Sunday, 14 September 2025

Up the Beacon Sculpture Trail 2025

  

Last week, very unusually for me, I made an impromptu trip out in the late afternoon – 4,000 steps and the equivalent of 60 flights of stairs before teatime!! I’ve been meaning to visit since June, and finally made it just over a week before its ending!

This year’s Up The Beacon Sculpture Trail takes place in the same area as last year, but with new and different sculptures to see. Oh, and also 70 tree people to spot! Having parked in the village of Woodhouse Eaves, I walked up Beacon Hill to the Upper car park, and then took the trail which winds around the lower levels of the area. Sorry, that’s not very descriptive, but if you happen to go along – and do, it’s well worth it! – park in the Upper car park, and you can’t miss the start of the trail! Find this lady, and you've found the beginning!



There were a wide variety of artists involved in creating the sculptures, including some school groups. As I mentioned, some sculptures from last year were still in evidence, although I’m pretty sure they had been treated to some new willow parts! There were lots of new sculptures, and I have to admit that some of my favourites were the representations of mycelium. This was particularly because I’d recently read a book called ‘The Observant Walker’ by John Wright, in which the author sets out on eight different nature trails across the country, and seems to regularly talk about the different species of mycelium he comes across.



Then there were the tree people to find! This may sound easy, but honestly, it wasn’t!! I guess it depends a lot upon what time of day you visit the trail. When I was there, the sun was still very bright, but was beginning to drop down, and so some of the little tree people were hidden in the shadow of the leaves. Having said that, I did manage to find 68 of the 70. Well, when I say ‘I’, I really mean that the hubby found the majority of them!! Still, it was good fun, and certainly made us look around more than we would probably have done if we hadn’t been avidly searching for those tree people!



Here's a few photos – I won’t share too many, as it will spoil the surprise and delight for you when you visit yourself, but do hurry as the trail closes on 21st September!






Many thanks to the artists who include:

Nita Rao; Susheel Rao; Mapplewell Hall School with Lisa Denham and Nita Rao; Alison Folland; Glebe House; Judith Eason; Erica Middleton; Soft Touch Arts; Nick Rapson; Silke Walker, Men and Women in Sheds; Sara Budzik; Ruth Stephens; Adetunji Onigbanjo; Ruth Singer; Tony Thory, and others.

____________________________________

Posted by lynneaboutloughborough

With apologies for typos which are all mine!

_______________________________________________

Thank you for reading this blog.

Copyright:

The copyright © of all content on this blog rests with me, however, you are welcome to quote passages from any of my posts, with appropriate credit. The correct citation for this looks as follows:

Dyer, Lynne (2025). Up the Beacon Sculpture Trail 2025. Available from: https://lynneaboutloughborough.blogspot.com/2025/09/up-beacon-sculpture-trail-2025.html  [Accessed 14 September 2025]

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I post no pictures that are not my own, unless I have express permission so to do. All text is my own, and not copied from any other information sources, printed or electronic, unless identified and credited as such. If you find I have posted something in contravention of these statements, or if there are photographs of you which you would prefer not to be here, please contact me at the address listed on the About Me page, and I will remove these.

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By including links to external sources I am not endorsing the websites, the authors, nor the information contained therein, and will not check back to update out-of-date links. Using these links to access external information is entirely the responsibility of the reader of the blog.

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Thank you for reading this blog.

Lynne

Sunday, 7 September 2025

Arts venue opening

Oh goodness me! There’s always such a lot going on, and I am in danger of forgetting to appear at some events!!! If it hadn’t been for a friendly reminder, I would have missed the opening day of the new arts venue that is Modern Painters New Decorators (MPND) who have moved out of the Carillon Court shopping centre where they had been for about seven years, and into a new space which they have kitted out themselves on Aumbry Gap – which nowadays seems to be called Aumberry Gap, but on the 1901 map is listed as Cemetery Place! While I know what an aumbry is – a cupboard or recess in a wall in a church in which the sacred vessels are stored – I have no idea what kind of berry an “aum” is, nor why it might be significant to this area. At one time I believe there was a church on this street – a non-conformist chapel, I believe, but I can’t remember any more than that at the moment.

