Showing posts with label library. Show all posts
Showing posts with label library. Show all posts

Thursday, 30 April 2026

And Finally We Reach Letter Z!

 An A-Z of Architects of Loughborough

For a complete list of the A-Z posts please head over to the bloglist.

 


So, we have reached the final letter of the alphabet in this A-Z blogging challenge, and what a tricky one it is too, to find something that fits the overall theme I’ve chosen this year! If I were writing a book called ‘A-Z of Loughborough, I would have plenty of topics to choose from – Zenobia, Zeppelins, Zamosc, Zodiac Toys, and more! Trying to find an architect whose name begins with a Z, and who has some connection to Loughborough has proved impossible!

If I were sticking to the architectural theme, I could perhaps write about ziggurats, but those iconic, step-like rooflines, so typical of the Art Deco period, were featured in last year’s A-Z blogging challenge. Obviously, I want to share my new discoveries with you, but you could pop over to last year’s feature, or to the Art Deco glossary.

So, what am I going to share with you for this final blogpost of April? I’ve decided to go back to my professional roots, and the reason I came to live in Loughborough …  

Short biography of Zebedee Moon

Zebedee Mooon’ parents, Isaac, and Elizabeth, née Tilke, tied the knot on 12 November 1843 at Coleford in Somerset. Isaac was a coal miner at the Coal Barton Collieries, in Coleford, Somerset, as was his father, William. Elizabeth’s father was a farmer and butcher, and Elizabeth, unlike Isaac, signed her own name on the marriage register.

By the time Zebedee was baptised on 27 November 1859, he had older siblings, William, Eliza, Albert, Elizabeth, and Grace, while siblings born after Zebedee were Rosalie and Ann. The family lived on Kilmersden Common, in Coleford, and at the age of 11, like his father, Zebedee was listed on the 1871 census return as a coal miner. In June 1873, Isaac died, and between that time, and the next census, which was taken in 1881, Zebedee moved to Loughborough, and was boarding with the Skevington family at 56 Baxter Gate. Samuel Skevington, the head of the family, was a grocer, Zebedee was a postal clerk, and the other boarder, Nathaniel Riley, was a clock and watch maker.

On 26 December, 1882, Zebedee, who was apparently living in Barrow-on-Soar, married Sarah Ann Clarke of Loughborough. The wedding took place at the Primitive Methodist Chapel, which was probably the one on Swan Street. The following year, Zebedee appears in a trade directory as living on King Street, Loughborough, as a shopkeeper. The electoral roll for 1883 shows the house on King Street to be no.43: the houses along King Street were demolished and rebuilt around 1888, so the shop itself no longer exists.

1884 saw the birth of Zebedee and Sarah Ann’s first child, George, followed in 1887 by that of Jessica. Meanwhile, Zebedee was changing jobs again!

Loughborough’s first library was on Baxter Gate, and moved to the Town Hall (designed by the nationally-known architect, William Slater, who was also responsible for the design of the Baxter Gate Hospital, 1861) around 1856. However, it only stayed there for about 11 years, before closing completely, and it wasn’t until the town adopted Free Libraries Act of 1885, that a new library was built. This was on the corner of Green Close Lane (now part of the Sainsbury site), and was designed by Hodson, Price, Hodson. The first librarian here was Zebedee Moon, who stayed until July 1892, when he moved to Leyton, where the new library opened to the public on 1 June 1893. Interestingly, the building which housed the new Leyton library had originally opened as the town hall, and was designed by architect John Knight, and was built using white bricks. A new redbrick town hall (with Technical Institute adjoining) was built next door, as the original building was becoming too small, and this is when, in 1892, it became the library.

So, back to 1891, and the census return shows Zebedee, the borough librarian, aged 31, living with his wife, Sarah Ann, aged 29, and their children, John Morley, aged 7, Jessie, aged 4, and Elsie, aged 2, at no.138 Herrick Road, Loughborough. A directory of secondhand booksellers and public libraries, published in 1891, suggests that the Loughborough Free Library now had a stock of 5,000 volumes, and an annual circulation of 48,000. Money to fund the library was raised through the rates, amounting to about £260 per annum, of which £30 was spent on books. The opening hours were weekdays only, from 9.30 in the morning until 9.30 in the evening!

The Moon family welcomed another daughter, Ida, who was born in 1900, but who sadly died the same year. In 1901, the family are living at La Maison, Public Library, High Road, Leyton, and have been blessed with more children – Edna, and Eric. Later that year, Zebedee’s mother died in Folkestone, where she had been living at East Cliff Gardens, with her married daughter.

