Showing posts with label Festival of Britain. Show all posts
Showing posts with label Festival of Britain. Show all posts

Friday, 7 May 2021

The Festival of Britain celebrations in Loughborough

Festival of Britain celebrations in Loughborough

Last time we looked at the Festival of Britain and discovered some connections with Loughborough. In this post we’ll look at some more connections and at what Loughborough did at home to celebrate the Festival.

Around the time of the opening of the Festival of Britain in May 1951, Brush announced that it had received orders to the value of £500,000 for the latest addition to its already wide range of products, which was a caravan, to be ‘built in its entirety by craftsmen’ of the company. Apparently, production had been happening for most of April, and as the completed caravans were sent to the distributors in Cheshire, they had been admired by people who had seen them.

However, at the Festival on the South Bank, there was a parade of some of Britain’s best commercial vehicles, this especially since many road vehicles were involved in the construction of the festival’s buildings and exhibition areas. The Transport and Communications Pavilion exhibited mechanical-handling appliances, but the conveyancer and Brush industrial vehicles were shown in the Power and Production Pavilion. Across the pavilion, Brush Pony battery-electrics were much in evidence and were being used to perform general duties across the exhibition site, including transporting food to the restaurants.    

Taylors bellfoundry and bellringing also have a connection with the Festival of Britain. The following event took place in Loughborough: the Leicester Diocesan Guild Loughborough performed 5040 Cambridge Surprise Royal at the Bell Foundry Tower on Saturday 5 May 1951, to mark the opening of the Festival of Britain.

The bell tower at the Taylor bellfoundry

Ringing the bells at the bellfoundry tower (in 2019!)

In 2021 Taylors made a new bell for the church of St Mary’s in Klevedon, to replace their 4th bell, which had originally been cast by John Briant of Hertford in 1803, which had cracked. The new bell is known as Skip’s bell, and incorporates the inscription of the original. The church has eight bells, and the 1st, the tenor bell, was cast by the Whitechapel bellfoundry in 1951 for the Festival of Britain, where the bell sat on the South Embankment during the whole time of the festival, being bought by St Mary’s to replace their previous bell which had been cast way back in 1608 by Miles Graye of Colchester.

The Whitechapel bellfoundry

Also in 1951, the bell tower at the church of St Peter and St Paul in Oxton was also restored and cleaned. Taylors, who had re-cast the treble bell 1885-88 and bought the handbells from the church via a third-party, were brought in to assess the bells, the 3rd of which was moving in the frame. Their report said that ‘everything that was possible was wrong with the bells’ and quoted £600 for repairs, which in the end they did not undertake.  

In 1920, on nearby Selbourne Street, there opened an engineering company, Atalanta Engineering Ltd., with the pioneering Annette Ashberry as the works manager. Having worked on munitions in various locations across the UK during the First World War, she and seven other women came to Loughborough full of hope, but the economic downturn proved insurmountable, and Annette and one other woman moved the business to London, where things began to look up, and in 1925 Annette was elected to the Royal Society of Engineers, following her design for amongst other things, a dishwasher. As the company began to be more successful so they moved to better premises, ironically on Brixton Road (possibly in one of the buildings that now make up Kennington House), about 1.5 miles from where Sir John Leslie Martin created his Loughborough Parks estate!  

Although the company had done well, it closed in 1935, and Annette turned her hobby, of creating window boxes, into a successful new venture, and although she went back into engineering when the Second World War began, she returned to her window box and container gardening business. Such was the success and popularity of this that not only did she exhibit at the Chelsea Flower Show, she also showed at the Festival of Britain Exhibition, in the same year that her first book was published.

Festivities at Loughborough

In July 1950 there was a large attendance at a meeting at which it was discussed how Loughborough was going to commemorate the Festival of Britain. At the meeting, a committee was created which was given the power to make various arrangements for the celebrations. Some of that committee were the mayor (John H. Corah) and deputy mayor (W. H. Stagg), Dr Herbert Schofield (principal of Loughborough College), Archdeacon W. J. Lyon, as well as representatives from various societies and clubs, including the Rotary, the Chamber of Trade, the Chamber of Commerce and the Trades Council, with the town clerk, Mr Usher, appointed as secretary to the committee.   

By December of 1950 it had been agreed that Loughborough’s own Festival of Britain celebrations would take place in June of 1951, and would include a parade and civic service at the parish church on the Sunday morning, and a united youth service in Southfields Park in the afternoon. In order to ensure the smooth running of the activities, a pageant committee was also formed: the pageant would depict come of the highlights of the town’s history.