Anyway, that aside, the new space for MPND is part of that new glass complex on the corner of Barrow Street and Leicester Road, and Aumberry Gap and Pinfold Gate, and is almost where William Corah’s, the builders, place was, and which later became Groops Music Tuition, then a gym. 




Golly, what a huge complex it is, too! I had no difficulty finding MPNDs as firstly, there were lots of people wearing MPND white t-shirts standing around outside the space, but also because I had enquired a couple of months ago and the concierge in the student flats had actually taken me round to the space that MPNDs were, ummm, decorating!

Truth to tell, on the opening day I was on a bit of a timescale, as I was due to be out walking the Erewash Canal later in the afternoon, but there was quite a lot to see, and so many lovely people to talk to, that I lingered for a while, talking and being amazed at the spaces that had been created within what was essentially a square box! There was a long, narrow-ish exhibition space overlooking the street, another, bigger and wider, and probably the main exhibition space running the depth of the building, and about ten artist’s studios in the middle – full of artists doing their thing, and demonstrating to the many visitors.

Looking out from the long, narrow gallery space

One of the things that appealed greatly to me was that although this was a new building, which one might have expected to be all spick and span, neatly polished, and almost like someone's living room, albeit, rather a large living room, but this space was so reflective of an industrial space! No exposed wooden beams here, just exposed metal ducting. No parquet or carpeted floors here, just polished cement (I'm guessing here!) under foot! And some stunning floor-to-ceiling windows!!





The floor!

Anyway, I was so pleased to bump into many people I knew, particularly some of these good people (photo below), and artist Jessica Ashman, whose work was the main feature in the exhibition. She took the trouble to visit the Local and Family History Centre in the public library to learn about Brazil Wood, near Swithland Reservoir, so it was great to see her interpretation of this on silk, dyed mostly using natural dyes, like madder and woad – things that I have only recently written about in ‘Loughborough At Work’.



Do pop in and visit the exhibition if you are able – when exhibitions are on it’s likely to be open Thursday to Saturday, 10am-3pm.


____________________________________

Posted by lynneaboutloughborough

With apologies for typos which are all mine!

_______________________________________________

Thank you for reading this blog.

Copyright:

The copyright © of all content on this blog rests with me, however, you are welcome to quote passages from any of my posts, with appropriate credit. The correct citation for this looks as follows:

Dyer, Lynne (2025). Arts venue opening. Available from: https://lynneaboutloughborough.blogspot.com/2025/09/arts-venue-opening.html  [Accessed 7 September 2025]

Take down policy:

I post no pictures that are not my own, unless I have express permission so to do. All text is my own, and not copied from any other information sources, printed or electronic, unless identified and credited as such. If you find I have posted something in contravention of these statements, or if there are photographs of you which you would prefer not to be here, please contact me at the address listed on the About Me page, and I will remove these.

External Links:

By including links to external sources I am not endorsing the websites, the authors, nor the information contained therein, and will not check back to update out-of-date links. Using these links to access external information is entirely the responsibility of the reader of the blog.

Blog archive and tags:

If you are viewing this blog in mobile format, you will not be able to easily access the blog archive, or the clickable links to various topics. These can be accessed if you scroll to the bottom of the page, and click 'View Web Version'. Alternatively, there is also a complete list of posts, which when clicked will take you to the page you are interested in.

Searching the blog:

You can search the blog using the dedicated search box that appears near the top of the blog when viewed in the web version. Alternatively, you can search using your usual search engine (e.g. Bing, Google, DuckDuckGo etc.) by following this example:

site: https://lynneaboutloughborough.blogspot.com/ “Radmoor House”

NOTE – the words you’re actually looking for must be in “” and the first of these must be preceded by a space

Thank you for reading this blog.