Zebedee continued to work as the borough librarian at Leyton, meanwhile, back in Loughborough, a new library was being built on Granby Street, designed by Barrowcliff and Allcock. In 1911, Zebedee and the family, which included two more children, Leslie Arthur, and Dora Gladys, were still living at the Leyton library. Daughter Jessie, now aged 24, was working as an assistant librarian at Leyton! 1921 and still the family are living at the library, although they were tricky to track down as Zebedee has been mistranscribed as Zelda!! So, Zebedee, wife Sarah Ann, and offspring, Edna, working as a library assistant, Eric, a civil service clerk at the Inland Revenue, and Leslie, an engineering apprentice with the Great Eastern Railway, and Dora. They are being visited by Jessie, who has married Albert Green, with whom she has 3 children.

I’m not sure when Zebedee retired from work, nor when he was elected as a Fellow of the Royal Historical Society, but I do know he died on 2 August 1938, when he was living at 14 Windsor Road, Wanstead. He left effects amounting to £1,968 18s. 2d..

In 2024, Michelle Johansen, writing about librarians during the period 1890-1920, is able to advise that Zebedee Moon, was one of many self-taught men from a working-class background, and like his colleagues, was “often to be found surrounded by books and papers, continuing into adulthood the diligent habits of self-education adopted in … youth.” Apparently, “Zebedee Moon of Leyton studied poetry and linguistics” in his spare time.    

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Basic facts

Name: Zebedee Moon

Parents: Isaac (c.1825-1873) and Elizabeth, née Tilke (1824-1901), m.1843 Colesford, Somerset

Date and place of Birth: 1859 (baptised 27 November), Coleford, Somerset

Spouse: Sarah Ann Clarke, m.1882, Loughborough

Children: George Morley (b.1884); Jessie Beatrice (b.1887); Elsie Elizabeth (b.1889), Ida Lillian (1890-1890); Edna Irene (b.1894); Eric Bertram (b.1899); Leslie Arthur (b.1902); Dora Gladys (b.1906)

Death: 20 August 1938, Wanstead

Places lived: Colesford, Somerset; 43 King Street, Loughborough; 138 Herrick Road, Loughborough; High Road, Leyton; 14 Windsor Road, Wanstead

Place of work/Offices: Loughborough Free Library, Green Close Lane; Leyton public libraries

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I’m taking part in the April A-Z Blogging Challenge!


____________________________________

Posted by lynneaboutloughborough

With apologies for typos which are all mine!

_______________________________________________

Thank you for reading this blog.

Copyright:

The copyright © of all content on this blog rests with me, however, you are welcome to quote passages from any of my posts, with appropriate credit. The correct citation for this looks as follows:

Dyer, Lynne (2026). And Finally we Reach Letter Z! Available from: https://lynneaboutloughborough.blogspot.com/2026/04/and-finally-we-reach-letter-z.html  [Accessed 30 April 2026]

Take down policy:

I post no pictures that are not my own, unless I have express permission so to do. All text is my own, and not copied from any other information sources, printed or electronic, unless identified and credited as such. If you find I have posted something in contravention of these statements, or if there are photographs of you which you would prefer not to be here, please contact me at the address listed on the About Me page, and I will remove these.

External Links:

By including links to external sources I am not endorsing the websites, the authors, nor the information contained therein, and will not check back to update out-of-date links. Using these links to access external information is entirely the responsibility of the reader of the blog.

Blog archive and tags:

If you are viewing this blog in mobile format, you will not be able to easily access the blog archive, or the clickable links to various topics. These can be accessed if you scroll to the bottom of the page, and click 'View Web Version'. Alternatively, there is also a complete list of posts, which when clicked will take you to the page you are interested in.

Searching the blog:

You can search the blog using the dedicated search box that appears near the top of the blog when viewed in the web version. Alternatively, you can search using your usual search engine (e.g. Bing, Google, DuckDuckGo etc.) by following this example:

site: https://lynneaboutloughborough.blogspot.com/ “Radmoor House”

NOTE – the words you’re actually looking for must be in “” and the first of these must be preceded by a space

Thank you for reading this blog.

Lynne

Wednesday, 9 April 2025

H is for Hathern Station Brick and Terra Cotta Company, Hathernware, and the Hodson Family

Yesterday we had a look at glazed tiles, which included those on some of Loughborough’s pubs and cinemas. The makers of these tiles were a local company …

Originally called Hathern Station Brick and terra Cotta Company, the firm was started in 1874 by George Hodson (1844-1907), along with his brother, James, at a site between Sutton Bonington and Hathern, close to Hathern Station – which, I guess, is where part of the firm’s name came from. The company also had a brick works near Tamworth, called the Cliff Works, which produced blue engineering bricks.