And so it was that in June 1951 a series of events were held across Loughborough to coincide with the Festival of Britain.

One specific day was devoted to the presentation of a series of tableaux by pupils from a number of the town’s schools, who were joined by pupils from 35 schools in the area. For example, Rendell Street school presented the Martyrdom of St Joan, and children from Cobden Street boys’ school presented the Viking invasion of the country, which was apparently very popular with the spectators. Another popular feature of the pageant was a fancy dress parade.

The martyrdom of St Joan

In addition to the various tableaux, there was also singing, dancing, games and a comedy football match, and in the evening a comedy swimming gala was held at the Loughborough College baths. Unfortunately, rain marred the football match at the Brush sport playing field. However, in October some Aston Villa players took part in the floodlit match at the same grounds as part of the Loughborough Festival Week.

Commenting on the whole event, Mr Lee, the Youth Officer for North West Leicestershire, said to the Youth Forum: “I think it was quite wonderful the number of organisation that took part. They have all been really loyal.” Alderman Coltman also expressed the appreciation of the executives of the North Leicestershire Divisional Education Executive of the part schools and teachers had taken in the Loughborough Festival Week. 

Posted by lynneaboutloughborough 16 May 2021

You are welcome to quote passages from any of my posts, with appropriate credit. The correct citation for this looks as follow:

Dyer, Lynne (2021). The Festival of Britain celebrations in Loughborough. Available fromhttps://lynneaboutloughborough.blogspot.com/2021/05/the-festival-of-britain-celebrations-in.html  [Accessed 16 May 2021]

Take down policy:
I post no pictures that are not my own, unless I have express permission so to do. All text is my own, and not copied from any other information sources, printed or electronic, unless identified and credited as such. If you find I have posted something in contravention of these statements, or if there are photographs of you which you would prefer not to be here, please contact me at the address listed on the About Me page, and I will remove these.

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Lynne                

The Festival of Britain and the Loughborough connections

The Festival of Britain, 3 May 1951 – 30 September 1951 

So here goes, and I find myself on an ill-informed journey back to 1951 and the Festival of Britain, a topic about which I know very little, but something that I’m sure must have had a big impact on Loughborough, whose population at the time was nearly 35,000, this being more than triple the number of 100 years earlier. Closer investigation doesn’t quite lead me down the path I was expecting to go, so I have little information about the involvement in the event of Loughborough industries, which is what I’d expected to find, rather like the involvement in the Great Exhibition of 1851. Instead, I’ve discovered a variety of connections which I’ll outline below and in the following blogpost.

First, what exactly was the Festival of Britain? (1)

Like the Great Exhibition in 1851, which had been a celebration of the progress of the nation, and the new industrial society, the Festival of Britain was again a celebration on a national scale, and the buildings created especially for the event were a stunning setting where British scientists, technologists and designers could showcase their genius and inventiveness.

Remains of the William Cotton factory on Baxter Gate, 2014

The idea for the Festival began around 1943, as a way of commemorating the centenary of the Great Exhibition, and like the event it was celebrating, it was several years in the planning.  Of course, it was recognised that much of London needed to be rebuilt after the Second World War, as did the people of Britain, following the hardships encountered during the 1940s and beyond. The Festival also aimed to boost post-war optimism and confidence in all that was new. Unlike the Great Exhibition, the Festival focused on Britain itself, and did not involve the Empire.

The Festival was opened on 3 May 1951, by King George VI, and ran until the end of September. Significant parts of the Festival were held in the South Bank area where new buildings had been constructed, including the Royal Festival Hall. Notable things included the Dome of Discovery and the Skylon, and a 400-seat, state-of-the-art cinema, showing 3D films on a large screen television.

Alongside the venues on the South Bank, there was also a Festival Pleasure Park created in the northern area of the Battersea Park, which included new features like a water garden with fountains, and a tree-walk. There was also a miniature railway in the park, and of course, the famous Battersea Fun Fair, the main attraction of which was the roller coaster, the Big Dipper!

As well as events in London, arts festivals were held across the country, there were also travelling exhibitions – the land travelling exhibition which landed at Birmingham, Leeds, Manchester, and Nottingham - and even a Festival ship, the Campania, a former Royal Navy escort carrier, which visited various UK ports between 4 May and 6 October. Many, many other events were held locally in towns and cities across the UK: in Glasgow they held an Exhibition of Power, which ran for some time, while other places held one-day pageants.   