Lynne

Sunday, 31 August 2025

Heritage Open Days in Loughborough 2025

It's that time of year again, when some of Loughborough's heritage venues throw open their doors for free, or put on a special activity for free! The main theme for this year’s festival is architecture, and the sub-themes are buildings, bridges, and bees! Plenty of opportunity for some imaginative offerings there! 

If you search for Loughborough as a location over on the Heritage Open Days website, you’ll get a list of places taking part in this year’s event, as well as a selection of guided walks. This link might be a shortcut to that list.

These are the walks on offer:

There will be a walk around Loughborough’s Art Deco town centre buildings, led by an accredited Leicestershire Tour Guide!



Another guided walk will feature buildings in the town centre designed by local, regional, or national architects



Bee-related features will be the focus of another guided walk



There will be several opportunities to walk around Queen’s Park, looking at the architecture, the buildings, the bridges, and the bee-related features, as well as to listen to the Carillon and/or band recital

 



The Loughborough Library Local Studies Volunteer Group will be leading walks around the old Mediaeval town area



In no particular order, these are the venues that are taking part in the Heritage Open Days

  • The church of All Saints with Holy Trinity will be offering guided tours
  • The Loughborough Grammar School main building, including the tower, will be open
  • The Carillon Tower and War Memorial will be open and you are invited to bring along your military memorabilia for discussion
  • Garendon Park will be open for you to explore
  • Taylor’s Bellfoundry Museum will be open and bookable casting tours are on offer
  • The Generator Building will be sharing stories and memories from their oral history project
  • The Old Rectory Museum will be open and putting on some special activities
  • Transition Loughborough will be at Fearon Hall for an apple pressing session
  • The Great Central Railway will be offering free access to its public areas (note this doesn’t include train travel)
  • The TOWN Observatory will be sharing their progress 
  • The Anstey Wallpaper Company are offering tours of the building which was previously home to Ladybird Books

_______________________________________________

MORE DETAILS ON THE ABOVE EVENTS, LIKE DATE AND TIME ETC., AND INFORMATION ON BOOKING, IF BOOKING IS REQUIRED, CAN BE FOUND ON THE HERITAGE OPEN DAYS WEBSITE, UNDER THE SPECIFIC ENTRY FOR EACH VENUE / EVENT.    

____________________________________

Posted by lynneaboutloughborough

With apologies for typos which are all mine!

_______________________________________________

Thank you for reading this blog.

Copyright:

The copyright © of all content on this blog rests with me, however, you are welcome to quote passages from any of my posts, with appropriate credit. The correct citation for this looks as follows:

Dyer, Lynne (2025). Heritage Open Days in Loughborough 2025. Available from:     https://lynneaboutloughborough.blogspot.com/2025/08/heritage-open-days-in-loughborough-2025.html [Accessed DATE]

Take down policy:

I post no pictures that are not my own, unless I have express permission so to do. All text is my own, and not copied from any other information sources, printed or electronic, unless identified and credited as such. If you find I have posted something in contravention of these statements, or if there are photographs of you which you would prefer not to be here, please contact me at the address listed on the About Me page, and I will remove these.

External Links:

By including links to external sources I am not endorsing the websites, the authors, nor the information contained therein, and will not check back to update out-of-date links. Using these links to access external information is entirely the responsibility of the reader of the blog.

Blog archive and tags:

If you are viewing this blog in mobile format, you will not be able to easily access the blog archive, or the clickable links to various topics. These can be accessed if you scroll to the bottom of the page, and click 'View Web Version'. Alternatively, there is also a complete list of posts, which when clicked will take you to the page you are interested in.

Searching the blog:

You can search the blog using the dedicated search box that appears near the top of the blog when viewed in the web version. Alternatively, you can search using your usual search engine (e.g. Bing, Google, DuckDuckGo etc.) by following this example:

site: https://lynneaboutloughborough.blogspot.com/ “Radmoor House”

NOTE – the words you’re actually looking for must be in “” and the first of these must be preceded by a space

Thank you for reading this blog.