The speciality of the company was initially in terra cotta, and many local buildings are beautifully decorated with terra cotta embellishments. Examples are the Carnegie Library on Granby Street, and Lloyds Bank on High Street, but not BetFred (previously Gartons estate agents, but originally opened as a Temperance Hall), which has terra cotta from J.C. Edwards of North Wales.




The story of the company and the family behind it is a very long one, and I don’t have space to tell it all here, so let’s move on to the Art Deco period. The Hathern company began making faience tiles towards the end of the nineteenth century, as architects began to use glazed ceramics on building façades. This product was known as Hathernware Faience, and eventually, in 1938 the company changed its name to Hathernware. The tiles were made from glazed terracotta which was moulded rather than carved to imitate marble and granite surfaces.

There are examples of Hathern’s tiles across the country. I believe Hathernware had the contract for cinemas in the Odeon chain, and certainly some Burton’s Menswear stores were also of Hathernware. In the 1970s the company merged with Shaws, and was taken over by Ibstock Brick in 1990. During that period, much of the work was concentrated on renovations, and this included repairs to the Wrigley Building in Chicago. The local site eventually closed in 2004, but the Hathern name is now owned by Michelmersh Brick Holdings, who still produce terracotta and faience ware under the Hathern name.

Locally, we have many examples of buildings clad in Hathernware’s faience, not least the original Odeon on Baxter Gate, and the current Odeon on Cattle Market, on the former Echo Press offices on Swan Street, and many others.   



 

 

____________________________________ 

I'm taking part in the A-Z April Blogging Challenge!!

____________________________________

Posted by lynneaboutloughborough

With apologies for typos which are all mine!

_______________________________________________

Thank you for reading this blog.

Copyright:

The copyright © of all content on this blog rests with me, however, you are welcome to quote passages from any of my posts, with appropriate credit. The correct citation for this looks as follows:

Dyer, Lynne (2025). H is for Hathern Station Brick and Terra Cotta Company, Hathernware, and the  Hodson Family. Available from: https://lynneaboutloughborough.blogspot.com/2025/04/h-is-for-hathern-station-brick-and.html  [Accessed 9 April 2025]

Take down policy:

I post no pictures that are not my own, unless I have express permission so to do. All text is my own, and not copied from any other information sources, printed or electronic, unless identified and credited as such. If you find I have posted something in contravention of these statements, or if there are photographs of you which you would prefer not to be here, please contact me at the address listed on the About Me page, and I will remove these.

External Links:

By including links to external sources I am not endorsing the websites, the authors, nor the information contained therein, and will not check back to update out-of-date links. Using these links to access external information is entirely the responsibility of the reader of the blog.

Blog archive and tags:

If you are viewing this blog in mobile format, you will not be able to easily access the blog archive, or the clickable links to various topics. These can be accessed if you scroll to the bottom of the page, and click 'View Web Version'. Alternatively, there is also a complete list of posts, which when clicked will take you to the page you are interested in.

Searching the blog:

You can search the blog using the dedicated search box that appears near the top of the blog when viewed in the web version. Alternatively, you can search using your usual search engine (e.g. Bing, Google, DuckDuckGo etc.) by following this example:

site: https://lynneaboutloughborough.blogspot.com/ “Radmoor House”

NOTE – the words you’re actually looking for must be in “” and the first of these must be preceded by a space

Thank you for reading this blog.

Lynne

Sunday, 22 September 2024

Loughborough's Heritage Open Days Success

I'm sure you're all aware that the past couple of weeks have been Heritage Open Days, a time that sees many heritage buildings that aren't usually open, allowing the public access. Or, sites that normally make a charge. throwing open their buildings for free, or putting on something special for the Open Days.

This year, some Loughborough venues got together to offer a greater contribution to Heritage Open Days than has happened in previous years. Loughborough's Heritage Open Weekend took place last weekend, and many buildings, groups, and organisations took part, offering free art sessions, free roadshows, free guided walks, free demonstrations, or free access to archive material.

On Saturday morning, I was lucky enough to be able to do a quick tour of some of the town centre offerings, and it was lovely to see lots of pink bunting around! Sorry I didn't get as far as the GCR, the Bellfoundry, or the Grammar School

On Saturday afternoon I went on a guided walk related to Zeppelins, and on Sunday, I spent a very sunny morning walking a group of people around some of Loughborough's Art Deco heritage, and a very wet afternoon showcasing some of our heritage sites!

