seems that bands may have originated from the town waits from Medieval times, or from musicians associated with the army. The latter may have influenced local musicians to found their own bands. The tradition of Medieval wandering minstrels may also have had some influence on local bands.

Brass instruments didn't become particularly common in town bands until about the 17th century. Village bands could either be small, and composed of families, or they may have been bigger affairs which practised in the local pub.

Over the years there have been many, many bands in the area. As I was saying I remember the Loughborough Town Silver Band, as well as the Desford Colliery Band, and the William Davis Construction Group Band. At the time, Hathern was a little too far for my interests, but, of course, I have since become very familiar with the Hathern Band family of bands! The Loughborough Echo has had some great pictures and news of Loughborough bands on its Looking Back pages recently.

Anyone who follows the world of banding will be familiar with the website 4 Bars Rest, where there is live coverage of contests, lists of band rankings, news from the world of banding, and notice of vacancies within bands. Of course, there are loads of other band-related websites out there, and I would suspect that most bands have their own page: I know Hathern does.

While I was hopping around the internet, I also found a very interesting site on which people list what it is about banding they are researching; collections of music and instruments of historical interest, like at Cyfarthfa; some great old pictures of people and their brass instrument (check out the trombones!); and lists of both existing and defunct brass bands. Do have a look at the defunct bands, as probably every town, village and hamlet you can think of in and around Loughborough and North West Leicestershire has at least one entry (although I couldn't find one for Mountsorrel, so do let me know if you spot one!). Would you believe that Newtown Linford had its own band in about 1840-1850, that Lord Donington had a private band around the 1890s, and that there was a band called the Best Blooming Band between Burton and Bagworth, known as the Five Bs Band about 1890.  

Anyway, this is what I was up to last evening:

At Hathern Church we were treated to a veritable cornucopia of beautiful music from English composers, played by the Hathern Band. The last time I was here, the band were joined by Loughborough Male Voice Choir, but tonight was solely hosted by the band. Music from the royal court of the 16th century (John Bull's King's Hunting Tune) and from King Henry VIII himself (Pastime with Good Company (aka The King's Ballad) and strains of Greensleeves in the first half piece Fantasia on the Dargason (by Holst) jostled for favourite position alongside pieces by Vaughan-Williams, Coates, Binge, Langford, Elgar, Lloyd Webber, Walton, Alford, Elgar, Vinter, Sullivan, and Lennon & McCartney.

I simply can't remember when I last heard Dashing Away With The Smoothing Iron, nor Pineapple Poll, but I've certainly heard Cornet Carillon and Fantasia on the Dargason more recently. Ashamed to admit I was not familiar with Spitfire Fugue. I was relieved the Vaughan-Williams piece played was the theme of the film the 49th Parallel, and not the Talis Fantasia which is a very powerful piece of music that never fails to reduce me to tears!
As ever, the conductor, Dave Newman, tells me something I don't already know, either about the music or the composers. This time it related to the composer of the music for Desert Island Discs, which was composed by Coates, and that for the Shipping Forecast, which was composed by Binge.
Finally, for encore, we were treated to Jerusalem, a rousing English anthem, that always has me longing to hear music from my own country, and leaves me with a strong feeling of hiraeth.

So immersed was I in the music that I only took a couple of photos, which really didn't do the band justice, so here's some taken at previous events:
 
The 4-piece trombone trio at Hathern Church!

On the Banks at Quorn, summer 2016

On stage at Loughborough Town Hall in Brassed Off!

At the bandstand in Queen's Park, summer 2016

At the Baptist Chapel in Shepshed.

You are welcome to quote passages from any of my posts, with appropriate credit. The correct citation for this looks as follow:

Dyer, Lynne (2016). Village bands. [Online] Available from: http://lynneaboutloughborough.blogspot.com/2016/10/village-bands.html [Accessed 30 October 2016]