Lynne    

Sunday, 24 August 2025

Christie and Cook

On the blog last week mention was made of Thomas Cook, and his first package tour from Leicester to Loughborough in 1841. If I remember rightly, the company was taken over by Hays, and it was around that time (2018??) that the Thomas Cook archive was deposited at the Record Office for Leicester, Leicestershire, and Rutland. I believe Thomas Cook is now part of eSky. Anyway, I think I also mentioned Agatha Christie last week? So now seems like a good time to combine Cook and Christie!!!

While I was reading all the Agatha Christie novels last year, I was struck by the number of times ‘Cook’s’ was mentioned – and I may have missed some of them! Seems to me, that throughout the appearance of Cook’s in the books, starting in 1924 in The Man in the Brown Suit, to Cat Among the Pigeons in 1959, the company must have been very well known, since in no instances does Christie expand upon what exactly the business was about. Admittedly, such information is usually obvious from the context in which the reference to Cook’s appears, so that makes it rather interesting, and not unlike passing references to shops of the period, maybe like Harrods, or Fortnum and Masons. The Mystery of the Blue Train contains the most references, while most of the others contain only one.

So, here are some extracts from the mentions I’ve found of Thomas Cook’s travel agency business in Agatha Christie’s novels. The page numbers are taken from the editions I read, which were published by Heron Books, c. 1976. 

Today, you can follow a heritage trail linked to places connected with Thomas Cook - e.g. Loughborough railway station; on the entrance to Southfields Park; his birthplace in Melbourne; Leicester railway station, and a building on King Street and Welford Place, Leicester. The Loughborough ones are on the plaque trail on this blog. A new plaque was unveiled at Loughborough railway station a few years ago, too.

Thomas Cook at Leicester Railway Station

 
New plaque at Loughborough Railway Station

The Man in the Brown Suit, 1924, Chapter 1, page 9

An anthropologist and his daughter are planning to travel to see a newly discovered antique skull:

“There is not time to be lost. We must be on the spot – there are doubtless incalculable finds to be found in the neighbourhood. I shall be interested to note whether the implements are typical of the Mousterian period – there will be the remains of the primitive ox. I should say, but not those of the woolly rhinoceros. Yes, a little army will be starting soon. We must get ahead of them. You will write to Cook’s today, Anne?’

‘What about money, Papa?’ I hinted delicately.

He turned a reproachful eye upon me.

‘Your point of view always depresses me, my child. We must not be sordid. No, no, in the cause of science one must not be sordid.’

‘I feel Cook’s might be sordid, Papa.’

Papa looked pained.

‘My dear Anne, you will pay them in ready money.’

‘I haven’t got any ready money.’

Papa looked thoroughly exasperated.

‘My child, I really cannot be bothered with these vulgar money details …’”

 

The Mystery of the Blue Train, 1928, Chapter 8, pg 59

Lady Tamplin has invited her cousin, Katherine Grey, to visit her:

“[Katherine] drew out from her handbag the letter she had received that morning from Lady Tamplin. Katherine was no fool. She understood the nuances of that letter as well as anybody and the reason of Lady Tamplin’s sudden show of affection towards a long-forgotten cousin was not lost upon her. It was for profit and not for pleasure that lady Tamplin was so anxious for the company of her dear cousin. Well, why not? There would be profit on both sides.

‘I will go,’ said Katherine.

She was walking down Piccadilly at the moment, and turned into Cook’s to clinch the matter then and there. She had to wait a few minutes, The man with whom the clerk was engaged was also going to the Riviera…”

Ditto, Chapter 9, page 60

“Derek Kettering … strolled along deep in thought … He walked up St James’s Street, across Picadilly, and strolled along it in the direction of Piccadilly Circus. As he passed the offices of Messrs. Thomas Cook & Sons his footsteps slackened. He walked on, however, still turning the matter over in his mind. Finally, he gave a brief nod of his head, turned sharply, so sharply as to collide with a couple of pedestrians who were following in his footsteps, and went back the way he had come. This time he did not pass Cook’s, but went in. The office was comparatively empty, and he got attended to at once.