Thank you so much to everyone who was involved in providing such a variety of places to visit!

Here's some very quickly-taken photos from the weekend.









____________________________________

Posted by lynneaboutloughborough

With apologies for typos which are all mine!

_______________________________________________

Thank you for reading this blog.

Copyright:

The copyright © of all content on this blog rests with me, however, you are welcome to quote passages from any of my posts, with appropriate credit. The correct citation for this looks as follows:

Dyer, Lynne (2024). Loughborough's Heritage Open Days Success. Available from: https://lynneaboutloughborough.blogspot.com/2024/09/loughboroughs-heritage-open-days-success.html [Accessed 22 September 2024]

Take down policy:

I post no pictures that are not my own, unless I have express permission so to do. All text is my own, and not copied from any other information sources, printed or electronic, unless identified and credited as such. If you find I have posted something in contravention of these statements, or if there are photographs of you which you would prefer not to be here, please contact me at the address listed on the About Me page, and I will remove these.

External Links:

By including links to external sources I am not endorsing the websites, the authors, nor the information contained therein, and will not check back to update out-of-date links. Using these links to access external information is entirely the responsibility of the reader of the blog.

Blog archive and tags:

If you are viewing this blog in mobile format, you will not be able to easily access the blog archive, or the clickable links to various topics. These can be accessed if you scroll to the bottom of the page, and click 'View Web Version'. Alternatively, there is also a complete list of posts, which when clicked will take you to the page you are interested in.

Searching the blog:

You can search the blog using the dedicated search box that appears near the top of the blog when viewed in the web version. Alternatively, you can search using your usual search engine (e.g. Bing, Google, DuckDuckGo etc.) by following this example:

site: https://lynneaboutloughborough.blogspot.com/ “Radmoor House”

NOTE – the words you’re actually looking for must be in “” and the first of these must be preceded by a space

Thank you for reading this blog.

Lynne

Sunday, 1 September 2024

About the Loughborough Heritage Open Weekend 2024

In my guest blog post this week, Jill Vincent, co-ordinator of the Loughborough Heritage Open Weekend, explains what this weekend in September is all about and how it came to be!

The Loughborough Heritage Open Weekend,

14th & 15th September 2024 

Jill Vincent, co-ordinator

Loughborough has a long and well-documented history: for example, we are mentioned in the Domesday Book; royal permission was granted to our Thursday Market and Fair in 1221; the Bell Foundry originated in the C14, and the Taylor family took over in 1784; the Industrial Revolution in textiles and engineering brought a rapid increase in population along with necessary education and training.



Loughborough’s built environment evidences our fascinating history and heritage. Vigorous local voluntary and community bodies support this heritage and meet in a Forum (organised by two members of the Loughborough Library Local Studies Volunteer Group (LLLSVG)) twice a year to update and exchange information, offer mutual support and cooperate.

Members of the Forum realised that many, individually, held Open Days as part of the national programme of Heritage Open Days (HOD) organised by the National Trust every September.  HODs give free entry to buildings that might not normally be open to public view.  Members who already held Open Days thought that if they collaborated and enlisted others to join them, the Loughborough offer would be so much greater - and indeed it is!

So, we have organised: 

Loughborough Heritage Open Weekend, 14th & 15th September 2024.

Twelve sites are taking part. They are:

  • All Saints with Holy Trinity Parish Church
  • Fearon Hall
  • Carillon Museum, Military Memorabilia Roadshow
  • Charnwood Museum
  • Garendon Park
  • The Generator Loughborough
  • Loughborough Central Station (Great Central Railway)
  • Loughborough Grammar School
  • Loughborough Library Local Studies Volunteer Group (guided walks)
  • Old Rectory Museum
  • Taylor’s Bellfoundry 
  • Unity House



Visitors will be able to explore places that give an insight and experience of Loughborough’s history and heritage. Local enthusiasts will guide and inform and we believe that people will make exciting discoveries – not least because they may come to visit a familiar place and at the same time find somewhere new and unknown to them. We will be highly visible, with HOD bunting and banners. 

To find out more, visit the Heritage Open Days website and search for Loughborough Heritage Open Weekend, or click here for LHOW results. There are also a couple of other events that come up if you search the HODs site for Charnwood!

And please note that some of the sites do need to be pre-booked. All details are on the website. Do be sure to check.

