Showing posts with label Pugin. Show all posts
Showing posts with label Pugin. Show all posts

Tuesday, 8 April 2025

G is for Glazed Tiles

I’m sure we’re probably all familiar with glazed tiles, which are totally different from encaustic tiles that are often seen in churches, or in the hallways of Victorian properties. Encaustic tiles are made from ceramic, and the pattern is created by the use of different coloured clays, whereas the pattern on a glazed tile comes from the actual glaze itself. Unlike glazed tiles, encaustic ones are quite porous. Here’s an example from A.W.N. Pugin, 1843:



Some great examples of Art Nouveau glazed tiles can still be seen in some Edwardian properties, for example along Frederick Street. Sometimes these tiles are simply an embossed pattern, the whole tile being glazed in the same colour, other times these tiles are glazed in different colours.

Art Deco wall and floor tiles often tended to reflect the patterns of the day – brightly coloured with angular shapes, although I haven't personally found any in Loughborough. Here’s an example of the sort of thing I mean, four tiles made into a pattern:



As far as I can see, we no longer have any examples of high gloss tiles adorning our 1920s-1930s pubs, you the know the sort I mean, where the bottom half of the building is clad in shiny, often green tiles, like this one in Southampton from my 2019 visit, and one from my Nottingham visit a few years earlier:



Having said that, there are examples of these tiles in a sort of tan colour on Market Street, which would once have been part of the Old Talbot Inn.

What we do have on some of our pubs, however, are faience tiles – sort of creamy coloured, or pale green – as on the Blacksmiths Arms and the Swan-in-the-Rushes. The dark grey, slightly more glossy tiles of the Royal George, from 1925, are, of course, no longer around.


 


The definition of faience tiles seems to differ with whatever resource you consult! All agree that faience tiles are glazed, but some suggest the tiles are made from glazed terracotta (a clay-based which is glazed at a low temperature, leaving the tile non-vitreous) others that the body of the tile itself is made of a composite material, often said to comprise crushed quartz or sand, with lime and plant ash.

One way of telling if a tile is of the faience type is to tap it. This will give off a dull sound, unlike, for example, porcelain, which when tapped gives a metallic bell-like note. Another way is by looking at an area of the tile that might be chipped. Your posh dinner plates are probably porcelain, and hopefully not chipped, but if they were you’d see the damage would be white: if the item was made from faience, then the chip would be more reddish/brown/beige. A perfect example of this in Loughborough is the beautiful columns we saw under Egyptomania at the former Echo Press offices – distinctly red where the column is damaged, top right.





The other preponderance of faience tiles are to be found on our local cinemas. I’m not going to wax lyrical about them here as the blog is full of posts about them, but do look out for the beige faience tiles on the current Odeon, and the former Odeon (Baxter Gate), and the beautiful brightly coloured tiles that serve as stunning decoration – the yellow, green, and blue patterns on the Odeon, and the black and green bands running across the former Odeon.


Many of these twentieth-century tiles were made by a local company. Perhaps we shall hear more about them in the next post …

Please note: No dinner plates or historical columns were damaged in the creation of this post!

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I'm taking part in the A-Z April Blogging Challenge!!



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Posted by lynneaboutloughborough

With apologies for typos which are all mine!

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Sunday, 27 March 2016

William Railton's Bavarian gates

Every time I have a holiday from work I get excited and think I'm going to have plenty of time to write the best blog post in the world ever, but every time I end up presenting you with very quickly written, half-finished research.

So, during this break from work I've been lucky enough to have the other half home with me, so over these last three days we've been out doing a lot of walking. It's good walking with him because I'm a bit of a scardy cat, and always afraid I'm going to lose my way, walk through private property and get shot at, walk too far and then be too tired to get home again, or embarrassingly walk around with the map upside down, back-to-front and inside-out!

Anyway, OH hadn't been well, but I needed a walk, so I decided to walk to Charterhouse in Shepshed - oh, sorry, I mean Armstrong's Mill. Now, if I'd gone on my own, which was what I'd planned, I'd have walked exactly the same route as I would have driven, so along Epinal Way, down the A512, over the M1 roundabout into Shepshed, a car journey taking about 10 minutes or so. However, OH, having been bedridden, decided a bit of fresh air would do him good, although a less traffic-busy route would be better. Hmm, I was not convinced!

We started off ok, walking up Epinal Way, up Holt Drive, past Lodge Farm, and up Badger's Walk (I may have got the names slightly wrong, sorry!). Then up Nanpantan Road, along the footpath just before the Priory that takes you out onto Snell's Nook Lane, and then along the path off the other side of Snell's Nook that tales you through Longcliffe golf course. At the end of the path through Longcliffe, we followed a path to the right and came out on the A512 at the big M1 roundabout. We took our life in our hands and crossed around this, walked on the pavement past the trucker's cafe, and then joined a path that went down towards Shepshed town centre, but which ran parallel to the A512, eventually coming out opposite the cemetery on Charnwood Road, just above Armstrong's. 

After a cup of tea in the cafe, I had a quick walk around the store: no clothes or shoes that took my fancy, which was a good job, because OH never likes to make a return journey that retraces any steps, so we set off on an even longer walk home!

The route home took us down into Shepshed town, up the other side to a path that ran along the side of Hind Leys, and led us over the M1, and onto the Garendon Estate. Now, I've walked from Dishley Grange to the Bavarian Gates of Garendon a couple of times before, but never approached from Shepshed. Coming to a row of poplar trees, I realised if we turned right we would see those gates again, in all their splendour. 
The Bavarian Gates on the Garendon Estate, designed by William Railton
The Bavarian Gates were designed by William Railton, an architect who worked in London, and won a competition to create Nelson's column, which is probably his most famous work. However, he did much work in our area, where as well as designing the Bavarian Gates, he also designed the two Garendon estate lodges, the first abbey at Mount Saint Bernard's before the one that we see today (designed by Pugin), the neo-Tudor manor house at Grace Dieu, the churches at Copt Oak and Woodhouse Eaves, and Beaumanor Hall.

Continuing our walk, we followed the path alongside the wall to our right, which then turned to the right. We didn't go over the stonebow bridge, following the Blackbrook, but instead followed the path that led to Booth Wood. What a joy it was to finally happen upon the Obelisk, which I had previously only seen from within the wood (there I go, afraid of trespassing!) and from a distance on the path towards the Bavarian Gates. 

The Obelisk, designed by Ambrose Phillips
What a thing! Designed by Ambrose Phillips, I can only suppose that the obelisk is a folly.

So, we walked through Booth Wood, across Old Ashby Road, out onto Ashby Road, through the university, and out by Towers onto Epinal Way. All-in-all, we walked for 3 hours and covered 12 miles! We could have gone in the car, but we wouldn't have seen such interesting sights! How lucky we are to live where we do! the only downside of walking with Oh is that he really doesn't like me to stop and take photographs! 
Beaumanor Hall, designed by William Railton