‘I want to go to Nice next week. Will you give me particulars?’

‘What date, sir?’

‘The fourteenth. What is the best train?’

‘Well, of course, the best train is what they call ‘The Blue Train.’ You avoid the tiresome Customs business at Calais.’

Derek nodded. He knew all this, none better.

‘The fourteenth’ murmured the clerk; ‘that is rather soon. The Blue Train is nearly always all booked up.’

‘See if there is a berth left,’ said Derek. ‘If there is not –‘ He left the sentence unfinished, with a curious smile on his face.

The clerk disappeared for a few minutes and presently returned. ‘That is all right, sir; still three berths left. I will book you one of them. What name?’

‘Pavett,’ said Derek. He gave the address of his rooms in Jermyn Street.

The clerk nodded, finished writing it down, wished Derek good morning politely, and turned his attention to the next client.”

Ditto, chapter 10, page 77

Katherine Grey awoke during the middle of the night on the train, so decided to walk along the carriage

“She looked down the long, dim line of the corridor and saw, to her surprise, that a man was standing with his hand on the door of the compartment occupied by the lady in the mink coat. That is to say, she thought it was the compartment. Probably, however, she was mistaken. He stood there for a moment or two with his back to her, seeming uncertain and hesitating in his attitude. Then he slowly turned, and with an odd feeling of fatality, Katherine recognised him as the same man whom she had noticed twice before – once in the corridor of the Savoy Hotel and once in Cook’s offices. Then he opened the door of the compartment and passed in, drawing it to behind him.”

Ditto, Chapter 12, page 96

Following the murder of one of the passengers, Katherine remembers her nocturnal wander:

“But suddenly Katherine remembered a small fact … She had certainly thought that she had seen a man going into that particular compartment, but she realised that she might easily have been mistaken. It might have been the compartment next door, and certainly the man in question could be no train robber. She recalled him very clearly as she had seen him on those two previous occasions – once at The Savoy and once at Cook’s office. No, doubtless she had been mistaken, He had not gone into the dead woman’s compartment, and it was perhaps as well that she had said nothing to the police. She might have done incalculable harm by doing so.”

 

Evil Under the Sun, 1941, Chapter 1, part 2, pg 3:

“Mrs Gardener was saying: … all I want now is to get to some quiet spot by the seaside and just relax. That’s what I said, wasn’t it Odell? Just relax. I feel I must relax, I said. That’s so, isn’t it Odell?

Mr Gardener, from behind his hat murmured:

“Yes darling.”

Mrs Gardener pursued the theme.

“And so when I mentioned it to Mr Kelso, at Cook’s – He’s arranged all our itinerary for us and been most helpful in every way. I don’t really know what we’d have done without him! – well, as I say when I mentioned it to him, Mr Kelso said that we couldn’t do better than come here [Leathercombe Bay]. A most picturesque spot, he said, quite out of the world, and at the same time very comfortable and most exclusive in every way.”

 

Destination Unknown, 1954, Chapter 2, page 46:

“[Hilary Craven, in disguise as Mrs Olive Betterton] had already inquired at the desk [in the hotel], but there had been no messages or letters for her there. The first steps in her new role had to be taken very much in the dark. Olive Betterton might perhaps have been told to ring a certain number or contact a certain person at Casablanca. As to that, there was no clue. All the knowledge she had to go on was Olive Betterton’s passport, her letter of credit, and her book of cooks’ tickets and reservations. These provided for two days in Casablanca, six days in Fez, and five days in Marrakesh. These reservations were now, of course, out of date, and would have to be dealt with accordingly. The passport, the Letter of Credit and the accompanying Letter of Identification had been suitably dealt with. The photograph on the passport was not that of Hilary, the signatures on the Letter of Credit was Olive Betterton in Hilary’s handwriting. Her credentials were all in order. Her task was to play her part adequately and to wait. Her master card must be the plane accident and its resultant loss of memory and general haziness.”  