We look forward to seeing you over the LHOW - remember - 14th and 15th September 2024!!

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About Jill Vincent

Jill’s career has combined her interest in the arts with work teaching and researching social policy, and active engagement in politics and the voluntary and community sector.

Jill studied fine art at St Martins, then had a break for children and family. She returned to study at Loughborough Uni (Sociology and Political Science) and gained her PhD from Nottingham Uni.

She worked for the Open University and as a researcher at the Centre for Research in Social Policy (CRSP) at Loughborough Uni. Jill’s employment and commitment to social issues complemented each other nicely. She was a Borough Councillor for 16 years, spending the final year as Mayor; she has been a Trustee at John Storer Charnwood and Equality Action (where she is still actively involved) and a Governor at Loughborough College (where she is now a co-opted member).

Jill’s interest in the arts is a thread running through her life. She worked in Arts in Prisons research and provision, and with Kevin Ryan at Charnwood Arts. She was a member of ACE East Midlands Arts Board, and was awarded an Honorary Degree by Loughborough University in 2012.

All of Jill’s experience, but that particularly in arts and heritage, has led her to take on the role of local co-ordinator for Loughborough’s heritage offering during the national Heritage Open Days event 2024. Jill will be around in person at The Generator, on the Loughborough Heritage Open Weekend (LHOW) 14th – 15th September, so do drop by and visit (pre-booking essential), and if not, she hopes you will enjoy the other LHOW offerings.

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Please note, the views expressed in this Guest Blog Post are the views of the author, and do not necessarily reflect the views of the blog owner, lynneaboutloughborough.

Please use this blog's search facility to find related posts, e.g. Unity House, the Old Rectory, Loughborough Grammar School, etc..

____________________________________

Posted by lynneaboutloughborough

With apologies for typos which are all mine!

_______________________________________________

Thank you for reading this blog.

Copyright:

The copyright © of all content on this blog rests with me, or in the case of guest blogposts, with the named Guest Blogger. However, you are welcome to quote passages from any of my posts, with appropriate credit. The correct citation for this looks as follows:

Vincent, Jill (2024). About the Loughborough Heritage Open Weekend! Available from: https://lynneaboutloughborough.blogspot.com/2024/09/about-loughborough-heritage-open.html [Accessed 1 September 2024]

Take down policy:

I post no pictures that are not my own, unless I have express permission so to do. All text is my own, and not copied from any other information sources, printed or electronic, unless identified and credited as such. If you find I have posted something in contravention of these statements, or if there are photographs of you which you would prefer not to be here, please contact me at the address listed on the About Me page, and I will remove these.

Blog archive and tags:

If you are viewing this blog in mobile format, you will not be able to easily access the blog archive, or the clickable links to various topics. These can be accessed if you scroll to the bottom of the page, and click 'View Web Version'. Alternatively, there is also a complete list of posts, which when clicked will take you to the page you are interested in.

Searching the blog:

You can search the blog using the dedicated search box that appears near the top of the blog when viewed in the web version. Alternatively, you can search using your usual search engine (e.g. Bing, Google, DuckDuckGo etc.) by following this example:

site: https://lynneaboutloughborough.blogspot.com/ “Radmoor House”

NOTE – the words you’re actually looking for must be in “” and the first of these must be preceded by a space

Thank you for reading this blog.

Lynne

Friday, 12 April 2024

K is for K

In ‘A-Z of Loughborough’ under the letter ‘K’ I wrote about King Street and Knightthorpe, which seemed to me to be two rather obvious choices! For the A-Z Blogging Challenge, I pondered for some time as to what to write, so eventually plumped simply for K!!!

This choice will make more sense when I elaborate a bit, and when I tell you that for letter ‘N’ in ‘A-Z of Loughborough’ I wrote about the Haslegrave Building on the university campus! Ah, is my letter ‘K’ becoming more evident?!

So, looking at the university campus map, the building noted as being letter ‘K’ is the Herbert Manzoni building – but it hasn’t always been known as that!!



Building K was originally built as the university library. The architects were R. Sheppard, Robson and Partners, and the contract for the building of this and other structures, which amounted to £1,750,000, was awarded to the local building firm of Moss. In addition to the library, Moss were contracted to construct buildings for the aeronautical and automobile engineering department, a science block, new workshops, an extension on the Brockington Building, as well as halls of residence – Farraday, Telford, Royce, Whitworth, Rutherford, and Cayley.

The contract was awarded in 1959, and the buildings completed by 1962. The library – a central part of any student’s learning – won a Bronze medal from the Royal Institute of British Architects.





