There’s been lots happening in Loughborough lately, but sadly, I seem to have missed quite a lot of it!
So, although I was invited to the ceremony to hear the first sounding of the Hope Bell, I wasn’t able to attend. Of course, I’ve been taking photos for a while now, so I’ve probably got enough over a period of time to write a decent account of the bell from start to finish.
I almost missed the demolition of the Herbert Morris factory on Empress Road, but just managed to catch the tail end of it. Again, I’ve taken plenty of photos over the past couple of years, so I’ll post them in a blog sometime.
What else did I miss? Oh yes, the opening of the new exhibition at the Old Rectory, which showcases the work done by the Loughborough Archaeological and Historical Society, and in particular Brian Williams, in uncovering the building which you see today, trying to understand it, and trying to present it to the public. Oh, and I missed the art exhibition down at the parish church, when, amongst other things, they had a VR flythrough high up in the ceiling! And I missed the Old Rectory Community Day!
As if that weren’t enough, although I heard the Carillon playing yesterday, and I knew it was Saturday, it wasn’t until this morning that I realised yesterday was the anniversary of the opening of the Carillon – in 1923! It’s always lovely to hear the Carillon being played – and played so well!!
I must admit, sadly I didn’t linger long enough to take in what the carillonneur was playing, but I have recently come across the programme for a recital, which was performed by Eric Jordan (I’ve previously written about him on this blog), on Saturday April 12th, 1924, at 5.30 in the afternoon.
The programme was billed as being “Toll for the brave that are no more.” and included
1.
Softly awakes my heart, by Saint Saens
2.
i. Smilin’ through, by A. W. Penn and ii. Love sends a little gift roses, by
Openshaw
3.
Andante, by Couperin
4.
March van Hartopp, by Degruytter (18th century)
5.
Le cygnet (The Swan), by Saint Saens
6.
Tempo di Gavotta, by Fesch
7.
i. Come back to Erin, ii. Blue bells of Scotland, and iii. Drink to me only
with thine eye
8.
Berceuse de Jocelyn, by Godard
9. Song without words no.9, by Mendelssohn
Such a worthy concert could not be concluded without a rendition of God Save The King.
Interestingly,
there were to be recitals throughout the Easter period, which were given by M.
Robert Dierick, who was the Carillonneur in the city of Ghent, in Belgium.
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Posted by
lynneaboutloughborough
With apologies for
typos which are all mine!
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