Ditto page 48:

“The evening so far had been quite indecisive. The two women who had talked to [Hilary] had been such well-known travelling types that she could hardly believe that they were other than they seemed. Tomorrow, she decided, if she had received no word or communication of any kind, she would go to Cooks, and raise the question of fresh reservations at Fez and Marrakesh.”

 

4.50 from Paddington, 1957, Chapter 18, pt 2, page 177

Inspector Craddock is questioning Cedric Crackenthorpe about his arrival in England from Iviza:

“… ‘You told me, Mr Crackenthorpe, that you left Iviza on 21st December and arrived in England the same day?’

‘So I did. Em! Hi, Em!’

Emma Crackenthorpe came through the adjoining door from the small morning-room. She looked inquiringly from Cedric to the inspector.

‘Look here, Em. I arrived for Christmas on the Sunday before, didn’t I? Came straight from the airport?’

‘Yes,’ said Emma wonderingly. ‘You got here about lunch time.’

‘There you are,’ said Cedric to the inspector.

‘You must think us very foolish, Mr Crackenthorpe,’ said Craddock pleasantly. ’We can check on these things, you know. I think, if you’ll show me your passport –‘

He paused expectantly.

‘Can’t find the damned thing,’ said Cedric. ‘Was looking for it this morning. Wanted to send it to Cook’s.’”

 

Cat Among the Pigeons, 1959, Chapter 19, pt 2

Inspector Kelsey is trying to trace a woman called Mrs Upjohn.

“Easier said than done,’ said Kelsey. ‘We’ve been trying to get in contact with Mrs Upjohn, but the whole thing’s a headache! When the child said a bus, I thought she meant a proper coach tour, running to schedule, and a party all booked together. But that’s not it at all. Seems she’s just taking local buses to any place she happens to fancy! She’s not done it through Cook’s or a recognised travel agency. She’s all on her own, wandering about. What can you do with a woman like that? She might be anywhere!” 

 

____________________________________

Posted by lynneaboutloughborough

With apologies for typos which are all mine!

_______________________________________________

Thank you for reading this blog.

Copyright:

The copyright © of all content on this blog rests with me, however, you are welcome to quote passages from any of my posts, with appropriate credit. The correct citation for this looks as follows:

Dyer, Lynne (2025). Christie and Cook. Available from: https://lynneaboutloughborough.blogspot.com/2025/08/christie-and-cook.html  [Accessed 24 August 2025]

Take down policy:

I post no pictures that are not my own, unless I have express permission so to do. All text is my own, and not copied from any other information sources, printed or electronic, unless identified and credited as such. If you find I have posted something in contravention of these statements, or if there are photographs of you which you would prefer not to be here, please contact me at the address listed on the About Me page, and I will remove these.

External Links:

By including links to external sources I am not endorsing the websites, the authors, nor the information contained therein, and will not check back to update out-of-date links. Using these links to access external information is entirely the responsibility of the reader of the blog.

Blog archive and tags:

If you are viewing this blog in mobile format, you will not be able to easily access the blog archive, or the clickable links to various topics. These can be accessed if you scroll to the bottom of the page, and click 'View Web Version'. Alternatively, there is also a complete list of posts, which when clicked will take you to the page you are interested in.

Searching the blog:

You can search the blog using the dedicated search box that appears near the top of the blog when viewed in the web version. Alternatively, you can search using your usual search engine (e.g. Bing, Google, DuckDuckGo etc.) by following this example:

site: https://lynneaboutloughborough.blogspot.com/ “Radmoor House”

NOTE – the words you’re actually looking for must be in “” and the first of these must be preceded by a space

Thank you for reading this blog.

Lynne