Inside the Herbert Manzoni building in 1978 when it was the library

The area around the library was later made into a square, with the building of Admin 1, and the EHB, with the central focus being the magnificent Cedar of Lebanon, which had been in the garden of Burleigh Hall, which was demolished and the site used for Admin 1.

New paving being added summer 2023, building K in the background


EHB in the background


Fast forward a few years, and in late 1980, the new Pilkington Library was opened. Thus, the use of Building K changed, as did its name. Herbert Manzoni (1899-1972) was the son of a sculptor, but didn’t follow in his father’s footsteps, instead he became a civil engineer, rising to the position of President of the Institution of Civil Engineers, 1960-61. Manzoni was an engineering assistant in the Sewers and Rivers Department in Birmingham 1923-1927, and Chief Engineer 1927-1935. In 1935 he became the surveyor for the city of Birmingham. He seems to have stayed in Birmingham for most of his career, but in 1963 he was Chair of the Governors of Loughborough College, until 1966 when the college was granted its university charter.

I mentioned EHB earlier: this was (and still is!) the Edward Herbert Building, and was named after Sir Edward Herbert. It was Sir Edward Herbert that Manzoni followed, as Chair of the Governors, so it is quite appropriate that the former library was renamed to the Herbert Manzoni Building. Further, Manzoni was followed in the role (or at least as similar role as possible, given that the college was now a university) by Lord Pilkington – after whom the new library was named!         

The approach to Building K from Schofield Building

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This post is one in a series of posts in the 'April A-Z Blogging Challenge'



 ____________________________________

Posted by lynneaboutloughborough

With apologies for typos which are all mine!

_______________________________________________

Thank you for reading this blog.

Copyright:

The copyright © of all content on this blog rests with me, however, you are welcome to quote passages from any of my posts, with appropriate credit. The correct citation for this looks as follows:

Dyer, Lynne (2024). K is for K. Available from: https://lynneaboutloughborough.blogspot.com/2024/04/k-is-for-k.html  [Accessed 12 April 2024]

Take down policy:

I post no pictures that are not my own, unless I have express permission so to do. All text is my own, and not copied from any other information sources, printed or electronic, unless identified and credited as such. If you find I have posted something in contravention of these statements, or if there are photographs of you which you would prefer not to be here, please contact me at the address listed on the About Me page, and I will remove these.

External Links:

By including links to external sources I am not endorsing the websites, the authors, nor the information contained therein, and will not check back to update out-of-date links. Using these links to access external information is entirely the responsibility of the reader of the blog.

Blog archive and tags:

If you are viewing this blog in mobile format, you will not be able to easily access the blog archive, or the clickable links to various topics. These can be accessed if you scroll to the bottom of the page, and click 'View Web Version'. Alternatively, there is also a complete list of posts, which when clicked will take you to the page you are interested in.

Searching the blog:

You can search the blog using the dedicated search box that appears near the top of the blog when viewed in the web version. Alternatively, you can search using your usual search engine (e.g. Bing, Google, DuckDuckGo etc.) by following this example:

site: https://lynneaboutloughborough.blogspot.com/ “Radmoor House”

NOTE – the words you’re actually looking for must be in “” and the first of these must be preceded by a space

Thank you for reading this blog.

Lynne

Sunday, 25 February 2024

Loughborough's K6 telephone kiosk

Brief history of the telephone kiosk

There were several versions of the telephone kiosk created, ranging from the K1 released in 1912, through to the K8 created in 1968, to the KX100, the last to be designed in the 1980s.

The Grade II listed telephone kiosk at Loughborough railway station is of the K6 variety, and was made by the Carron Company of Stirlingshire, who were also responsible for many of the letter boxes that can still be found around the country [1].

Initially, telephone kiosks weren’t standardised, and early ones were sometimes made of wood, and looked like garden sheds! A company called the National Telephone Company (NTC) began the process of trying to standardise the kiosk design, and they created three models: the Birmingham, the Norwich, and the Wilson. Then, around 1912 the General Post Office (GPO) took over from the NTC and successfully standardised the kiosks, and began the numbering of the designs, starting with the K1, which started to appear around 1920. However, this K1 design, which had three concrete panels and a wooden door, a pyramid roof, sometimes thatched, is probably very unlike the ubiquitous red telephone kiosks like ours at Loughborough railway station.

