If you're a regular reader of this blog, you'll probably have picked up that I'm a bit of a fan of our smaller towns and villages, rather than our big cities. Hence, I find Loughborough to be the perfect size, and only tend to visit cities on holiday - apart from Leicester, which I travel to regularly for work. Years ago I used to visit Nottingham, but rarely go these days.
Anyway, my point is that I have avoided trips to the capital as far as possible, and have also avoided trips to England's second biggest city, apart from around Christmas 2003 when I took the oldest child to see one of his schoolfriends dance in The Nutcracker ballet at the Hippodrome, and a couple of evening trips 2014/15 to see the youngest child perform with the Birmingham Junior Conservatoire Band.
However, I've recently had the occasion to visit Birmingham for work, and specifically to visit the museums. I was quite surprised by what I found, and couldn't help but make some connections with Loughborough.
Ok, so we haven't got anything equivalent to Symphony Hall in Loughborough, unless you consider the interior, which looks very Art Deco to me and reminded me of our Beacon Bingo, which opened as an Odeon Cinema in 1936.
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The auditorium at Symphony Hall |
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One of the doors into the auditorium at Symphony Hall |
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Beacon Bingo, once The Odeon, Loughborough |
The Museum of the Jewellery Quarter involved a guided tour around the factory of Smith and Pepper. The business opened in 1899 and closed in 1981, but the factory was never cleared out and instead has been preserved, like a time capsule, affording a fascinating insight into what it would have been like to work in a Victorian factory. The similarity with framework knitting was obvious really, if I'd stopped to think about it, and then also with the Herbert Morris factory. The buildings had long narrow rooms with very large windows along the long side and having the opposite interior wall painted white - all to bring in and reflect as much light as possible so the workers could see the intricate work they were doing. When the original building was extended, another long, narrow building was erected with windows sloping up to the roof (not a good description, but you'll see what I mean when you see the photos). The walls of the building opposite were then clad in white tiles - were these possibly Hatherware? Buildings that were used by framework knitters in Loughborough would have had windows very close to the roof and there were likely to have been glass globes filled with water hanging in them, which would have spread the light on the work being done. The Morris factory had those sloping windows I mentioned above - maybe they are called skylights (of a sort), and it is believed that these lights attracted the attention of a passing Zeppelin on the night of 31st January 1916.
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White tiled wall and glass roof at the Jewellery Quarter Museum |
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White tiled wall and ground floor windows at the Jewellery Quarter Museum |
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Large side windows, roof windows and white tiled walls at the Jewellery Quarter Museum |
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Machinery at the Jewellery Quarter Museum |
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I think the slope of the roofs would originally have been glass at Herbert Morris |
I also visited the Coffin Works, which was another Victorian factory, frozen in time, started in 1882 and closed in 1997. The guided tour was of the Newman Brothers factory, where they made handles and decorations for coffins, as well as satin interiors, and shrouds (but not the coffins themselves). What this factory had in common with Smith and Pepper factory was that they were both working with metal, and the smell of grease, the sound of the presses was also common to both. In both factories, the guides did some demonstrations of some of the work that the employees would have done. I couldn't help but think of our bellfoundry. It's a working Victorian factory: it's hot; it's noisy; it's smelly and it's blummin dangerous!
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The Coffin works |
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Metalworking at Taylors 2017 |
My final museum visit (can't really count a cuppa in the Edwardian tearooms in the main museum and art gallery in Town Hall Square!) was to the Pen Museum. Well, that was fascinating! So many pen nibs!!! What did they say - 90% of the world's words at one time were written using a nib from Birmingham! Staggering! It was also in this museum that I read a little about the gun factories in Birmingham, which is interesting because Natahaniel
Corah, who started Corah's in Leicester, in the mid-1800s, but not before he'd spent his early years as a framework knitter, then at 27 going to work in a gun factory in Birmingham! And, he used to do business in The Globe pub in Leicester, which is so-called in honour
of those framework knitters! Two questions arise here, for further investigation sometime, the first of which is was Nathaniel Corah any relation to the builders,
and printers of the same name in Loughborough?
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Information about the Birmingham gun quarter |
The other question concerns one of the Birmingham pen-making firms which was named after the owner - Joseph Gillott: is there any connection with the Gillott's of Loughborough who had the garage of that name?
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Gillott's factory |
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Nibs at the Pen Museum |
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Joseph Gillott |
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Gillott's nibs |
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Picture of the interior of Gillett's factory |
A couple of other incidental connections were that at the Coffin Works they had a machine produced by SamcoStrong in Leicester, which the other half used to work for, and all the museums I visited had typewriters, but it wasn't until I got to the last one (the Pen Museum) that I found an Imperial typewriter from Leicester.
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A SamcoStrong hydraulic cutting press |
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An Imperial typewriter from Leicester |
Other connections to Loughborough - like the canal and terracotta buildings - will have to wait for another blogpost
now, as I've run out of time.
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Canal, lock and bridge in Birmingham |
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Terracotta building in the centre of Birmingham |
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Lynne
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