The festival was a huge success at the time, and it is reported that over half the UK’s population (more than 25 million of the c50 million people) attended. This compares to the Great Exhibition attendance figures of over 6 million people which represented about one-third of the country’s population at the time.

The Arts at the exhibition

The exhibition held at the South Bank was also a showcase for artists of the time, and the new buildings and new housing estates built in the area were a showcase for contemporary architects. Interestingly, the Royal Festival Hall was designed by Sir John Leslie Martin, who was a leading advocate of the International Style of architecture, and it was he who designed the Loughborough Estate at Brixton in South London.

Art installations including works by Victor Pasmore and John Piper, and sculptures by Barbara Hepworth, Henry Moore, and Jacob Epstein. If you are familiar with the campus of Loughborough University, you may know of the Cedar of Lebanon, which sits in the square between the EHB (Edward Herbert Building) and what used to be the library, now the Herbert Manzoni Building. This beautiful tree hides a series of three sculptures called ‘The Watchers’ which were created by Lynn Chadwick in the mid-1960s. There are two other sets of companion sculptures, one in Denmark and the other in the London Borough of Wansdworth. Lynn Chadwick was one of the sculptors who exhibited at the Festival of Britain.

The ancient Cedar of Lebanon on the university campus being watched over

Wilhelm Josef Soukop, more usually know as Willi, was born in Austria, came to work in England in 1934. He exhibited his work in 1949 and 1950 at the ‘Sculpture in the Open Air’ and in 1951 he exhibited ‘Oak Tree’ at the Festival of Britain. In 1957 Soukop not only created ‘Signs of the Zodiac’ for Guthlaxton Community College in Wigston, and Martin High School in Anstey, he also created a set that can still be found today on what is now Charnwood College. 

Soukop's Sagittarius at Charnwood College

Soukop's Scorpio at Charnwood College

Slightly further away from home, on Oaks Road, Vincent Eley had established a pottery workshop. He studied at Loughborough School of Art, and created pots in the style of mediaeval ware, as well as creating the sculptures that sit atop the Calvary. Some of Father Vincent’s work was exhibited at the Festival of Britain.

Mount St Bernard Abbey from the Calvary

The Calvary at Mount St Bernard Abbey

Visitors to the Festival from our area

Boys from the Middle and Upper School of the Loughborough Grammar School were taken to visit the Festival of Britain Exhibition on the South Bank during the Whitsun holidays by their teacher, Mr D. G. Williams. Another teacher, Mr Trowbridge took other students later in the term. The Tower, at the centre of the school campus, was floodlit in celebration of Loughborough Festival Week, and photographed by Mr George Morgan. And, some of the boys wrote poems related to the Festival of Britain. H. D. West of class IIIa, penned an amusing 24 lines, a la Wordsworth, and C. Dyment wrote a script for the BBC for one of the films in a series of four which featured life in Britain.

Grammar School tower in 2020

By 1945, William Cottons, the company that had produced the steam-powered knitting machine, was part of the Bentley Engineering Company, and in 1951 members of the Bentley Group visited the Festival of Britain, on London’s South Bank.

Evidence of Cottons on Baxter Gate in 2014

A little way from Loughborough, but slightly closer to London, over in Leicester, staff from Montfort Knitting Mills, from British Waste, and from George Oliver Shoes all went along to visit the Festival of Britain.

Sadly, that’s all I’ve got space for in this post, but do pop back next time for more tales of Loughborough firms’ activity, and for the events that took place in Loughborough itself.  

Notes

(1) There's reams and reams of information out there on the internet about the Festival of Britain, so what I am presenting is a very, very potted story of the event. If you want more detail, you could do worse than start with searching Wikipedia! 

Posted by lynneaboutloughborough 9 May 2021

You are welcome to quote passages from any of my posts, with appropriate credit. The correct citation for this looks as follow:

Dyer, Lynne (2021). The Festival of Britain and the Loughborough connections. Available fromhttps://lynneaboutloughborough.blogspot.com/2021/05/the-festival-of-britain-and.html [Accessed 9 May 2021]

Take down policy:
I post no pictures that are not my own, unless I have express permission so to do. All text is my own, and not copied from any other information sources, printed or electronic, unless identified and credited as such. If you find I have posted something in contravention of these statements, or if there are photographs of you which you would prefer not to be here, please contact me at the address listed on the About Me page, and I will remove these.

You can leave comments below, but do check back as my reply will appear here, below your comment.

Thank you for reading this blog. 

Lynne