For some reason, the K1 design wasn’t very popular and so in 1924, the GPO held a competition for a new design. The competition was won by Giles Gilbert Scott, grandson of Sir George Gilbert Scott who was responsible for Victorian renovations to many churches. The competition winner was knighted that same year after the consecration service at the new Liverpool Cathedral which he had designed, but which wasn’t completed until 1980. The new K2 kiosk was made of cast iron with a wooden door, had a domed roof and was painted red! However, the kiosk was large and expensive, and really only took off in London, so Giles Gilbert Scott then designed the K3, introduced in 1929.

The K3 was smaller than the K2 and was made from concrete. It was painted in cream, with the metal frames of the glass panels – of which there were 6 rows of three equal sized ones in each of the three glazed sides – highlighted in red. However, the K3 design only lasted for about six years, until about 1935, as the box tended to be rather brittle.

The K4 telephone kiosk, was designed by the Engineering Department of the General Post Office, and its production overlapped with that of the K3. Essentially, the kiosk followed the design of Gilbert Scott’s K2, but was constructed from cast iron, and had a stamp dispensing machine as its rear ‘wall’, so it was very large, and had to be placed so access could be gained from all four sides. The kiosk was painted entirely red, and had six rows of three panes of equal sized glass panes. However, the K4 was not hugely successful, partly due to the noise of the stamp machine which interfered with telephone conversations, the stamp machine not being waterproof, and the kiosk generally being overly large – and nicknamed the ‘Vermillion Giant’ – and only about 50 were ever produced.

The K5 can hardly be said to have been any more successful than the K4, and in fact, it never actually reached full-scale production. Had it gone into full production, the kiosk would probably be made from concrete, however, the design only ever reached the metal-faced plywood stage. In a design change from the earlier kiosks, the K5 was not fully glazed on the three normally glass sides, but had a window of two rows by two columns, rather like a house window.

Our K6 telephone kiosk

And so we come to the K6 kiosk, which is the design outside the Midland Mainline station at Loughborough. Although it looks perfectly normal, it does strike me as being a little odd because I would have expected the door to be on the front so when opened the dail and handset etc. are straight in front of you, but strangely, the door is actually on one of the sides, so you have to sidle up to the wall to get in! (see pic below). And I've just discovered why this is! In 1939, the K6 design was modified, resulting in a Mark 2 with several new versions:

Mk2 - K6A - the door is fitted opposite the back panel and is hinged, and therefore opens, to the left

Mk2 - K6B - the door is fitted opposite the back panel and is hinged, and therefore opens, to the right

Mk2 - K6C - the door is fitted as the lefthand side panel and is hinged, and therefore opens, to the left

Mk2 - K6D - the door is fitted as the righthand side panel and is hinged, and therefore opens, to the right

Interestingly, this kiosk is still in use as a telephone, but its original rotary handset and coin buttons (A for money in, B for returned coins) have been replaced. You can just about see the number punchpad through the glass on the first picture below:


What the inside would have originally looked like

There were originally detailed instructions on how to use the telephone, as well as a list of all the dialling codes, mounted inside the kiosk.

Instructions for use!

The K6 is really the one which came to be the iconic ‘red telephone box’ that we know today. It was designed in 1935, in celebration of the silver jubilee of King George V, who had come to the throne in 1911. The K6 was another box designed by Giles Gilbert Scott, who had designed the earlier boxes. The K6 was commissioned by the General Post Office, and 8,000 jubilee boxes came to our streets in jubilee year, 1936, sited in the towns and villages that actually had a Post Office.

These K6 boxes were mounted on a concrete base, and were rectangular in shape, being made of cast-iron sections (except for the door which is actually made from teak) that are bolted together. Each piece of the kiosk is numbered, perhaps to ensure that each piece was attached during construction to the right piece!




Three of the four sides of the box are glazed, with 8 rows of glass on each side, and each side having a larger glass panel sandwiched between two small panels. The box has a domed roof and a teak door, which has a metal cup-shaped handle.

A foundry plate, showing the name of the company that made the box – in our case, the Carron Company of Stirlingshire - can be found on the back of the box, towards the bottom.



The front pediment, above the door, bears a moulded St Edward’s crown. Since the K6 was produced until 1968, and as Queen Elizabeth favoured the use of the St Edward’s Crown over the Tudor Crown, kiosks produced since 1953 bear the St Edward’s Crown. This helps us to date the railway station K6 kiosk as having been produced between 1953 and 1968.



1937 was the 300th anniversary of the Post Office, and in celebration of this another 1,000 K6 boxes were installed over a period of 12 years, provided that the local authority paid a subscription of £4 over a 5-year period. Sadly, the original K6 was prone to being damaged, so a Mark II was developed and introduced in 1939, a design which was slightly more damage resistant.

Having said that the red K6 is iconic and familiar, in 1949, some rural boxes were painted in different colours, and some later ones in green and battleship grey. Over time, the K6 began to look dated, and production stopped, by which time - 1968 - around 60,000 boxes of the K6 design had been installed.

The moulded crown on the domed roof of the kiosk was originally painted in red, but since the early 1990s, in recognition of the heritage value of the iconic red telephone kiosk, British Telecom have highlighted the crown in gold paint. Ours is still red, however (see pic above).

In the late 1950s, the General Post Office began to consider a new design for the telephone kiosk, and initially chose a design for the new K7 by Nevill Conder, which was a square affair, intended to be constructed from aluminium and glass. However, the K7 never entered full-production, and only about a dozen prototypes were produced. This was mostly because aluminium became discoloured and stained in the British climate, making the K7 quite unsuitable.  Enter the K8 …

The K8 was designed by Bruce Martin, but rather than using aluminium as he suggested, the K8 was constructed of cast-iron sections which were bolted together, and mounted on a concrete base that was slightly narrower than the kiosk itself. The kiosk was three-quarter glazed on three sides, is rectangular in shape, and is painted red. In all, around 11,000 K8 kiosks were installed across the country.

When British Telecom took over the public telephone network from the General Post Office in 1985, a new kiosk, the KX100, was introduced. Its frame was made from aluminium, which was clad with stainless steel panels, the back panel which reached the ground, being made from stainless steel, and the other three sides, which didn’t quite reach the ground, and provided ventilation, were made of glass, and included a ‘modesty panel’.  Further variations of the KX100 – the KX100+ - having a domed roof, appeared between around 1996, which offered the customer the option of either paying for their call using cash or card, and also offering access to the internet. By 1999, there were just under 150,000 KX100 and its variants in existence.

Today, as people move to using mobile telephones, thus reducing the need to have a public telephone kiosk on every street, many of these public telephone kiosks have been, and are being converted. Popular conversions include use as a housing for defibrillator equipment, small libraries or book exchanges, tourist information kiosks, museums, or even small coffee vending machines!

A K6 in use as a tiny library near Carn Brea, Cornwall [2]

A K6 with a gold crown, in use as a defibrillator in Melton

News of a Leicester hero being celebrated in a tiny K6 museum in Hereford!

And here are some KX100s in Loughborough - the one on Cattle Market and those outside the Sparrow Hill post office.






More about the architect

Giles Gilbert Scott (1880-1960) grew up on a farm in Sussex, and attended a Jesuit school in Windsor.  Giles was the son of architect George Gilbert Scott (jnr.), and grandson of Sir George Gilbert Scott the Victorian architect mostly remembered for his renovation of churches. The latter was involved in the re-ordering and renovation of our own parish church, and along with W. Bonython Moffatt, also designed Loughborough’s Union Workhouse on Regent Street.

Giles’ mother was keen that he also followed the family tradition and encouraged him into the world of architecture. He was articled to the architectural firm of Temple Moore, and at the age of only 22 he won the competition to design the new cathedral at Liverpool. As Giles was a Roman Catholic, the competition committee assigned a joint architect, G. F. Bodley, but Bodley died 4 years into the build, and Giles was able to modify the original design. Liverpool Cathedral was not completed until 1980, so Giles didn’t get to see the completion of is design.

Giles was knighted in 1924, and was President of the Royal Institution of British Architecture (RIBA) for a time. Some of his other designs include religious buildings, like the Catholic Cathedral in Oban; the chapel at Charterhouse School in Godalming, Surrey, and the church for Ampleforth College. While his secular buildings include Chester House in Clarendon Place, London; Waterloo Bridge; the library for Clare College, Cambridge; the Bodleian Library at Oxford, and Battersea Power Station, which, rather like the red telephone box, is an iconic structure!

It is interesting to note that the website maintained by the Gilbert Scott family has as its logo, a red telephone box!

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Notes

[1] I wrote a series of posts about those iconic letter boxes in October and November 2022. Here's the list:

Part 1

Part 2

Part 3

Part 4

Part 5

The case of the Burton Street box

Unusual and unreal letter boxes!

[2] Another connection with Loughborough is that the manufacturer, John Heathcoat, who took his lacemaking business to Tiverton in Devon after the Luddite riots, opened another factory in 1934, this time in Carn Brea - see picture below.

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Posted by lynneaboutloughborough

With apologies for typos which are all mine!

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